1 00:00:07,080 --> 00:00:13,937 We simply must be brave, mustn't we? Heaven knows it'll be hard. It'll be 2 00:00:13,961 --> 00:00:18,177 beastly. But we're strong people, Tony. You and. 3 00:00:18,201 --> 00:00:25,936 I. And what we feel for each other, it'll endure. It will endure. 4 00:00:25,960 --> 00:00:30,977 So I shall stay in my shop, 5 00:00:31,001 --> 00:00:35,697 you and yours. And all I ask is that you don't grow to 6 00:00:35,721 --> 00:00:39,617 hate me. How could I hate you, Madeline? You mean 7 00:00:39,641 --> 00:00:46,417 everything to me. What the hell was that? 8 00:00:46,441 --> 00:00:51,018 Billy, what was that? Just a car backfiring, I think, miss. 9 00:00:51,042 --> 00:00:54,778 That sounded like a pistol. It didn't sound like already pistol. 10 00:00:54,802 --> 00:00:58,818 You alright my bet. Yeah, I'm fine. I think I'm just a bit tired. 11 00:00:58,842 --> 00:01:03,217 Of course, darling. You must be. Tell you what, how about a proper dinner 12 00:01:03,241 --> 00:01:06,418 after this like we used to before the war? 13 00:01:06,442 --> 00:01:11,618 Oh, yeah. That would be wonderful. None of this canteen muk. No offense. 14 00:01:11,642 --> 00:01:15,458 Sandra, are you okay? Yes. Yes, Jesse. I'm fine. Don't fast. 15 00:01:15,482 --> 00:01:20,240 How was my pout at the end? Was it? I could do with a dab, actually. 16 00:01:20,441 --> 00:01:25,457 M only wears victory red. Besame, please. Can we just stop faffing and get 17 00:01:25,481 --> 00:01:28,657 on with it? Mary, thank you. Yes, we do. Right. 18 00:01:28,681 --> 00:01:34,176 Right. At Astra Paraspera, we must have bodies. 19 00:01:34,200 --> 00:01:39,777 Still, stop it. I've got to concentrate. Have quiet. 20 00:01:39,801 --> 00:01:43,937 Love Lawn in London. Scene 28. Take three. 21 00:01:43,961 --> 00:01:49,617 Action. We simply must be brave, mustn't we? 22 00:01:49,641 --> 00:01:53,536 Heaven knows it'll be hard. It'll be feasty. 23 00:01:53,560 --> 00:02:00,161 I was strong for my future. 24 00:02:03,721 --> 00:02:07,121 Oh my. 25 00:02:07,481 --> 00:02:14,817 And this is on his bedroom wall. Rose red and rolled gold. I said to him, 26 00:02:14,841 --> 00:02:20,976 Stewart, Stew, I said, you are just like this paper. You're so strong and modern. 27 00:02:21,000 --> 00:02:25,440 He handled this very role. 28 00:02:25,641 --> 00:02:29,857 Can I touch it? Uh, 29 00:02:29,881 --> 00:02:37,360 I shouldn't really, but um Well, since your extras in my cake shop, 30 00:02:43,080 --> 00:02:48,657 this is the last thing he sees when he gets into bed. Yes. And the first thing 31 00:02:48,681 --> 00:02:54,197 he sees when he gets up in the morning and his hair's all disarranged. 32 00:02:54,221 --> 00:02:56,000 It's 14 shillings. 33 00:02:59,161 --> 00:03:03,696 Tell you what, it's a bit irregular, but um 34 00:03:03,720 --> 00:03:09,056 I could let you have a sample for well six pence, say, and then you could keep 35 00:03:09,080 --> 00:03:13,518 a little reminder of him wherever you go. 36 00:03:13,542 --> 00:03:15,681 Oh, yes. 37 00:03:32,121 --> 00:03:33,937 Keep change. Thank you, 38 00:03:33,961 --> 00:03:39,418 Mr. Book. Didn't expect a welcoming committee. I thought I'd better prepare 39 00:03:39,442 --> 00:03:43,738 you for what? There have been some changes since you went away on your long 40 00:03:43,762 --> 00:03:48,498 errand, Jack. Oh, by the way, it's old Belra's first folio. What do they say? 41 00:03:48,522 --> 00:03:50,737 Is it genuine? As his teeth. 42 00:03:50,761 --> 00:03:54,000 Oh dear. 43 00:03:56,761 --> 00:03:59,696 What the hell? Close. 44 00:03:59,720 --> 00:04:05,616 Hollywood. Or rather, the nearest England can get to it. Yes, Jack. We're 45 00:04:05,640 --> 00:04:10,097 going to be in pictures. All right, then. Let's hear it whenever 46 00:04:10,121 --> 00:04:15,856 you're ready. Life and death. The whole world is here 47 00:04:15,880 --> 00:04:23,040 in this little patch of London town. You going to do it like that? 48 00:04:23,961 --> 00:04:27,858 Life and death. The whole world here in this little. 49 00:04:27,882 --> 00:04:33,377 No, I think we'll just lose the line. I'm already worried about the mustache. 50 00:04:33,401 --> 00:04:36,778 You'll be smashing in the background there. 51 00:04:36,802 --> 00:04:40,736 Let's take 10. 10 minutes all 10 minutes. Billy. 52 00:04:40,760 --> 00:04:44,097 Narina. Rather jumpy this morning, isn't she? 53 00:04:44,121 --> 00:04:47,537 Our dear Sandra. We worked on hours in the picture 54 00:04:47,561 --> 00:04:51,178 business. Narina. Oh, don't I know it. And it must be so 55 00:04:51,202 --> 00:04:55,137 hard to keep that from telling on the faces of your stars. 56 00:04:55,161 --> 00:05:00,016 If you'll excuse me. Just the exteriors are being done here. 57 00:05:00,040 --> 00:05:04,937 You understand? The rest is at Lady Hurst. That's the studios. You see, I 58 00:05:04,961 --> 00:05:09,538 know all the jargon. Who's in it? Morning, Mr. B. Good morning. 59 00:05:09,562 --> 00:05:12,418 Stuart Howard. Yes, ma'am. 60 00:05:12,442 --> 00:05:17,498 I like him. He must pass me by entirely, I'm afraid. He plays the hero. The 61 00:05:17,522 --> 00:05:21,698 idealistic young bookshop owner in love with the girl next door. Did you never 62 00:05:21,722 --> 00:05:26,098 see him in that submarine picture? He went mad and try to throttle everyone. I 63 00:05:26,122 --> 00:05:28,698 mean, it was proper sweaty. A lash. 64 00:05:28,722 --> 00:05:32,978 Well, who else? Patience. You've literally arrived halfway through this 65 00:05:33,002 --> 00:05:39,698 picture, and you've yet to set eyes on our leading lady, who's also Stuart's 66 00:05:39,722 --> 00:05:42,458 fianceé. Is real life fiance. Sandra there. 67 00:05:42,482 --> 00:05:48,098 She's using my room. They can candered my thing so she can do her mascara, sip 68 00:05:48,122 --> 00:05:53,618 her, vishi water, whatever it is these people do. I had a cigarette card of her 69 00:05:53,642 --> 00:05:56,417 before the war, of course. Ah, 70 00:05:56,441 --> 00:06:00,097 Mr. Book. Ah, you're getting too much in your way, I 71 00:06:00,121 --> 00:06:03,057 trust. Not at all. Certainly an education. 72 00:06:03,081 --> 00:06:08,257 Larry Olivier calls film an anemic little medium and such a crashing snob. 73 00:06:08,281 --> 00:06:13,296 For he today would shed his blood with me shall be my brother. Be he so vile. 74 00:06:13,320 --> 00:06:17,298 Cherish when they gave him the Oscar. Jack, this is Mr. Mckendrich. 75 00:06:17,322 --> 00:06:20,258 Delighted. Oh, and here's Nora. The gang's all 76 00:06:20,282 --> 00:06:22,337 here. So, you're the director 77 00:06:22,361 --> 00:06:25,818 and the writer. I thought you'd be older with a monle 78 00:06:25,842 --> 00:06:29,698 and a writing court. Must believe everything you read in the 79 00:06:29,722 --> 00:06:33,058 film magazines, young lady. I've seen you before. 80 00:06:33,082 --> 00:06:36,218 Mr. Mckendendrick had a lot of green penguins from us last summer. 81 00:06:36,242 --> 00:06:39,136 Oh yeah, you look different. It's the shorts. 82 00:06:39,160 --> 00:06:43,098 I'm not wearing shorts. That's why you look different. Yes, you 83 00:06:43,122 --> 00:06:46,178 a very busy bee. As I recall, you're always running about the place, weren't 84 00:06:46,202 --> 00:06:49,296 you, Mr. McGinry? Jesse. Jesse. 85 00:06:49,320 --> 00:06:53,617 Ah, hello, Narina. In search of material for your next article. 86 00:06:53,641 --> 00:06:58,320 Always. Well, the bins around the back. 87 00:06:58,521 --> 00:07:02,177 Aren't you going to introduce me? This is Mr. book from. 88 00:07:02,201 --> 00:07:06,817 Oh, the apostrophe man. They subbed your sign. 89 00:07:06,841 --> 00:07:11,857 I'm trying not to look. Would you by any chance be a member of His Majesty's. 90 00:07:11,881 --> 00:07:14,977 Press? Nina Bean, picture goer. If you have 91 00:07:15,001 --> 00:07:21,440 juicy tits, my door is open. I'll bear that in mind. 92 00:07:26,361 --> 00:07:32,121 Fingers, but they're not real. Don't break a tooth. 93 00:07:41,081 --> 00:07:45,377 It's lovely. And he has this 94 00:07:45,401 --> 00:07:52,976 from his ceiling all the way down to his skirting boards. 95 00:07:53,000 --> 00:07:56,736 Does he talk about her fianceé? 96 00:07:56,760 --> 00:08:00,898 Does he say, "I don't like her anymore. She's too old for me." 97 00:08:00,922 --> 00:08:04,178 No. Does he say she's so old it's like 98 00:08:04,202 --> 00:08:08,257 kissing a leg of mutton? No. She's only 45. Thank you very much. 99 00:08:08,281 --> 00:08:13,138 He says he was very excited about Love Lawn in London from the moment he saw 100 00:08:13,162 --> 00:08:18,497 the script. And he's very excited about married life. Though he also adds, "One" 101 00:08:18,521 --> 00:08:24,818 "must keep an open mind because who knows what fate may throw you away." Hear 102 00:08:24,842 --> 00:08:32,320 that, Barbara? Heavens go it back. Barbara 103 00:08:33,001 --> 00:08:38,881 home is the hunter. Oh my god. 104 00:08:50,121 --> 00:08:53,121 Heat. 105 00:09:08,361 --> 00:09:11,361 Heat. 106 00:09:23,481 --> 00:09:26,481 Hey, 107 00:09:36,841 --> 00:09:39,841 hey, hey. 108 00:09:56,281 --> 00:09:59,281 Uniform. 109 00:10:00,281 --> 00:10:03,281 Inspector, 110 00:10:03,321 --> 00:10:09,058 is this a sad one, Morris? Well, cuz I've been up all night with the razor 111 00:10:09,082 --> 00:10:12,577 blade case. So, all right, let's have it. Film struck 112 00:10:12,601 --> 00:10:17,537 girl extra dead on the counter. It's suspicious. I've shut down filming for 113 00:10:17,561 --> 00:10:21,218 the time being. Have the parents been informed? 114 00:10:21,242 --> 00:10:26,497 Yes, sir. Uh, she and her family didn't get on. Her friend said that's why she 115 00:10:26,521 --> 00:10:29,520 spent so much time at the uh pictures. 116 00:10:31,001 --> 00:10:35,297 Inspector book. 117 00:10:35,321 --> 00:10:40,080 We are at home to death, it seems. 118 00:10:40,281 --> 00:10:44,321 Oh, they're upstairs. 119 00:10:53,561 --> 00:10:58,496 Royal appointment. What are they keeping from us, Stuart? 120 00:10:58,520 --> 00:11:05,857 All this waiting is making me tired. Perhaps one should have a mask made. 121 00:11:05,881 --> 00:11:12,417 A mask? The permanent RT smile. 122 00:11:12,441 --> 00:11:20,441 They can do wonders with makeup. Now have Boris Carlo's number if you'd like. 123 00:11:22,841 --> 00:11:30,841 Dearest Miss Dare, you don't know me, but I'm your most devoted admirer. 124 00:11:32,200 --> 00:11:36,176 I wonder what they'll think. Loveorn in London. 125 00:11:36,200 --> 00:11:38,097 Who? Them. 126 00:11:38,121 --> 00:11:41,936 They'll buy it. They love us, don't they? Both of us. 127 00:11:41,960 --> 00:11:46,321 They'll throw bottles at the screen. 128 00:11:51,080 --> 00:11:55,297 Do you know what they shouted at the test of brief encounter? 129 00:11:55,321 --> 00:12:00,817 Why doesn't she just kiss him? Only they didn't say kiss. 130 00:12:00,941 --> 00:12:06,036 Relax, darling. There'll be another smash by the nation's most blissfully 131 00:12:06,060 --> 00:12:13,637 engaged couple. Remember? And what a long engagement it's been. 132 00:12:13,661 --> 00:12:18,277 Oh god, I can't wait to be back at the studio. Haven't you enjoyed a little 133 00:12:18,301 --> 00:12:21,518 field trip? If we're back at Lady House, it gets 134 00:12:21,542 --> 00:12:25,878 that dreadful narina bean out of my air. The studio has gates. 135 00:12:25,902 --> 00:12:31,478 Fire breather of picturegoer. You know when you lift a stone or a 136 00:12:31,502 --> 00:12:37,238 branch and suddenly all these ghastly, filthy, damp little monstrosities are 137 00:12:37,262 --> 00:12:42,597 exposed to the daylight, scrabbling back into the shadows. Well, beneath them are 138 00:12:42,621 --> 00:12:47,958 even worse filthy, damp little monstrosities. 139 00:12:47,982 --> 00:12:52,437 And under there is Narina be sure been rather sweet to me. 140 00:12:52,461 --> 00:12:55,397 Mhm. Well, 141 00:12:55,421 --> 00:12:58,677 we got good news for her, don't we? Do we? 142 00:12:58,701 --> 00:13:00,958 Deliveries. Oh, 143 00:13:00,982 --> 00:13:05,378 our new three picture deal. Picture go exclusive. 144 00:13:05,402 --> 00:13:06,901 Well, 145 00:13:07,341 --> 00:13:14,661 what do you want? Barley sugar boy. I'm afraid there's been an accident. 146 00:13:24,221 --> 00:13:29,476 The contents of a handbag. Melancholy, isn't it? Evidence of a 147 00:13:29,500 --> 00:13:34,500 little life spilled on the floor. 148 00:13:36,701 --> 00:13:42,757 Oh, what's this? You kiss your excess lipstick onto your 149 00:13:42,781 --> 00:13:46,276 favorite star. I am takes all sorts. 150 00:13:46,300 --> 00:13:50,596 This interests me. May I? Mhm. 151 00:13:50,620 --> 00:13:57,077 Very carefully rammed. Tenderly, I'd say. 152 00:13:57,101 --> 00:14:02,036 Well, they are still on the rationale. They look expensive. There are only 153 00:14:02,060 --> 00:14:04,276 coppers in this purse. Troty. Yes. 154 00:14:04,300 --> 00:14:10,677 Did they have money, these girls? Very little. So they didn't buy them. 155 00:14:10,701 --> 00:14:15,396 I didn't notice the production reviving fancy confectionary. 156 00:14:15,420 --> 00:14:20,517 No, the ferns bring them. Letters and presents. Sad little things 157 00:14:20,541 --> 00:14:26,197 they've knitted. They're left through there. Billy brings them up to them. 158 00:14:26,221 --> 00:14:31,781 Actually, he had a box of chocolates with him just now. 159 00:14:32,781 --> 00:14:37,476 Puncture mark. Barbara was breathless. Troty. Yes. 160 00:14:37,500 --> 00:14:41,141 Yes. And twitchy 161 00:14:41,740 --> 00:14:47,860 strictly. Oh, hell's bells. 162 00:14:55,581 --> 00:14:59,557 Poor girl. Someone's been at these. 163 00:14:59,581 --> 00:15:04,438 Oh, darling. You shouldn't You You don't know where they've been. 164 00:15:04,462 --> 00:15:06,998 Stop it. It's poison. Don't be absurd. They're by royal 165 00:15:07,022 --> 00:15:10,438 appointment. I'm afraid it's true, sir. You You You didn't have any, did you, 166 00:15:10,462 --> 00:15:12,478 mister? Oh, uh, no. No. 167 00:15:12,502 --> 00:15:17,157 What about you, Mr. Howard? No. Not good. Have you ever received chocolates 168 00:15:17,181 --> 00:15:20,338 like this before, mister? Uh, yes. All the time. My fans know 169 00:15:20,362 --> 00:15:23,377 they're my favorite, but I never eat them. 170 00:15:23,401 --> 00:15:28,138 It seems reasonable to assume then that you were the intended victim. 171 00:15:28,162 --> 00:15:32,218 Intended victim? What does he mean, intended victim? 172 00:15:32,242 --> 00:15:37,138 We're investigating the death of Barbara Malcolm. Yes, that unfortunate young 173 00:15:37,162 --> 00:15:38,736 woman. Yes. 174 00:15:38,760 --> 00:15:44,496 Oh my god. I have been sent some strange things in my time, but I would anyone 175 00:15:44,520 --> 00:15:48,778 want to kill me? Billy, who gave you these chocolates? 176 00:15:48,802 --> 00:15:54,098 Nobody. They were just with the usual mail. I always have to deal with it. 177 00:15:54,122 --> 00:15:57,658 Well, anyone could have got at them. And Barbara and her friend presumably did. 178 00:15:57,682 --> 00:16:00,818 Jesus Christ. We could have both died. What were you thinking about bringing 179 00:16:00,842 --> 00:16:03,218 that muck up here? Sorry, Mr. Howard, but you told me to 180 00:16:03,242 --> 00:16:05,936 bring Don't answer me back. 181 00:16:05,960 --> 00:16:10,320 Going need to find myself a new assistant. 182 00:16:11,561 --> 00:16:16,577 You all right, my love? It's a brutal question, mister, but I'm 183 00:16:16,601 --> 00:16:20,897 afraid it must be asked. Do you have any idea who might want to 184 00:16:20,921 --> 00:16:24,257 kill you? Can't this wait? 185 00:16:24,281 --> 00:16:30,097 Yes, of course. He'd excuse us. Sir, out. I need to remind you that this 186 00:16:30,121 --> 00:16:36,721 is an official murder investigation. Don't talk to the press. 187 00:16:54,601 --> 00:17:00,817 There once was an actress called Dare whose allure was exceedingly rare. Her 188 00:17:00,841 --> 00:17:06,337 chocolates were spiked with strictening, not nice. But it was Barbara that ate 189 00:17:06,361 --> 00:17:12,097 them. Not fair. I hope we did the right thing letting 190 00:17:12,121 --> 00:17:15,056 those people into the lane. Why did she? 191 00:17:15,080 --> 00:17:19,936 I'm afraid it was money. Yes, my love. Those little pieces of 192 00:17:19,960 --> 00:17:23,618 paper that keep us out of the small claims courts. 193 00:17:23,642 --> 00:17:25,857 How much? 20 guineies 194 00:17:25,881 --> 00:17:28,097 per week per DM 195 00:17:28,121 --> 00:17:32,081 for 10 DMs. 196 00:17:33,800 --> 00:17:39,058 The devil's going on out there? Bobby's swimming about like the cup final. 197 00:17:39,082 --> 00:17:42,258 Ah, Mrs. Goodwin. Yes. I'm afraid there's been an 198 00:17:42,282 --> 00:17:45,937 accident. Oh. Oh, nothing to do with Sandra Dare. 199 00:17:45,961 --> 00:17:49,858 I hope. I heard she was in the neighborhood. Oh, so that's why we're 200 00:17:49,882 --> 00:17:51,978 here. Always been a fan. 201 00:17:52,002 --> 00:17:55,657 They don't want to hear about your juvenile antics, woman. 202 00:17:55,681 --> 00:17:59,018 Miss Dale is perfectly sound, I'm happy to say. The scarlet pimpanel you heard 203 00:17:59,042 --> 00:18:02,017 from us last time, wasn't it? I trust you enjoy it. 204 00:18:02,041 --> 00:18:05,777 Oh, very much. I promised you the sequel. 205 00:18:05,801 --> 00:18:08,818 I'm teeing off at quarter 2. Sorry. 206 00:18:08,842 --> 00:18:10,738 Thinking I will repay. 207 00:18:10,762 --> 00:18:13,578 What? That's the sequel to The Scarlet. 208 00:18:13,602 --> 00:18:15,937 Pimpanel. Jack. Oh. Um, 209 00:18:15,961 --> 00:18:20,657 underneath Hardy Perennials, the biography of Danton and the stack of 210 00:18:20,681 --> 00:18:24,658 unpaid bills. Got anything on uh how to cook? 211 00:18:24,682 --> 00:18:29,776 I beg your pardon. That's what she needs. Can hardly boil a ruddy egg. 212 00:18:29,800 --> 00:18:32,737 How are your feet? Oh, how much better. 213 00:18:32,761 --> 00:18:37,040 Oh, I'll wait in the car. 214 00:18:37,321 --> 00:18:42,817 Ah, that's just a bob. Oh, and I put this to one side, too. Uh, on the house. 215 00:18:42,841 --> 00:18:47,776 What is it? Oh, just a little play. Ipsson, A Doll's House. It's about a 216 00:18:47,800 --> 00:18:53,521 woman who realizes she's rather trapped, unfulfilled. 217 00:18:53,561 --> 00:18:57,776 Thought you might find it enlightening. Thank you, 218 00:18:57,800 --> 00:19:00,800 Serio. 219 00:19:02,841 --> 00:19:06,177 How's business been? Booming. 220 00:19:06,201 --> 00:19:10,417 Goodbye to Bullin. All the Steuart Howard fans are mad for it. 221 00:19:10,441 --> 00:19:16,561 Is he in the film version? That's what I'm telling them. 222 00:19:16,841 --> 00:19:21,617 I uh better unpack. Oh, Jack, be a darling and fetch my bag 223 00:19:21,641 --> 00:19:28,016 from my room, would you? It's the green one with the amber class. 224 00:19:28,040 --> 00:19:31,040 Right. 225 00:21:09,081 --> 00:21:12,578 You really think someone tried to kill me? 226 00:21:12,602 --> 00:21:17,217 It really looks that way. Good God. At least we'll be back at Lady. 227 00:21:17,241 --> 00:21:21,258 Hurst tonight. You sure you're okay to shoot? 228 00:21:21,282 --> 00:21:26,256 Have to be, won't I? Dear dream, silly me. My memory. Sandra, are you 229 00:21:26,280 --> 00:21:33,537 ready? Ready? My exclusive. Oh, excuse me. Um, I promised an 230 00:21:33,561 --> 00:21:39,697 interview, Harold. Um, Marina, I can give you two minutes. 231 00:21:39,721 --> 00:21:46,481 Necessary evil. I suppose one must feed the machine. Mr. 232 00:21:46,761 --> 00:21:51,841 Ah, finally. 233 00:21:53,260 --> 00:21:57,637 If you piece of kite, you know my motto. If nothing nice to 234 00:21:57,661 --> 00:22:04,756 say, come and sit by me. And here you are, sitting by me. 235 00:22:04,780 --> 00:22:08,517 Ah, yes, but I do have something nice to say. Narina. 236 00:22:08,541 --> 00:22:16,037 Oh, Love Lawn in London is the first of a new three picture deal. 237 00:22:16,061 --> 00:22:20,597 A deal Stuart and I have signed on for. Isn't that marvelous? 238 00:22:20,621 --> 00:22:24,437 Marvelous. And you're shooting interiors at Lady. 239 00:22:24,461 --> 00:22:29,797 House, aren't you? Not exactly MGM, is it? Ped. Oh, it'll 240 00:22:29,821 --> 00:22:33,797 do nicely. You know the place though, don't you? 241 00:22:33,821 --> 00:22:39,518 Made plenty of pictures there in the past. Like the one where you played the 242 00:22:39,542 --> 00:22:41,877 simple crafter's daughter who married a duke. 243 00:22:41,901 --> 00:22:45,558 Yes. And the one where you played a simple 244 00:22:45,582 --> 00:22:49,877 fisherman's daughter who married a dude magnet. 245 00:22:49,901 --> 00:22:55,158 Yes. I always forget what dude is. It's a kind of fiber. People make bags with 246 00:22:55,182 --> 00:22:59,278 it. What's the first film you made there, 247 00:22:59,302 --> 00:23:06,756 Sandra? At Lady Hurst. H um I don't know. Uh 248 00:23:06,780 --> 00:23:11,478 springtime for Mary, I think. Oh, about a simple blacksmith's daughter 249 00:23:11,502 --> 00:23:14,661 who married. All right. 250 00:23:14,780 --> 00:23:19,797 I think it was quite a bit before that. Do you know our readers would be 251 00:23:19,821 --> 00:23:25,637 fascinated to learn that not all Sandra Dear's pictures were talking pictures? 252 00:23:25,761 --> 00:23:32,057 I love those old inter titles. Came the dawn and all that. 253 00:23:32,081 --> 00:23:37,897 Or I can check the date later. Dear Dre, that is your real name, isn't it? The 254 00:23:37,921 --> 00:23:44,297 one you used to go by. Dear Pedock, perhaps you should 255 00:23:44,321 --> 00:23:49,017 concentrate on the present Narina. Where? 256 00:23:49,041 --> 00:23:53,480 Someone is trying to kill me. 257 00:24:03,360 --> 00:24:08,658 Jesse and I are taking Sandra for supper. Try to take her mind off things. 258 00:24:08,682 --> 00:24:12,457 If that's not inappropriate under the circumstances. 259 00:24:12,481 --> 00:24:16,698 Well, one must eat. Where are you going? Wheelers? 260 00:24:16,722 --> 00:24:20,038 No, Camille's on the Strand. Good choice. 261 00:24:20,062 --> 00:24:21,801 Don't have the oysters. 262 00:24:22,081 --> 00:24:26,377 I saw them taking that girl away. I assumed it was an accident. 263 00:24:26,401 --> 00:24:29,497 Poison chocolates. Really? 264 00:24:29,521 --> 00:24:35,576 And they were intended for me. And that poor sad girl intercepted them. Oh god, 265 00:24:35,600 --> 00:24:41,576 how's that for an exclusive? Tragic. And what an angle. 266 00:24:41,600 --> 00:24:46,697 Oh, sorry. That was crash of me. But still, 267 00:24:46,721 --> 00:24:50,937 what an angle. Well, there's your story, Narina. 268 00:24:50,961 --> 00:24:55,258 Are you ready, darling? Oh, yeah. I was just leaving. 269 00:24:55,282 --> 00:24:59,096 Congratulations on the new contract, Stuart. 270 00:24:59,120 --> 00:25:02,360 Thank you. 271 00:25:02,641 --> 00:25:09,561 Much to chew on. Always lovely to see you. 272 00:25:10,721 --> 00:25:15,657 Bust the Lady Hursties in 5 minutes. 5 minutes everyone. 273 00:25:15,681 --> 00:25:19,880 What are you waiting for? The last post. 274 00:25:19,921 --> 00:25:24,297 Mr. Masterson son, what a pleasure to see you again. 275 00:25:24,321 --> 00:25:31,721 Lena Bane looking lovely as ever. What can I do for you? 276 00:25:35,921 --> 00:25:40,360 Here we go. Guitar. 277 00:25:44,821 --> 00:25:49,597 We met through um picture goer. Me and Barbara, I mean there's lots of 278 00:25:49,621 --> 00:25:53,838 correspondents. You see, like minded folk finding each other. 279 00:25:53,862 --> 00:25:58,157 Some aren't to their fans. Some and the other big names, too. 280 00:25:58,181 --> 00:26:03,558 There's a hairdresser I know who's putting on James Mason. 281 00:26:03,582 --> 00:26:09,718 But you know, Stuart was our favorite. That's why we Why we chose to get jobs 282 00:26:09,742 --> 00:26:14,316 as extras to get close? You're doing very well, my dear. 283 00:26:14,340 --> 00:26:18,621 You admit to taking the chocolates? 284 00:26:19,700 --> 00:26:23,196 Yeah. I'm awfully sorry. We just couldn't 285 00:26:23,220 --> 00:26:28,637 resist them. We saw them there on the table in the bookshop. And I mean, 286 00:26:28,661 --> 00:26:33,757 chocks, come on. It's been years. They were through there. 287 00:26:33,781 --> 00:26:40,141 Yeah, just through there. What did you do with the note? 288 00:26:41,141 --> 00:26:44,556 Note? Well, there was obviously an enclosure 289 00:26:44,580 --> 00:26:49,117 of some kind. It's not there now. What did you do with it? 290 00:26:49,141 --> 00:26:54,781 I I I I didn't see any note. 291 00:26:57,301 --> 00:27:01,661 It was over there. Look on the table. 292 00:27:01,861 --> 00:27:05,517 It's funny how easy it is to get close to them. 293 00:27:05,541 --> 00:27:11,081 Sally Gray once brushed past me in the powder room at the Walsingham. 294 00:27:11,106 --> 00:27:18,037 You opened the box. Maybe the card fell out. Do you have back issues? 295 00:27:19,861 --> 00:27:22,157 Picture girl. I mean, of course. 296 00:27:22,181 --> 00:27:28,941 January 35 onwards. Would you be so good as to let us have them? Of course. 297 00:27:33,541 --> 00:27:37,421 I know that look. 298 00:27:41,381 --> 00:27:46,381 Oh, dog. You a naughty boy. 299 00:27:46,580 --> 00:27:50,157 This succession. 300 00:27:50,181 --> 00:27:55,917 Well, I wouldn't say session, sir. He gives you full pay for that. 301 00:27:55,941 --> 00:28:02,717 He does. He really can't. You're sure he knows about that? Yeah, 302 00:28:02,741 --> 00:28:07,278 he does know where we are. Thank you, Miss Bruce. You've been most 303 00:28:07,302 --> 00:28:11,277 helpful. Uh uh, Constable. 304 00:28:11,301 --> 00:28:14,541 Thank you. 305 00:28:20,661 --> 00:28:23,661 Well, 306 00:28:24,100 --> 00:28:29,597 oh Stuart, oh Stewart, my love, there's so much I want to say to you. From that 307 00:28:29,621 --> 00:28:35,357 moment on the submarine, I knew your look of concentration, your strength, we 308 00:28:35,381 --> 00:28:41,757 were destined to love each other. Ship of shame. Good picture, that one. 309 00:28:41,781 --> 00:28:45,661 They were meant for him. 310 00:28:45,861 --> 00:28:52,076 We imagine we control our passions, but they direct us to the stars. We strive 311 00:28:52,100 --> 00:28:57,117 despite adversity. They drive ordinary people to extraordinary actions like 312 00:28:57,141 --> 00:29:01,997 like injecting strict mean into strawberry creams. 313 00:29:02,021 --> 00:29:07,837 So Stuart, my own best darling, I implore you not to try. Follow your 314 00:29:07,861 --> 00:29:13,917 heart. Break off your engagement and we can be together, you and I, my sweetest 315 00:29:13,941 --> 00:29:21,941 boy, in life or in the cold, cold tomb of death. And if one proves impossible, 316 00:29:22,100 --> 00:29:27,037 I'll take the other joyously. Well, that seems pretty clear. If the 317 00:29:27,061 --> 00:29:31,598 writer can't have him, nobody can. So, we're looking for a film fanatic. 318 00:29:31,622 --> 00:29:36,358 Fanatic being the word. That would be the obvious explanation. 319 00:29:36,382 --> 00:29:41,580 All right, then. Bring me up to speed. What do we know about this film, Mil? 320 00:29:41,781 --> 00:29:45,676 Stuart Howard, proof that smoldering Latin looks 321 00:29:45,700 --> 00:29:49,117 sometimes occur spontaneously in Burman's. 322 00:29:49,141 --> 00:29:53,997 He and Sandra have bound their careers together, the nation's sweethearts. 323 00:29:54,021 --> 00:30:00,078 But hope can know the truth of it. He's an actor and he's young and ruthless and 324 00:30:00,102 --> 00:30:05,278 rather over rewarded and appears to be hopelessly in love with someone else. 325 00:30:05,302 --> 00:30:07,037 Who? Himself. 326 00:30:07,061 --> 00:30:11,718 Then there's the Honorable Jesse Mckendrich. He lived in rooms on the 327 00:30:11,742 --> 00:30:15,398 lane last year just for a few weeks. Rich boy slumbing it for the summer. 328 00:30:15,422 --> 00:30:18,357 Ran up and down like a billy goat. He was always pounding the streets in his 329 00:30:18,581 --> 00:30:22,038 cells. Left when it got cold, ran straight back 330 00:30:22,062 --> 00:30:26,118 to daddy's place in Wiltshire, I think. I'm sure I looked it up. 331 00:30:26,142 --> 00:30:30,797 And then we must presume wrote his script on the private lives of the 332 00:30:30,821 --> 00:30:32,918 proletariat. Thank you so much for joining. 333 00:30:32,942 --> 00:30:36,518 Good neighbor, was he? Didn't pay much attention to be honest. 334 00:30:36,542 --> 00:30:40,238 I find that hard to believe. Well, he was obviously taking notes on 335 00:30:40,262 --> 00:30:43,518 how to run a bookshop. And Miss Dash, she had a rich husband 336 00:30:43,542 --> 00:30:47,318 who died, didn't she? Italian national. Is that why they went to the States? 337 00:30:47,342 --> 00:30:51,158 Well, if they'd stayed, he'd have been interned as an enemy alien, so I suppose 338 00:30:51,182 --> 00:30:55,038 they preferred the California sunshine. That's made me think rather better of 339 00:30:55,062 --> 00:30:58,558 her. I thought she was just running away from the bombs. 340 00:30:58,582 --> 00:31:00,618 What about Billy? Clapper boy. 341 00:31:00,642 --> 00:31:05,258 Positions, please. And from the look of it, Stuart Howard's 342 00:31:05,282 --> 00:31:10,538 now exhipping boy. Doesn't seem to be much love lost there. They pose a lot, 343 00:31:10,562 --> 00:31:15,976 don't they, these film stars? Why is he marrying her? Do you think to 344 00:31:16,000 --> 00:31:19,641 shows she's still here? 345 00:31:22,720 --> 00:31:26,377 Thank you. Uh to show she knows what the audience 346 00:31:26,401 --> 00:31:31,576 wants. Stuart Howard's just arrived at the top, ain't he? Sergeant's been there 347 00:31:31,600 --> 00:31:35,336 for years, but she can only stay there for so long. 348 00:31:35,360 --> 00:31:39,561 Very perceptive of you, Jack. 349 00:31:39,681 --> 00:31:45,336 What a brutal business this is. It captures people in time, then they 350 00:31:45,360 --> 00:31:48,360 change, 351 00:31:48,480 --> 00:31:53,818 and it mocks them for it. Right. I'm going to get on to the film 352 00:31:53,842 --> 00:31:58,698 security people. See if anyone saw who dropped the chocolates off. What will 353 00:31:58,722 --> 00:32:02,617 you do now? Jack and I are taking this note to 354 00:32:02,641 --> 00:32:05,641 dinner. 355 00:32:26,961 --> 00:32:30,681 Is that what I mean? 356 00:32:36,480 --> 00:32:41,801 Jesus Christ. Me? You. 357 00:32:42,081 --> 00:32:45,976 You have no idea how draining it is, Mr. Book. 358 00:32:46,000 --> 00:32:50,137 Glad handing. Scribbling one's autograph. Failing to 359 00:32:50,161 --> 00:32:55,178 recognize someone whom you apparently met at a village fate 10 years ago. And 360 00:32:55,202 --> 00:32:59,818 the smiling. Great god. The smiling. This is simply the next step. They can 361 00:32:59,842 --> 00:33:04,360 only love one so much. And there's only one way to go from there. 362 00:33:10,980 --> 00:33:15,718 Can I bloody well eat after that? Well, a crazed fan is only the most 363 00:33:15,742 --> 00:33:19,958 obvious theory, but we don't like to be obvious, do we, Jack? 364 00:33:19,982 --> 00:33:24,278 What? Oh, uh, no. No, we don't. So, if I might repurpose the inspector's 365 00:33:24,302 --> 00:33:27,917 earlier question, can you think of anyone who might want to kill you, Mr. 366 00:33:27,941 --> 00:33:30,157 Howard? Take your ready pick. 367 00:33:30,181 --> 00:33:35,998 There's quite a lot of angry ladies out there, not to mention their husbands. 368 00:33:36,022 --> 00:33:40,918 Several road tailor, producers, directors, writers, my ex-agent, my 369 00:33:40,942 --> 00:33:45,277 exx-agent, uncle Tom Conway and all. What about prison? 370 00:33:45,301 --> 00:33:48,958 What? You started to eat your dinner with your 371 00:33:48,982 --> 00:33:52,237 spoon. Ah, old habits. 372 00:33:52,261 --> 00:33:58,076 Dead giveaway. Takes one to no one. 373 00:33:58,100 --> 00:34:04,558 I was younger than you. Nothing too terrible. But I shouldn't like it to get 374 00:34:04,582 --> 00:34:10,060 into the popular press, Mr. Book. I should think not. 375 00:34:10,741 --> 00:34:14,077 Where'd they get you for? I went for a drive. 376 00:34:14,101 --> 00:34:17,756 Where? Through a fer's window in Mayfair. You 377 00:34:17,780 --> 00:34:23,658 went to the bank to make a withdrawal. With a stocking over your face? 378 00:34:23,682 --> 00:34:25,500 Yeah. My mother's. 379 00:34:25,540 --> 00:34:29,837 I'm a Burmany boy, Jack. Rough as a sailor's ass 380 00:34:29,861 --> 00:34:33,901 despite all of this. 381 00:34:34,340 --> 00:34:39,277 Do you think it could have something to do with that? The prison? 382 00:34:39,301 --> 00:34:43,358 Well, as you've indicated, it's a wide field. Tell you what, why not take on 383 00:34:43,382 --> 00:34:45,638 young Jack here as your new factom? Huh? 384 00:34:45,662 --> 00:34:48,638 No harm in having a strapping young fellow like him hanging around. And you 385 00:34:48,662 --> 00:34:52,398 are looking for a new assistant. Yeah, I can't. I've already got a job at 386 00:34:52,422 --> 00:34:55,237 the bookshop. I'm sure I can spare you for a few days. 387 00:34:55,261 --> 00:34:57,517 And you know how Nola loves to help out. Well, 388 00:34:57,541 --> 00:35:00,798 spend it. Yes, it's a good idea. You know, Mr. 389 00:35:00,822 --> 00:35:06,158 Book, you should all come to Lady Hurst. Help us get the details right and uh 390 00:35:06,182 --> 00:35:10,898 keep an eye on things. We'll be delighted. Thank you for these. 391 00:35:10,922 --> 00:35:12,701 I'm a film star. 392 00:35:14,181 --> 00:35:18,077 You all right? Yeah. 393 00:35:18,101 --> 00:35:22,397 Oh, wouldn't I be? I'll leave you to it then. Let me know 394 00:35:22,421 --> 00:35:27,277 if anything interesting turns up. Oh, be careful. There is a killer on the 395 00:35:27,301 --> 00:35:30,957 loose. Good night. 396 00:35:30,981 --> 00:35:37,421 Good night. Yes, sir. What's your poison? 397 00:35:49,540 --> 00:35:53,981 Varsity sporting review. 398 00:35:55,141 --> 00:35:58,621 There you are. 399 00:36:27,461 --> 00:36:32,157 What's this? Come on. It's usually around now that 400 00:36:32,181 --> 00:36:35,821 you dain to share. 401 00:36:36,821 --> 00:36:41,837 Three things then. Who would benefit from Lavlon in London collapsing? What 402 00:36:41,861 --> 00:36:45,918 was missing from that box of chocolates was lying there with all the other fan 403 00:36:45,942 --> 00:36:47,798 mail. But no envelope. 404 00:36:47,822 --> 00:36:53,117 Top of the class, Mrs. Book. So unless the envelope was disposed of, 405 00:36:53,141 --> 00:36:56,558 the chocolates didn't arrive by post. So anyone on the film set could have put 406 00:36:56,582 --> 00:37:00,078 it there. Precisely. And finally, the chocolate 407 00:37:00,102 --> 00:37:04,237 method, haphazard though it was, has been tried and failed, which means 408 00:37:04,261 --> 00:37:07,997 whoever's behind this is going to try again. What are you 409 00:37:08,021 --> 00:37:11,038 going to do? We're invited to the film studios 410 00:37:11,062 --> 00:37:15,516 tomorrow. And Jack has a new job. The Stuart Howard stand in. 411 00:37:15,540 --> 00:37:19,500 When are we going to tell him? 412 00:37:19,540 --> 00:37:24,637 Not yet. Shall I read? 413 00:37:24,661 --> 00:37:28,717 Well, I know how you enjoy it, so I'll humor you. 414 00:37:28,741 --> 00:37:32,141 But then. 415 00:37:34,901 --> 00:37:40,717 Oh, there it is. Been ftting about that since we moved my 416 00:37:40,741 --> 00:37:46,957 stuff to accommodate the stars. Then fret not, dear. And recall our 417 00:37:46,981 --> 00:37:50,461 solemn pack 418 00:37:55,461 --> 00:38:02,077 of fancy. I've seen some D in my time, but this 419 00:38:02,101 --> 00:38:06,476 so dirty, so shady. 420 00:38:06,500 --> 00:38:12,941 The pansies in my garden abhore the shade. 421 00:38:13,301 --> 00:38:20,476 Right, sir. It is sir. Is it? Let's find you on my 422 00:38:20,500 --> 00:38:27,277 list. Name, occupation, marital status. 423 00:38:27,301 --> 00:38:31,357 Engaged. Who are you? 424 00:38:31,381 --> 00:38:37,278 Medical officer stro with Perry. Troty to my friends. Late for the Gary Baldi. 425 00:38:37,302 --> 00:38:41,518 Brigade. And I don't mean the biscuits. I can pull out shrapnel. I can strip it 426 00:38:41,542 --> 00:38:44,638 to shanker in under two seconds. And I want to pull it south of the erbo, which 427 00:38:44,662 --> 00:38:49,517 I wouldn't recommend even to you, Sergeant. And I never ever leave a man 428 00:38:49,541 --> 00:38:52,478 behind. He's sitting there. And I'm getting 429 00:38:52,502 --> 00:38:57,918 married to him next Saturday. And the chief constable's daughter is one of our 430 00:38:57,942 --> 00:39:02,458 bridesmaids. So if I were you, I'd just admit the error right away and cross him 431 00:39:02,482 --> 00:39:04,780 off your list. What say you? 432 00:39:10,101 --> 00:39:14,077 Saturday all right for you? Forecast is good. 433 00:39:14,101 --> 00:39:17,741 Quite all right. True 434 00:39:20,901 --> 00:39:23,901 me. 435 00:39:24,341 --> 00:39:27,341 Uh-oh. 436 00:39:27,381 --> 00:39:33,037 Where would I be without you? I think we both know the answer to that, 437 00:39:33,061 --> 00:39:36,301 my love. 438 00:39:38,500 --> 00:39:43,277 Anyway, you were going to read. 439 00:39:43,301 --> 00:39:46,540 Of course. 440 00:40:10,341 --> 00:40:16,236 She's noticed you. Yeah, they always noticed me. Girls 441 00:40:16,260 --> 00:40:20,158 doesn't mean anything. It's like when kids point a dogs in the 442 00:40:20,182 --> 00:40:22,118 street and say, "Dog?" Yeah. 443 00:40:22,142 --> 00:40:25,757 Well, you getting married soon, sir. They've seen it in a column by Lena. 444 00:40:25,781 --> 00:40:28,718 Bean. But let me tell you something, Jack. 445 00:40:28,742 --> 00:40:30,918 I've never gone down at one knee to anyone. 446 00:40:30,942 --> 00:40:33,918 Sandra, what the question ended? I can imagine that. 447 00:40:33,942 --> 00:40:38,238 Most of the questions are from a business manager. 448 00:40:38,262 --> 00:40:42,637 Oh, so you've got an arrangement then. 449 00:40:42,661 --> 00:40:48,038 Shouldn't drink so much, should I? Yes, an arrangement. But we all have those, 450 00:40:48,062 --> 00:40:52,158 don't we? You have one with Book. Book has one with Mrs. Book if we're talking 451 00:40:52,182 --> 00:40:56,301 about unusual marriages. Why' you say Book's marriage is unusual? 452 00:40:56,421 --> 00:40:59,677 You'll like him book. How? 453 00:40:59,701 --> 00:41:05,101 Cuz you read. Just go on, read, mate. 454 00:41:06,341 --> 00:41:10,381 Well, um, 455 00:41:10,661 --> 00:41:15,838 you keep coming here cuz you think this is the sort of place that film stars go, 456 00:41:15,862 --> 00:41:21,318 but here's the thing. You don't like it here. You hate it. And you hate that 457 00:41:21,342 --> 00:41:25,037 drink, too. It's like a pudding from the war. 458 00:41:25,061 --> 00:41:30,558 So, you're thinking, "How can I be the chap I was?" You know, before I knew 459 00:41:30,582 --> 00:41:34,318 that the camera loved me, which is a terrible thing to know. It's all cracked 460 00:41:34,342 --> 00:41:37,518 up to be. Can you believe that? Yeah, I wouldn't mind a bit of it. 461 00:41:37,542 --> 00:41:41,658 Careful what you wish for, son. Got someone sending me poison in the post. 462 00:41:41,682 --> 00:41:43,181 Remember, 463 00:41:43,221 --> 00:41:49,597 I was a bit stuck when I met Sandra. Type cast, not officer material. They 464 00:41:49,621 --> 00:41:54,557 said it was a problem. Kid. Sandra changed that. She pulled strings, 465 00:41:54,581 --> 00:41:59,516 whispered in ears. Producers started casting us as lovers. We were lovers by 466 00:41:59,540 --> 00:42:03,357 then, of course. Do you love her now? 467 00:42:03,381 --> 00:42:07,421 Well, I don't hate her. 468 00:42:08,581 --> 00:42:10,637 You want to be your own man? 469 00:42:10,661 --> 00:42:15,398 Of course I do. But it's impossible, isn't it? We're a pair like Hope and 470 00:42:15,422 --> 00:42:18,438 Crosby, Fred and Ginger, Garbo and Gilbert. 471 00:42:18,462 --> 00:42:24,118 Except he left, didn't he? What? John Gilbert didn't survive when the torpies 472 00:42:24,142 --> 00:42:29,037 came. Yeah. So it's all an act then. You and her 473 00:42:29,061 --> 00:42:33,117 golden couple. All an act as much an artifice as Stuart 474 00:42:33,141 --> 00:42:36,621 Howard himself. 475 00:42:36,740 --> 00:42:42,317 Film is for dreamers. You see Jack when you sit there in the dark has to be 476 00:42:42,341 --> 00:42:49,117 space for you up there in that kiss. No scenes in the moonlight standing by 477 00:42:49,141 --> 00:42:54,398 the rail of a ship. You just read in the fan mags that the screen lovers have 478 00:42:54,422 --> 00:42:58,637 broken off the engagement. Can't stand to be in a room together 479 00:42:58,661 --> 00:43:03,020 and there's no space to dream. 480 00:44:43,941 --> 00:44:49,917 Scene 49, take eight and 481 00:44:49,941 --> 00:44:53,677 action. It was then I knew we had fallen in love 482 00:44:53,701 --> 00:44:59,117 from the pages of a book. But was that love strong enough to thrive out in the 483 00:44:59,141 --> 00:45:04,157 teeming world? Uh, can we um try it again without him reading in? I can do 484 00:45:04,181 --> 00:45:10,141 it in time. Yes, of course. Reset. 485 00:45:11,301 --> 00:45:15,437 Rolling. Sundra and 486 00:45:15,461 --> 00:45:18,461 action. 487 00:45:26,981 --> 00:45:33,117 I'm so sorry, Jesse. Uh, can I beg? 10 minutes. Siggy will sort me out. 488 00:45:33,141 --> 00:45:37,357 Cut it there. Cutting it there. 489 00:45:37,381 --> 00:45:42,301 10 minutes old. Back at five. 490 00:45:42,981 --> 00:45:47,981 Is that coffee, sir? No. Thank you. 491 00:46:24,260 --> 00:46:27,341 Come along. 492 00:47:24,500 --> 00:47:31,020 Eric Pival Banks. She's she's been married before. 493 00:47:49,381 --> 00:47:54,637 Good morning. You're up early. Oh, 494 00:47:54,661 --> 00:47:58,461 I thought you might want a tea. 495 00:48:18,581 --> 00:48:23,661 Hey kid, you want to be in pictures? 496 00:48:25,861 --> 00:48:28,637 Your name's not on the list. Who are you? 497 00:48:28,661 --> 00:48:32,198 We're antiquarian book sellers. Isn't it obvious? 498 00:48:32,222 --> 00:48:36,956 And I know we're being extra vigilant, Jerry Love, but bear with me. 499 00:48:36,980 --> 00:48:40,141 All right. 500 00:49:06,181 --> 00:49:10,038 What's this? The address of Barbara Markham's 501 00:49:10,062 --> 00:49:12,476 parents. I'll go visit them. 502 00:49:12,500 --> 00:49:17,516 No, no. There's the inquest first. Just write them a kind letter. 503 00:49:17,540 --> 00:49:21,677 I will. Thanks, Book. 504 00:49:21,701 --> 00:49:27,181 You boys in for the biggest surprise of your lives. 505 00:49:27,701 --> 00:49:34,797 Keep going. Better this way. More dramatic. 506 00:49:34,821 --> 00:49:40,701 Jordi, can I get some lights on, please? Yes. 507 00:49:45,621 --> 00:49:50,236 Amazing. It's absurd. 508 00:49:50,260 --> 00:49:55,516 Ridiculous, bizarre exaggeration of reality. 509 00:49:55,540 --> 00:50:00,317 It is wonderful. What a thrillingly peculiar life you 510 00:50:00,341 --> 00:50:04,317 lead, Mr. Howard. It's an imitation of life. 511 00:50:04,341 --> 00:50:08,557 Dog's blanket, but no dog. 512 00:50:08,581 --> 00:50:14,077 Is dog cast yet? Yeah. Not much cop. No screen presence. 513 00:50:14,101 --> 00:50:21,061 Think of a good replacement. Yeah, I can. 514 00:50:23,381 --> 00:50:28,877 Cans of cash. Your Tony's a better book seller than I am. 515 00:50:28,901 --> 00:50:35,117 It's fake. I like everything in here. Well, I'm glad you had a chance to look 516 00:50:35,141 --> 00:50:39,198 before the hordes arrived. Let's get some breakfast. Canteen's in the next 517 00:50:39,222 --> 00:50:42,621 block. Aon McDuff. 518 00:50:48,181 --> 00:50:51,037 It's just past the dressing rooms. 519 00:50:51,061 --> 00:50:56,078 Do you know what you're doing next? Or another Robin Hood remake? I mean, I've 520 00:50:56,102 --> 00:50:59,901 got the pins, right? Oh my god. What? 521 00:51:04,901 --> 00:51:08,540 It's one of the extras. 522 00:51:17,221 --> 00:51:23,260 No, I think not. 523 00:51:23,941 --> 00:51:27,740 It's Nina Bean. 524 00:51:36,181 --> 00:51:40,540 The girl with the poison pen. 525 00:52:16,101 --> 00:52:19,101 Yeah. 526 00:52:21,061 --> 00:52:24,061 Yeah.