1 00:00:01,959 --> 00:00:03,959 [OWL HOOTING] 2 00:00:03,959 --> 00:00:06,708 Buffy: "ONE NIGHT AFTER SUPPER, 3 00:00:06,708 --> 00:00:09,917 THE LEAD DOG TURNED UP A SNOWSHOE RABBIT. 4 00:00:09,917 --> 00:00:13,834 THE DOG LAY DOWN LOW TO THE RACE, HIS BODY FLASHING FORWARD, 5 00:00:13,834 --> 00:00:15,500 LEAP BY LEAP." 6 00:00:15,500 --> 00:00:17,917 Willow: "HE WAS SOUNDING THE DEEPS OF HIS NATURE 7 00:00:17,917 --> 00:00:20,625 AND THE PARTS OF HIS NATURE THAT WERE DEEPER THAN HE, 8 00:00:20,625 --> 00:00:22,959 GOING BACK INTO THE WOMBS OF TIME. 9 00:00:22,959 --> 00:00:24,959 THE RABBIT COULD NOT--" 10 00:00:24,959 --> 00:00:29,291 OK. UH, MAYBE WE SHOULD TRY A LESS STIMULATING PASSAGE. 11 00:00:29,291 --> 00:00:31,125 [GRR] 12 00:00:31,125 --> 00:00:33,125 PRIVATE HARRIS REPORTING FOR OZ WATCH. 13 00:00:33,125 --> 00:00:35,708 XANDER! OH, GOOD. 14 00:00:35,708 --> 00:00:38,458 OH. "CALL OF THE WILD." 15 00:00:38,458 --> 00:00:41,000 AREN'T WE READING THE CLIFF'S NOTES TO THIS FOR ENGLISH? 16 00:00:41,000 --> 00:00:42,375 SOME OF US ARE. 17 00:00:42,375 --> 00:00:44,875 ANYWAY, IT'LL HELP YOU STAY AWAKE. 18 00:00:44,875 --> 00:00:47,000 IT'S GOOD AND VERY WOLFY. 19 00:00:47,000 --> 00:00:49,708 IT SEEMS TO SOOTHE THE SAVAGE BEAST. 20 00:00:49,708 --> 00:00:52,917 [QUIETLY] EXCEPT FOR THE PARTS ABOUT RABBITS. 21 00:00:52,917 --> 00:00:54,792 [BANG] 22 00:00:54,792 --> 00:00:56,792 RABBIS? 23 00:00:56,792 --> 00:01:00,583 IT SEEMS TO MAKE HIM A LITTLE OVEREXCITED. 24 00:01:00,583 --> 00:01:03,041 OK. NOW, HE'S HAD HIS 2:00 FEEDING, 25 00:01:03,041 --> 00:01:06,041 AND AFTER SUNRISE, IF HE FORGETS WHERE HIS CLOTHES ARE, 26 00:01:06,041 --> 00:01:08,708 THEY'RE ON TOP OF THE FILE CABINET IN HIS CAGE. 27 00:01:08,708 --> 00:01:11,708 I PUT THOSE TOWELS UP FOR PRIVACY. 28 00:01:11,708 --> 00:01:14,959 UH, NO WORRIES. I CAN HANDLE THE OZ "FULL MONTY." 29 00:01:14,959 --> 00:01:18,375 I MEAN, NOT HANDLE-HANDLE, LIKE HANDS-TO-FLESH HANDLE. 30 00:01:18,375 --> 00:01:20,667 OK. WELL, IT'S NOT FOR YOU. 31 00:01:20,667 --> 00:01:23,792 IT'S FOR ME BECAUSE I'M STILL GETTING USED TO HALF A MONTY. 32 00:01:23,792 --> 00:01:24,917 OH. GOOD. 33 00:01:24,917 --> 00:01:28,458 HALF? YOU AND OZ? WHICH HALF? 34 00:01:28,458 --> 00:01:30,458 WOULDN'T YOU LIKE TO KNOW? 35 00:01:30,458 --> 00:01:33,083 ANYWAY, HE'S MORE MANAGEABLE TONIGHT AND ON THE THIRD NIGHT. 36 00:01:33,083 --> 00:01:35,792 TOMORROW NIGHT, THE TOTAL FULL MOON, 37 00:01:35,792 --> 00:01:37,875 THAT'S WHEN HE'S A REAL WOOFER. 38 00:01:37,875 --> 00:01:40,375 BUT IN CASE THERE'S TROUBLE-- THERE WON'T BE, 39 00:01:40,375 --> 00:01:42,291 BUT IF-- 40 00:01:42,291 --> 00:01:44,083 SLEEPY TIME. GOTCHA. 41 00:01:44,083 --> 00:01:45,959 THANKS AGAIN FOR DOING THIS. 42 00:01:45,959 --> 00:01:47,959 I WOULDN'T HAVE ASKED, BUT I HAVE THIS TEST. 43 00:01:47,959 --> 00:01:49,750 NO BIG. YOU CAN COUNT ON ME. 44 00:01:49,750 --> 00:01:51,667 I GOT MY COFFEE, MAGAZINES. 45 00:01:51,667 --> 00:01:54,458 FIGURED I'D READ, MAYBE RUN THE STAIRS OVER THERE A LITTLE BIT. 46 00:01:54,458 --> 00:01:55,625 I'M GOOD. 47 00:01:59,792 --> 00:02:01,209 BYE. 48 00:02:01,209 --> 00:02:13,583 [GRR] 49 00:02:13,583 --> 00:02:16,000 n 50 00:02:18,000 --> 00:02:19,917 NICE PLACE. 51 00:02:19,917 --> 00:02:22,625 DO YOU EVER CATCH KIDS DOING THE DIDDY OUT HERE? 52 00:02:22,625 --> 00:02:25,250 NO. THERE'S A SMOOCH SPOT UP BY THE WOODS. 53 00:02:25,250 --> 00:02:27,166 THAT'S USUALLY WHERE KIDS GO. 54 00:02:27,166 --> 00:02:30,667 YEAH? BET YOU AND SCOTT HAVE BEEN UP THERE KICKING THE GEARSHIFT. 55 00:02:30,667 --> 00:02:31,792 HARDLY. 56 00:02:31,792 --> 00:02:33,792 ONLY BEEN ON A FEW DATES. 57 00:02:33,792 --> 00:02:36,041 BUT YOU LIKE HIM, AND WHEN YOU THINK ABOUT HIM, 58 00:02:36,041 --> 00:02:39,458 YOU GET THAT GOOD, DOWN-LOW TICKLE, RIGHT? 59 00:02:39,458 --> 00:02:41,959 YEAH, I GUESS, BUT-- 60 00:02:41,959 --> 00:02:43,792 HOW LOW? 61 00:02:43,792 --> 00:02:44,875 YOU TELL ME. 62 00:02:44,875 --> 00:02:46,750 HOW ABOUT NOT? 63 00:02:46,750 --> 00:02:51,083 BUT HE IS... NICE, AND HE'S FUNNY. 64 00:02:51,083 --> 00:02:53,708 AND QUITE A MUFFIN. 65 00:02:53,708 --> 00:02:57,000 BLUEBERRY. THAT CRUNCHY, MUNCHY STUFF ON TOP. 66 00:02:57,000 --> 00:02:59,750 BUT MY MOST FAVORITE THING SO FAR 67 00:02:59,750 --> 00:03:02,333 IS THAT HE DOESN'T SEEM TO BE ANY KIND OF HELL BEAST. 68 00:03:02,333 --> 00:03:04,667 ALL MEN ARE BEASTS, BUFFY. 69 00:03:04,667 --> 00:03:07,583 OK. I WAS HOPING TO NOT GET THAT CYNICAL 70 00:03:07,583 --> 00:03:09,208 TILL I WAS AT LEAST 40. 71 00:03:09,208 --> 00:03:11,375 IT'S NOT CYNICAL. I MEAN, IT'S REALISTIC. 72 00:03:11,375 --> 00:03:13,375 EVERY GUY FROM MANIMAL 73 00:03:13,375 --> 00:03:16,041 DOWN TO MR. "I LOVE THE ENGLISH PATIENT" 74 00:03:16,041 --> 00:03:17,750 HAS BEAST IN HIM. 75 00:03:17,750 --> 00:03:20,333 AND I DON'T CARE HOW SENSITIVE THEY ACT. 76 00:03:20,333 --> 00:03:22,625 THEY'RE ALL STILL JUST IN IT FOR THE CHASE. 77 00:03:22,625 --> 00:03:36,625 AAH! AAH! AAH! 78 00:03:36,625 --> 00:03:39,458 [HOWLING] 79 00:03:39,458 --> 00:03:41,542 Willow: I DON'T THINK THAT'S TRUE, 80 00:03:41,542 --> 00:03:45,125 THAT EVERY GUY IS IN IT ONLY FOR THE CHASE. 81 00:03:45,125 --> 00:04:36,500 I KNOW. IT IS AN AWFUL GENERALIZATION. 82 00:04:36,500 --> 00:04:37,959 Scott: HEY, BUFFY. 83 00:04:37,959 --> 00:04:39,375 THAT'S WHAT I STOPPED YOU FOR, BASICALLY. HEY. 84 00:04:39,375 --> 00:04:40,750 OK. HEY. 85 00:04:40,750 --> 00:04:42,166 HOWDY, DEBBIE. 86 00:04:46,333 --> 00:04:48,875 HI, OZ. HEY, YOU'RE NOT DOING JAZZ BAND THIS YEAR? 87 00:04:48,875 --> 00:04:50,208 OH, CAN'T TAKE THE PRESSURE. 88 00:04:50,208 --> 00:04:52,417 IT'S NOT THE MUSIC THAT'S HARD, IT'S THE MARCHING. 89 00:04:52,417 --> 00:04:55,875 WE HAVE A MARCHING JAZZ BAND? 90 00:04:55,875 --> 00:04:57,708 Oz: YEAH, BUT SINCE THE BEST JAZZ IS IMPROVISATIONAL, 91 00:04:57,708 --> 00:04:59,834 WE'D BE GOING OFF IN ALL DIRECTIONS, BANGING INTO FLOATS. 92 00:04:59,834 --> 00:05:01,417 SCARY. 93 00:05:01,417 --> 00:05:04,500 HE'S JUST BEING OZ. 94 00:05:04,500 --> 00:05:07,708 PRETTY MUCH FULL-TIME. 95 00:05:07,708 --> 00:05:08,834 THOSE ARE PRETTY FLOWERS. 96 00:05:08,834 --> 00:05:10,500 THANKS. PETE BROUGHT THEM FOR ME. 97 00:05:10,500 --> 00:05:12,583 YEAH. WELL, I'M SURE SCOTT 98 00:05:12,583 --> 00:05:14,000 DOES THAT KIND OF STUFF FOR YOU, TOO, BUFFY. 99 00:05:14,000 --> 00:05:15,625 WELL, WE'RE NOT UP TO FLOWERS. 100 00:05:15,625 --> 00:05:17,834 ARE WE? UP TO FLOWERS? 101 00:05:17,834 --> 00:05:20,000 DID I MISS FLOWERS? 102 00:05:20,000 --> 00:05:21,917 NO. WE'RE PRE-POSY. DEFINITELY. 103 00:05:21,917 --> 00:05:23,917 WHAT TIME IS IT? OH, I HAVE TO GO SEE MR. PLATT TODAY. 104 00:05:23,917 --> 00:05:25,500 PLATT? THE SCHOOL COUNSELOR? 105 00:05:25,500 --> 00:05:27,542 I GET TO CONVINCE HIM THAT I'M LITTLE MISS STABLE SO I CAN STAY IN SCHOOL. 106 00:05:27,542 --> 00:05:31,583 PLATT CREEPS ME OUT. I WOULD TOTALLY QUIT GOING, 107 00:05:31,583 --> 00:05:33,792 BUT I'M FLUNKING SENIOR BIO, 108 00:05:33,792 --> 00:05:36,750 AND MY TEACHER SAYS I HAVE SUCCESS ISSUES. 109 00:05:36,750 --> 00:05:39,291 Oz: SENIOR BIO? 110 00:05:39,291 --> 00:05:40,792 I KIND OF ACED THAT FINAL. 111 00:05:40,792 --> 00:05:44,083 AND HOW DID YOU DO THAT? 112 00:05:44,083 --> 00:05:45,708 OH, RIGHT. YOU SHOWED UP. 113 00:05:45,708 --> 00:05:47,000 IF YOU WANT MY NOTES, THEY'RE YOURS. 114 00:05:47,000 --> 00:05:48,625 THANKS. THAT'D BE GREAT. 115 00:05:48,625 --> 00:05:50,708 Buffy: WE'D BETTER GO. 116 00:05:50,708 --> 00:05:52,875 I'LL SEE YOU? YEP. 117 00:05:52,875 --> 00:05:54,291 WE HAVE TO RECHECK EVERY POSSIBLE EXIT AVENUE. 118 00:05:54,291 --> 00:05:56,667 I'M TELLING YOU, IT'S A WASTE OF TIME. I WAS HERE ALL NIGHT. 119 00:05:56,667 --> 00:05:58,000 RIGHT. 120 00:06:03,875 --> 00:06:06,708 IT'S GOOD TO SEE YOU. UM, NO NEED TO PANIC. 121 00:06:06,708 --> 00:06:09,625 JUST A THOUGHT-- POKER, NOT YOUR GAME. 122 00:06:09,625 --> 00:06:11,208 WHAT'S THE DEAL, GILES? 123 00:06:11,208 --> 00:06:13,917 NOW, BEAR IN MIND, MOST LIKELY, THERE IS NO DEAL, 124 00:06:13,917 --> 00:06:17,500 BUT IF-- IF THERE WAS A DEAL, 125 00:06:17,500 --> 00:06:19,625 THEN IT WOULD CONCERN MURDER LAST NIGHT. 126 00:06:19,625 --> 00:06:22,750 A MALE STUDENT WAS FOUND IN THE WOODS. 127 00:06:22,750 --> 00:06:25,125 WHICH STUDENT? 128 00:06:25,125 --> 00:06:28,417 JEFF ORKIN. 129 00:06:28,417 --> 00:06:31,500 JEFF? HE WAS-- 130 00:06:31,500 --> 00:06:32,792 I KNEW HIM. 131 00:06:32,792 --> 00:06:34,583 I'M AFRAID HE WAS TERRIBLY MAULED. 132 00:06:34,583 --> 00:06:36,792 NOW, MUCH AS I HATE TO THINK IT, 133 00:06:38,417 --> 00:06:40,875 IT COULD BE THE HANDIWORK OF-- 134 00:06:40,875 --> 00:06:42,792 ME. 135 00:06:42,792 --> 00:06:45,417 WOLF-YOU, NOT YOU-YOU. 136 00:06:45,417 --> 00:06:47,625 Xander: BUT IT'S NOT. 137 00:06:47,625 --> 00:06:48,542 NOT WOLF-YOU, NOT YOU-YOU. 138 00:06:48,542 --> 00:06:50,208 THE ROOM WAS SECURED, THE GATE WAS LOCKED, 139 00:06:50,208 --> 00:06:51,458 AND THE WINDOW UNBREAKABLE, AND... 140 00:06:51,458 --> 00:06:53,500 � 141 00:06:53,500 --> 00:06:55,875 OPEN. 142 00:06:55,875 --> 00:06:58,166 OH, GOD. 143 00:06:59,542 --> 00:07:01,083 NOT TO FREAK. I RESTED MY EYES NOW AND THEN. 144 00:07:01,083 --> 00:07:02,500 THAT'S ALL. 145 00:07:02,500 --> 00:07:04,708 Giles: HOW LONG... 146 00:07:04,708 --> 00:07:06,417 EXACTLY DID YOU REST YOUR EYES FOR? 147 00:07:06,417 --> 00:07:08,167 A LITTLE NOW, A LITTLE THEN, 148 00:07:08,167 --> 00:07:11,291 BUT I NEVER HEARD OZ LEAVE, AND HE WAS HERE IN THE MORNING WHEN I, UM-- 149 00:07:11,291 --> 00:07:13,708 WHEN I-- 150 00:07:13,708 --> 00:07:17,667 WOKE UP! 151 00:07:17,667 --> 00:07:19,208 YOU COULD PUT IT THAT WAY IF YOU WANT TO, MR. TECHNICAL. 152 00:07:19,208 --> 00:07:21,209 OH, GOD. 153 00:07:21,209 --> 00:07:23,458 Man: 2:00. 154 00:07:27,250 --> 00:07:29,250 MISS SUMMERS. 155 00:07:29,250 --> 00:07:42,667 BUFFY SUMMERS, REPORTING FOR SANITY. 156 00:07:42,667 --> 00:07:44,583 LOOK... I KNOW THAT I HAVE TO DO THIS, AND I'LL COOPERATE, 157 00:07:44,583 --> 00:07:47,083 AND I'LL LOOK AT YOUR INK BLOTS AND EVERYTHING, 158 00:07:47,083 --> 00:07:50,041 BUT I DON'T WANT TO TALK ABOUT MY LIFE OR MY CHILDHOOD 159 00:07:51,917 --> 00:07:55,542 OR ANYTHING, FOR THAT MATTER, ACTUALLY. 160 00:07:55,542 --> 00:07:57,542 AND... I DON'T WANT TO BE FRIENDS HERE. 161 00:07:57,542 --> 00:08:02,041 WE'RE NOT GONNA BE FRIENDS. 162 00:08:02,041 --> 00:08:04,291 YOU HAVE FRIENDS ALREADY, I HOPE. 163 00:08:04,291 --> 00:08:07,125 FRIENDS ARE A GOOD THING. MM-HMM. 164 00:08:07,125 --> 00:08:10,708 THEY LIKE YOU, AGREE WITH YOU, 165 00:08:10,708 --> 00:08:14,708 TELL YOU WHAT YOU WANT TO HEAR. 166 00:08:14,708 --> 00:08:16,834 THAT'S NOT WHAT YOU NEED RIGHT NOW. 167 00:08:16,834 --> 00:08:19,625 WHAT YOU NEED IS A TRAINED, NOT-TOO-CRAZY PROFESSIONAL 168 00:08:19,625 --> 00:08:22,333 WHO WILL ALWAYS GIVE YOU HIS HONEST OPINION. 169 00:08:22,333 --> 00:08:24,125 WHICH I OFFER YOU. 170 00:08:24,125 --> 00:08:29,458 HAVE A SEAT. 171 00:08:29,458 --> 00:08:33,209 NOT TOO CRAZY? THOSE ARE YOUR CREDENTIALS? 172 00:08:35,834 --> 00:08:38,333 LOOK, BUFFY, 173 00:08:38,333 --> 00:08:41,542 ANY PERSON-- GROWN-UP, SHRINK, POPE-- 174 00:08:44,166 --> 00:08:47,667 ANY PERSON WHO CLAIMS TO BE TOTALLY SANE 175 00:08:47,667 --> 00:08:50,208 IS EITHER LYING OR NOT VERY BRIGHT. 176 00:08:50,208 --> 00:08:55,667 I MEAN, EVERYONE HAS PROBLEMS. 177 00:08:55,667 --> 00:08:59,000 EVERYBODY HAS DEMONS, RIGHT? 178 00:08:59,000 --> 00:09:02,166 . 179 00:09:02,166 --> 00:09:04,667 GOTTA SAY I'M WITH YOU ON THAT. 180 00:09:04,667 --> 00:09:06,625 EXCELLENT. 181 00:09:08,041 --> 00:09:10,166 SO, THE HOPE I BRING YOU IS DEMONS CAN BE FOUGHT. 182 00:09:10,166 --> 00:09:11,750 PEOPLE CAN CHANGE. YOU CAN CHANGE. 183 00:09:11,750 --> 00:09:16,583 NOW, YOUR TURN. LET'S START WITH WHY YOU RAN AWAY. 184 00:09:16,583 --> 00:09:21,458 THAT'S A LONG STORY. 185 00:09:21,458 --> 00:09:26,625 BORE ME. 186 00:09:26,625 --> 00:09:29,583 YOU KNOW, I'M REALLY OVER IT. 187 00:09:29,583 --> 00:09:31,083 I'M MOVING ON, I FEEL GOOD, 188 00:09:31,083 --> 00:09:33,041 I'M EVEN DATING SOMEONE NEW. 189 00:09:33,041 --> 00:09:35,041 ALL GOOD THINGS. 190 00:09:35,041 --> 00:09:37,000 BUT STILL, YOU'RE BRINGING ME IN AT THE END OF THE MOVIE. 191 00:09:37,000 --> 00:09:38,834 I WAS DATING SOMEONE. 192 00:09:38,834 --> 00:09:42,917 IT-- IT ENDED BADLY. 193 00:09:45,041 --> 00:09:47,792 MY MOM AND I WERE FIGHTING, 194 00:09:47,792 --> 00:09:50,166 AND I KIND OF FREAKED. 195 00:09:50,166 --> 00:09:52,166 TELL ME MORE ABOUT THIS GUY, THE BAD-ENDING GUY. 196 00:09:52,166 --> 00:09:56,083 HE WAS MY FIRST-- 197 00:09:56,083 --> 00:09:59,917 I LOVED HIM, 198 00:10:05,333 --> 00:10:09,917 AND THEN HE-- 199 00:10:09,917 --> 00:10:11,542 CHANGED. 200 00:10:11,542 --> 00:10:13,458 YEAH. 201 00:10:13,458 --> 00:10:16,000 HE GOT MEAN. 202 00:10:16,000 --> 00:10:17,917 YES. 203 00:10:17,917 --> 00:10:19,375 AND YOU DIDN'T STOP LOVING HIM. 204 00:10:19,375 --> 00:10:22,125 LOOK, LOTS OF PEOPLE LOSE THEMSELVES IN LOVE. 205 00:10:22,125 --> 00:10:24,000 IT'S NO SHAME. THEY WRITE SONGS ABOUT IT. 206 00:10:25,667 --> 00:10:28,959 THE HITCH IS, YOU CAN'T STAY LOST. 207 00:10:28,959 --> 00:10:31,708 SOONER OR LATER, YOU HAVE TO GET BACK TO YOURSELF. 208 00:10:31,708 --> 00:10:36,500 AND IF YOU CAN'T? 209 00:10:36,500 --> 00:10:40,708 IF YOU CAN'T... 210 00:10:40,708 --> 00:10:44,125 WELL, LOVE BECOMES YOUR MASTER, 211 00:10:44,125 --> 00:10:47,291 AND YOU'RE JUST ITS DOG. 212 00:10:47,291 --> 00:10:49,875 I'M AFRAID TO ASK. 213 00:10:49,875 --> 00:10:53,041 OZ ATE SOMEONE LAST NIGHT. 214 00:10:53,041 --> 00:11:03,417 HE DID NOT! 215 00:11:03,417 --> 00:11:06,500 OZ DOES NOT EAT PEOPLE. IT'S MORE WEREWOLF PLAY. 216 00:11:06,500 --> 00:11:08,333 YOU KNOW, I BAT YOU AROUND A LITTLE BIT, LIKE A CAT TOY. 217 00:11:08,333 --> 00:11:09,792 I HAVE HARMLESS WOLF FUN. 218 00:11:09,792 --> 00:11:12,375 IS IT OZ'S FAULT THAT, YOU KNOW, SIDE EFFECT, 219 00:11:12,375 --> 00:11:14,708 PEOPLE GET CUT TO RIBBONS, AND MAYBE THEN HE'LL TAKE A LITTLE NIBBLE AND-- 220 00:11:14,708 --> 00:11:16,250 I'M NOT HELPING, AM I? 221 00:11:16,250 --> 00:11:18,417 NO. OZ MAY HAVE GOT OUT OF HIS CAGE LAST NIGHT. 222 00:11:18,417 --> 00:11:21,375 OR MAYBE THERE'S ANOTHER WEREWOLF ROAMING THE WOODS. 223 00:11:21,375 --> 00:11:23,083 PERHAPS. PERHAPS IT'S SOMETHING ELSE ENTIRELY. 224 00:11:23,083 --> 00:11:26,834 Buffy: IT'S OK. 225 00:11:26,834 --> 00:11:29,667 WE'LL WORK TOGETHER, AND WE'LL FIGURE THIS OUT. 226 00:11:29,667 --> 00:11:32,417 YES. UM... BUFFY. 227 00:11:32,417 --> 00:11:34,166 YOU PATROL THE WOODS. 228 00:11:34,166 --> 00:11:36,667 THE OTHERS, CHECK OUT THE MORGUE. 229 00:11:36,667 --> 00:11:37,750 RIGHT. WE CAN SEE IF IT'S A WEREWOLF KILL OR NOT. 230 00:11:37,750 --> 00:11:39,625 BUT WHAT ABOUT OZ? 231 00:11:39,625 --> 00:11:42,125 UM... WELL, I HAVE SOME RESEARCH MATERIALS AT HOME I NEED TO LOOK AT. 232 00:11:42,125 --> 00:11:45,458 UH... WE COULD ASK FAITH TO WATCH OVER HIM. 233 00:11:45,458 --> 00:11:47,875 WHAT, YOU'RE HAVING A SLAYER WATCH ME? 234 00:11:47,875 --> 00:11:51,792 OH, GOOD WE'RE NOT OVERREACTING. 235 00:11:51,792 --> 00:11:55,333 OK. YOU KNOW THAT THING WHERE YOU BAIL 236 00:11:55,333 --> 00:11:57,417 IN THE MIDDLE OF AN UPSETTING CONVERSATION? 237 00:11:57,417 --> 00:11:59,417 I HAVE TO DO THAT. 238 00:12:05,500 --> 00:12:08,333 IT'S KIND OF DRAMATIC, I KNOW, 239 00:12:08,333 --> 00:12:10,291 BUT... SOMETIMES, IT'S A NECESSARY GUY THING. 240 00:12:10,291 --> 00:12:12,125 AND I WANT YOU TO DO THE GUY THING, 241 00:12:12,125 --> 00:12:14,041 BUT-- 242 00:12:14,041 --> 00:12:16,583 OZ? 243 00:12:16,583 --> 00:12:19,875 GET AWAY FROM THE CAGE. 244 00:12:19,875 --> 00:12:22,375 WHAT? 245 00:12:22,375 --> 00:12:43,792 IT'S GONNA HAPPEN SOON. 246 00:12:43,792 --> 00:12:46,166 GET AWAY FROM ME. 247 00:12:46,166 --> 00:12:49,250 UUH! 248 00:12:50,917 --> 00:12:53,083 [GROWLING] 249 00:12:53,083 --> 00:12:56,667 [GRR] 250 00:13:00,083 --> 00:13:02,000 OH, GOD. 251 00:13:02,000 --> 00:13:33,208 HERE. HOLD THIS. 252 00:13:33,208 --> 00:13:35,125 AAH! 253 00:13:36,834 --> 00:13:39,458 GOD! 254 00:13:39,458 --> 00:13:47,333 WE'RE DOING CRIME HERE. YOU DON'T SNEAK UP DURING CRIME. 255 00:13:47,333 --> 00:13:48,333 GOD, HAVE A-- OK! 256 00:13:48,333 --> 00:14:39,875 SCARRED FOR LIFE. OH, GOD. 257 00:14:39,875 --> 00:14:41,834 WILLOW, HOW CAN YOU STAND IT? 258 00:14:41,834 --> 00:14:43,834 YEAH, WIL. I MEAN, THIS GUY'S PRETTY BARF-WORTHY. 259 00:14:49,458 --> 00:14:50,458 CAN'T WE BE ELSEWHERE? YOU KNOW, IS OZ CLEARED OR WHAT, HUH? 260 00:14:50,458 --> 00:14:52,458 I'M NOT SURE. I MEAN, THERE ARE A LOT OF INCISED WOUNDS, 261 00:14:52,458 --> 00:14:55,375 BUT THEY COULD BE FROM ANYTHING. 262 00:14:55,375 --> 00:14:57,708 ANYTHING WITH BIG, SHARP TEETH AND VICIOUS-- 263 00:14:57,708 --> 00:15:00,250 DO YOU WANT TO GO BACK TO THE CAR AND WAIT? 264 00:15:00,250 --> 00:15:03,458 NO. GOD. I'M JUST SAYING-- 265 00:15:03,458 --> 00:15:06,208 ALMOST DONE. LET ME JUST GET A FEW STRAY HAIRS FROM THE BODY. 266 00:15:06,208 --> 00:15:10,000 THEY COULD BE FROM THE ATTACKER. 267 00:15:10,000 --> 00:15:13,375 GREAT. SO WE GOT EVERYTHING WE NEED? 268 00:15:13,375 --> 00:15:15,458 YEP. THAT'S IT. 269 00:15:15,458 --> 00:15:18,583 OH! 270 00:15:18,583 --> 00:15:21,209 OK. UH... LITTLE TOO MUCH EXCITEMENT FOR THE WILSTER HERE. 271 00:15:21,209 --> 00:15:23,083 DOESN'T LOOK GOOD FOR OZ, DOES IT? 272 00:15:23,083 --> 00:15:26,000 IT REALLY DOESN'T. 273 00:15:26,000 --> 00:15:27,875 THIS GUY WAS RIPPED APART BY A BIG, WILD ANIMAL. 274 00:15:27,875 --> 00:15:30,083 [GROWLING AND STRUGGLING] 275 00:15:30,083 --> 00:15:31,667 OH! 276 00:15:31,667 --> 00:15:33,375 OH! UH, BUFFY. ARE YOU OK? 277 00:15:33,375 --> 00:15:37,542 WHAT ARE YOU DOING HERE? 278 00:15:37,542 --> 00:15:39,959 UH, BLEEDING INTERNALLY, BUT I'LL LIVE. 279 00:15:39,959 --> 00:15:42,500 GOD, I'M SORRY. I GUESS I DIDN'T HEAR YOU. 280 00:15:42,500 --> 00:15:46,583 FIGURED AS MUCH. OW AGAIN. UH... 281 00:15:46,583 --> 00:16:18,500 ACTUALLY, I CAME TO GIVE YOU THE REST OF THE NIGHT OFF. 282 00:16:18,500 --> 00:16:20,625 GET OUT OF JAIL FREE, HUH? HOW COME? 283 00:16:20,625 --> 00:16:48,125 COULDN'T SLEEP. 284 00:16:48,125 --> 00:16:50,000 FIGURED I'D, UH, CRAM FOR MY FRENCH TEST. 285 00:16:50,000 --> 00:16:52,000 THAT'S COOL. I WAS GOING KIND OF CRAZY IN HERE, 286 00:16:52,000 --> 00:16:54,000 BUT I CAN GET IN A FEW STAKINGS BEFORE SUNRISE. 287 00:16:54,000 --> 00:16:57,667 KNOCK YOURSELF OUT. 288 00:16:57,667 --> 00:17:00,250 NOT LITERALLY, THOUGH. 289 00:17:00,250 --> 00:17:04,209 Faith: YEAH. LATER. 290 00:17:04,209 --> 00:17:07,417 HEY. 291 00:17:07,417 --> 00:17:10,209 HMM. HELLO. 292 00:17:10,209 --> 00:17:11,500 OH. BOY. 293 00:17:11,500 --> 00:17:14,209 FAITH AND HER NUTTY BOOKS. 294 00:17:14,209 --> 00:17:16,208 EXPLORING DEMON DIMENSIONS... 295 00:17:16,208 --> 00:17:18,458 AND MYSTERY OF ACATHLA. 296 00:17:18,458 --> 00:17:20,000 YEAH. AND SHE STILL LISTENS TO HEAVY METAL. FREAKY DEAKY. 297 00:17:20,000 --> 00:17:21,792 BUFFY? 298 00:17:21,792 --> 00:17:23,375 WHAT IF... I TOLD YOU THAT... 299 00:17:23,375 --> 00:18:08,583 I HAD A DREAM ABOUT ANGEL, 300 00:18:08,583 --> 00:18:10,417 AND, UM, IT BROUGHT UP SOME QUESTIONS? 301 00:18:10,417 --> 00:18:13,083 I'D SAY IT WAS TO BE EXPECTED. 302 00:18:15,000 --> 00:18:17,583 MUST HAVE BEEN SOME DREAM. 303 00:18:17,583 --> 00:18:19,875 I DIDN'T THINK YOU KNEW WHAT A CARD INDEX WAS FOR. 304 00:18:19,875 --> 00:18:21,458 I DREAMT THAT HE CAME BACK. 305 00:18:21,458 --> 00:18:24,458 OF COURSE. 306 00:18:24,458 --> 00:18:27,542 AFTER JENNY WAS KILLED, 307 00:18:27,542 --> 00:18:29,458 I HAD DREAMS THAT SHE WAS STILL ALIVE, 308 00:18:35,083 --> 00:18:38,583 THAT I SAVED HER. 309 00:18:38,583 --> 00:18:41,458 THIS WAS VIVID. 310 00:18:41,458 --> 00:18:45,166 REALLY VIVID. 311 00:18:45,166 --> 00:18:48,875 THREE DIMENSIONAL, SENSURROUND, THE HILLS ARE ALIVE. 312 00:18:48,875 --> 00:18:50,708 DO YOU BELIEVE IT WAS A PROPHECY? 313 00:18:50,708 --> 00:18:53,166 NO. 314 00:18:56,125 --> 00:18:59,208 I DON'T KNOW. 315 00:19:01,333 --> 00:19:03,708 I-- I GUESS IT JUST-- IT MADE ME WONDER. 316 00:19:03,708 --> 00:19:07,792 IS THERE A CHANCE EVEN? COULD IT HAPPEN? 317 00:19:07,792 --> 00:19:10,417 THERE'S NO RECORD OF ANYONE RETURNING FROM A DEMON DIMENSION 318 00:19:10,417 --> 00:19:12,542 ONCE THE GATE WAS CLOSED. 319 00:19:12,542 --> 00:19:15,041 I CAN'T IMAGINE HOW IT COULD HAPPEN OR WHY. 320 00:19:15,041 --> 00:19:16,583 LET'S JUST PRETEND FOR A SECOND THAT... 321 00:19:16,583 --> 00:19:20,166 ANGEL SOMEHOW FOUND HIS WAY BACK TO SUNNYDALE. 322 00:19:21,583 --> 00:19:23,667 WHAT WOULD HE BE LIKE? 323 00:19:23,667 --> 00:19:24,750 I REALLY CAN'T SAY. 324 00:19:24,750 --> 00:19:26,583 FROM WHAT IS KNOWN ABOUT THAT DIMENSION, 325 00:19:26,583 --> 00:19:30,583 IT WOULD SUGGEST A WORLD OF BRUTAL TORMENT. 326 00:19:33,209 --> 00:19:36,917 AND TIME MOVES QUITE DIFFERENTLY THERE, SO-- 327 00:19:36,917 --> 00:19:41,291 I REMEMBER. 328 00:19:41,291 --> 00:19:43,792 SO HE WOULD HAVE BEEN DOWN THERE FOR HUNDREDS OF YEARS... 329 00:19:43,792 --> 00:19:47,625 YES. 330 00:19:47,625 --> 00:19:52,708 OF TORTURE. 331 00:19:52,708 --> 00:19:56,625 IT WOULD TAKE SOMEONE OF EXTRAORDINARY WILL AND CHARACTER 332 00:19:56,625 --> 00:20:00,250 TO SURVIVE THAT AND RETAIN ANY SEMBLANCE OF SELF. 333 00:20:00,250 --> 00:20:02,000 MOST LIKELY, HE'D BE A MONSTER. 334 00:20:02,000 --> 00:20:05,125 A LOST CAUSE. 335 00:20:05,125 --> 00:20:09,792 MAYBE. 336 00:20:09,792 --> 00:20:13,792 MAYBE NOT. 337 00:20:13,792 --> 00:20:15,792 IN MY EXPERIENCE, THERE ARE TWO TYPES OF MONSTER. 338 00:20:15,792 --> 00:20:20,708 THE FIRST CAN BE REDEEMED, 339 00:20:20,708 --> 00:20:22,375 OR MORE IMPORTANTLY, WANTS TO BE REDEEMED. 340 00:20:22,375 --> 00:20:24,500 AND THE SECOND TYPE? 341 00:20:24,500 --> 00:20:29,708 THE SECOND IS VOID OF HUMANITY-- 342 00:20:29,708 --> 00:20:33,834 CANNOT RESPOND TO REASON OR LOVE. 343 00:20:33,834 --> 00:20:36,875 I THOUGHT FAITH WAS ON DUTY. 344 00:20:36,875 --> 00:20:40,208 OH, HEY. CHANGE OF PLANS. 345 00:20:40,208 --> 00:20:42,000 GLAZED OR CAKE? 346 00:20:42,000 --> 00:20:43,917 IT'S FUN TO WATCH THEM MAKE THEM. 347 00:20:43,917 --> 00:20:47,583 THEY USE THIS SPRITZY THING, 348 00:20:47,583 --> 00:20:49,375 AND THEY DROP THE BATTER INTO THIS-- 349 00:20:49,375 --> 00:20:52,375 COULDN'T SLEEP, HUH? 350 00:20:52,375 --> 00:20:55,333 I'VE BEEN AT MR. DONUT 351 00:20:55,333 --> 00:20:59,208 SINCE THE TV DID THAT SNOWY THING. 352 00:20:59,208 --> 00:21:04,208 HOW COME YOU'RE THE WAKEY GIRL? 353 00:21:06,500 --> 00:21:08,834 I MEAN, THIS TIME, IT'S NOT YOUR BOYFRIEND 354 00:21:08,834 --> 00:21:11,542 WHO'S THE COLD-BLOODED-- 355 00:21:11,542 --> 00:21:13,291 JELLY DOUGHNUT? 356 00:21:13,291 --> 00:21:15,250 EVERYTHING ALL RIGHT? 357 00:21:15,250 --> 00:21:16,583 YEAH. 358 00:21:16,583 --> 00:21:18,166 WHAT HAPPENED WITH THE INSPECTION OF THE BODY? 359 00:21:18,166 --> 00:21:19,542 ANYONE? THEY'RE YUMMY, DELICIOUS. 360 00:21:19,542 --> 00:21:21,333 WILLOW, COME ON. WAS IT WEREWOLF? 361 00:21:21,333 --> 00:21:24,166 WAS IT A VAMPIRE? 362 00:21:24,166 --> 00:21:25,959 IT WASN'T CONCLUSIVE. 363 00:21:25,959 --> 00:21:28,375 HOW COULD IT NOT BE CONCLUSIVE? 364 00:21:28,375 --> 00:21:30,625 WHAT DID IT LOOK LIKE? WAS HE BIT? 365 00:21:30,625 --> 00:21:33,041 Giles: LET HER FINISH, BUFFY. 366 00:21:33,041 --> 00:21:35,041 IT'S JUST-- 367 00:21:35,041 --> 00:21:36,875 I'M SORRY. 368 00:21:36,875 --> 00:21:39,875 BUFFY. OVER HERE. 369 00:21:39,875 --> 00:21:41,625 HEY. 370 00:21:41,625 --> 00:21:43,375 HEY. UH... 371 00:21:44,834 --> 00:21:47,125 I CAN'T-- I CAN'T BACK YOU ON THAT LUNCH. 372 00:21:47,125 --> 00:21:48,333 NUTRITIONAL DEMERITS. 373 00:21:48,333 --> 00:21:49,750 OH. MY STOMACH DOESN'T WANT HARD FOOD TODAY. 374 00:21:49,750 --> 00:21:51,208 BUT THERE'S FRUIT IN IT. 375 00:21:51,208 --> 00:21:52,750 THOSE ARE MARSHMALLOWS. 376 00:21:52,750 --> 00:21:54,083 OH. 377 00:21:58,291 --> 00:22:00,000 I'M-- I'M REALLY OUT OF IT TODAY. 378 00:22:06,917 --> 00:22:08,542 I DIDN'T SLEEP WELL LAST NIGHT. 379 00:22:10,166 --> 00:22:11,542 Debbie: JUST DON'T TELL MR. PLATT YOU HAVE INSOMNIA. 380 00:22:11,542 --> 00:22:13,417 HE'LL MAKE YOU START A DREAM JOURNAL. 381 00:22:13,417 --> 00:22:15,291 Pete: WHAT'S THAT-- LIKE A BARBIE THING? 382 00:22:15,291 --> 00:22:17,291 DEAR DREAM JOURNAL, HOW COME KEN HASN'T COME AROUND 383 00:22:17,291 --> 00:22:20,834 SINCE HE GOT THAT EARRING? 384 00:22:20,834 --> 00:22:22,625 I NEVER DID IT. HE'S A QUACK. 385 00:22:22,625 --> 00:22:24,208 I KIND OF LIKED HIM. 386 00:22:24,208 --> 00:22:25,208 REALLY? I GUESS HE'S KIND OF FUNNY AND STUFF. 387 00:22:26,542 --> 00:22:28,708 SOMETIMES I JUST DON'T LIKE THE THINGS HE SAYS. 388 00:22:28,708 --> 00:22:30,792 HE DEFINITELY MARCHES TO THE BEAT OF HIS OWN DRUMMER. 389 00:22:30,792 --> 00:22:33,291 ACTUALLY, I THINK HE MAKES HIS OWN DRUMS. 390 00:22:33,291 --> 00:22:34,792 MY MOM SAYS THAT THERAPY CAN BE COMPLETELY HELPFUL. 391 00:22:34,792 --> 00:22:36,917 YEAH, BUT YOUR MOM HAS THE WATTAGE 392 00:22:36,917 --> 00:22:39,083 OF A ZIPPO LIGHTER, SCOTT. 393 00:22:39,083 --> 00:22:40,708 I HOPE YOU REALIZE I DON'T ACTUALLY KNOW THESE PEOPLE. 394 00:22:40,708 --> 00:22:42,333 I THOUGHT YOU WOULD LIKE ME BETTER IF I HAD FRIENDS, 395 00:22:42,333 --> 00:22:44,500 SO I HIRED THEM. 396 00:22:44,500 --> 00:22:49,083 SO... 397 00:22:49,083 --> 00:22:52,125 I, UH, I WANTED TO TELL YOU THAT YOU LOOK GREAT TODAY. 398 00:22:52,125 --> 00:22:56,708 BUT NOW I WANT TO RAISE THAT TO AMAZING 399 00:22:56,708 --> 00:22:58,792 BECAUSE YOU DIDN'T SLEEP WELL. 400 00:22:58,792 --> 00:23:01,250 UH... THAT'S REALLY SWEET. UM... 401 00:23:01,250 --> 00:23:02,542 AND I WISH I DIDN'T HAVE TO, 402 00:23:02,542 --> 00:23:04,333 BUT I JUST REMEMBERED THAT I DO, SO I'LL SEE YOU LATER. 403 00:23:04,333 --> 00:23:06,625 UH, YEAH. 404 00:23:06,625 --> 00:23:09,209 CHECK OUT SCOTTY LIKING THE MANIC-DEPRESSIVE CHICK. 405 00:23:09,209 --> 00:23:10,375  406 00:23:11,625 --> 00:23:14,250 ANGEL? 407 00:23:14,250 --> 00:23:18,000 DO YOU UNDERSTAND ME? 408 00:23:18,000 --> 00:23:20,000 [GROWLING] 409 00:23:20,000 --> 00:23:22,166 DEBBIE, COME ON. JUST FOR A MINUTE. 410 00:23:23,291 --> 00:23:27,166 I CAN'T. I HAVE TO MEET A FRIEND. 411 00:23:27,166 --> 00:23:30,250 SO YOU'LL BE LATE BUT HAPPY. 412 00:23:30,250 --> 00:23:33,917 HA HA HA! 413 00:23:33,917 --> 00:23:35,667 Debbie: NO, NO. LET'S STAY HERE. 414 00:23:35,667 --> 00:23:38,959 RELAX, DEBBIE. WHAT'S WRONG WITH YOU TODAY? 415 00:23:38,959 --> 00:24:21,417 WHAT IS THAT? 416 00:24:21,417 --> 00:24:23,708 NOTHING. KISS ME. 417 00:24:28,667 --> 00:24:31,083 NO. DEBBIE, YOU DID NOT DRINK THAT, DID YOU? 418 00:24:31,083 --> 00:24:55,166 DRINK IT? YOU KNOW I DIDN'T. 419 00:24:55,166 --> 00:24:56,959 DEBBIE, WHAT'S GOING ON? 420 00:24:56,959 --> 00:25:11,417  421 00:25:11,417 --> 00:25:13,625 2:00. BUFFY SUMMERS, RIGHT? 422 00:25:13,625 --> 00:25:15,625 WAIT. DON'T TURN AROUND, OK? 423 00:25:15,625 --> 00:25:17,708 AND DON'T SAY ANYTHING. 424 00:25:17,708 --> 00:25:29,500 JUST LISTEN. I MEAN, THAT'S YOUR THING, RIGHT? 425 00:25:29,500 --> 00:25:30,625 THERE'S SOMETHING GOING ON. 426 00:25:30,625 --> 00:25:32,708 I MEAN, THIS WHOLE ENTIRE STORY IS PROBABLY GONNA CONVINCE YOU 427 00:25:32,708 --> 00:25:35,250 THAT I'M LOONY-BIN MATERIAL, 428 00:25:41,291 --> 00:25:43,291 BUT... THERE'S NOBODY ELSE THAT I CAN TALK TO-- 429 00:25:43,291 --> 00:25:45,542 NOT WILLOW AND NOT GILES-- NOBODY. 430 00:25:45,542 --> 00:25:47,959 IF THEY FOUND OUT, THEY'D FREAK ON ME 431 00:25:47,959 --> 00:25:50,166 OR THEY'D DO SOMETHING, 432 00:25:50,166 --> 00:25:51,959 AND... 433 00:25:56,083 --> 00:25:58,333 I NEED HELP. 434 00:25:58,333 --> 00:26:01,166 I JUST-- I NEED TO TALK TO SOMEONE. 435 00:26:01,166 --> 00:26:03,708 I'M SO SCARED. 436 00:26:03,708 --> 00:26:07,708 IT'S THIS GUY. HE-- 437 00:26:09,750 --> 00:26:12,041 HE'S COME BACK. 438 00:26:12,041 --> 00:26:15,750 SO THE BOTTLE JUST JUMPED OUT OF THE CABINET 439 00:26:15,750 --> 00:26:17,708 AND SPILLED ON ITS OWN. 440 00:26:17,708 --> 00:26:22,166 OF COURSE NOT. I WAS TRYING TO GET RID OF IT. 441 00:26:22,166 --> 00:26:27,208 YOU WERE TRYING TO GET RID OF IT? 442 00:26:27,208 --> 00:26:30,250 TO HELP YOU. YOU KNOW HOW YOU GET. 443 00:26:30,250 --> 00:26:32,083 YOU THINK THIS HAS ANYTHING TO DO WITH HOW I GET? 444 00:26:32,083 --> 00:26:33,667 WELL, WHEN YOU DRINK IT-- 445 00:26:35,083 --> 00:26:36,917 WHEN I DRINK IT? NOTHING, DEBBIE, NOTHING! 446 00:26:39,166 --> 00:26:42,125 I DON'T NEED THIS ANYMORE, OK? 447 00:26:45,208 --> 00:26:47,375 I AM WAY, WAY PAST THAT NOW. YOU SEE? 448 00:26:48,834 --> 00:26:53,542 [GLASS BREAKING] 449 00:26:59,875 --> 00:27:01,750 YOU SEE? 450 00:27:01,750 --> 00:27:14,167 NO MORE. 451 00:27:14,167 --> 00:27:18,792 YOU COULD POUR OUT EVERYTHING I MADE, AND IT WOULDN'T HELP. 452 00:27:18,792 --> 00:27:20,375 AND YOU WANT TO KNOW WHY? 453 00:27:20,375 --> 00:27:24,166 YOU WANT TO KNOW WHY? BECAUSE ALL IT TAKES NOW 454 00:27:24,166 --> 00:27:26,834 IS YOU, DEBBIE-- 455 00:27:26,834 --> 00:27:29,166 YOU AND YOUR STUPID, GRATING VOICE! 456 00:27:29,166 --> 00:27:33,333 AAH! 457 00:27:33,333 --> 00:27:34,917 AAH! 458 00:27:34,917 --> 00:27:38,917 YOU'RE THE REASON I STARTED THE FORMULAS IN THE FIRST PLACE-- 459 00:27:38,917 --> 00:27:40,625 TO BE THE MAN YOU WANTED. 460 00:27:40,625 --> 00:27:44,542 AND YOU PAY ME BACK HOW? 461 00:27:44,542 --> 00:27:45,875 BY WHORING AROUND WITH OTHER GUYS AND TAUNTING ME! 462 00:27:45,875 --> 00:27:47,875 NO, I DON'T! I DON'T EVEN LOOK! 463 00:27:47,875 --> 00:27:49,291 UH! 464 00:27:51,083 --> 00:27:55,250 IS THAT SOMETHING YOUR SHRINK TAUGHT YOU, DEBBIE? 465 00:27:55,250 --> 00:27:56,875 HUH? HUH? TO SHARE? 466 00:27:58,166 --> 00:28:01,209 TO COMMUNICATE? TO PISS ME OFF? UH! 467 00:28:01,209 --> 00:28:02,500 WELL, GUESS WHAT. 468 00:28:02,500 --> 00:28:05,834 EVEN HE'S NOT GOING TO LISTEN TO YOUR PATHETIC RAMBLINGS ANYMORE. 469 00:28:05,834 --> 00:28:07,333 I AM ALL YOU'VE GOT NOW, DEBBIE. 470 00:28:12,208 --> 00:28:15,083 DO YOU HEAR ME? 471 00:28:17,792 --> 00:28:21,667 I AM ALL YOU'VE GOT! 472 00:28:21,667 --> 00:28:23,291 OH, MY GOD. 473 00:28:23,291 --> 00:28:25,250 [WHISPERING] Hey, Debbie. 474 00:28:25,250 --> 00:28:28,667 Hey, listen. 475 00:28:28,667 --> 00:28:30,250 YOU KNOW YOU SHOULDN'T MAKE ME MAD. 476 00:28:30,250 --> 00:28:31,250 HUH? YOU KNOW WHAT HAPPENS. 477 00:28:33,625 --> 00:28:36,792 DEBBIE, PLEASE. ARE YOU ALL RIGHT? 478 00:28:36,792 --> 00:28:38,250 Debbie: IT'S OK. 479 00:28:38,250 --> 00:28:41,250 IT'S OK. 480 00:28:42,375 --> 00:28:45,209 THIS CREATURE IS ESPECIALLY BRUTAL. 481 00:28:45,209 --> 00:28:50,083 I BELIEVE THE PHRASE COINED BY THE CORONER 482 00:28:50,083 --> 00:28:54,375 WHEN DESCRIBING MR. PLATT WAS "PUREED." 483 00:28:54,375 --> 00:28:57,083 BUT HE DID CONFIRM 484 00:28:57,083 --> 00:28:59,417 THAT PLATT WAS KILLED SHORTLY BEFORE BUFFY FOUND HIM. 485 00:29:08,667 --> 00:29:10,333 Faith: WHICH MEANS THAT HE WAS KILLED DURING THE DAY. 486 00:29:17,291 --> 00:29:19,166 YES! 487 00:29:20,291 --> 00:29:23,041 SORRY. I GOT-- I'VE JUST BEEN-- 488 00:29:23,041 --> 00:29:26,000 IT'S HORRIBLE, HORRIBLE. 489 00:29:26,000 --> 00:29:28,375 IT'S OK, WIL. 490 00:29:30,333 --> 00:29:33,458 WE'RE ALL GLAD OZ IS OFF THE HOOK. 491 00:29:42,458 --> 00:29:44,125 Giles: INDEED. 492 00:29:48,500 --> 00:29:50,166 SHOULDN'T HE BE HERE BY NOW? SUNSET'S AT 5:30. 493 00:29:51,500 --> 00:29:53,875 SORRY I'M LATE. 494 00:29:53,875 --> 00:29:56,083 DID YOU BRING THE NOTES? 495 00:29:56,083 --> 00:29:58,250 YEAH. UM... 496 00:29:58,250 --> 00:30:00,250 YOU OK? 497 00:30:00,250 --> 00:30:02,375 WHAT? OH, YEAH. I'M SUCH A KLUTZ. 498 00:30:02,375 --> 00:30:04,291 I, UM, OH-- 499 00:30:04,291 --> 00:30:05,375 FELL DOWN, HIT YOUR EYE? 500 00:30:06,458 --> 00:30:10,041 DOORKNOB. 501 00:30:10,041 --> 00:30:12,417 UM... THANKS. 502 00:30:12,417 --> 00:30:14,041 HEY, UM... 503 00:30:14,041 --> 00:30:15,875 IF YOU WANT TO TALK... 504 00:30:15,875 --> 00:30:17,542 THANKS AGAIN FOR THE NOTES. 505 00:30:17,542 --> 00:30:20,375 YEAH. 506 00:30:28,417 --> 00:30:30,291 Giles: OUR TASK NOW IS TO DETERMINE 507 00:30:30,291 --> 00:30:33,125 WHAT SORT OF KILLER WE ARE DEALING WITH. 508 00:30:33,125 --> 00:30:35,417 CLEARLY, WE'RE LOOKING FOR A DEPRAVED, SADISTIC ANIMAL. 509 00:30:35,417 --> 00:30:36,959 PRESENT. 510 00:30:36,959 --> 00:30:42,041 I MAY BE A COLD-BLOODED JELLY DOUGHNUT, 511 00:30:42,041 --> 00:30:44,041 BUT MY TIMING IS IMPECCABLE. 512 00:30:44,041 --> 00:30:48,041 BUT YOU AREN'T. IT'S A KILL-IN-THE-DAY MONSTER. 513 00:30:48,041 --> 00:30:49,458 100% FOR SURE. 514 00:30:49,458 --> 00:30:51,375 OK. 515 00:30:51,375 --> 00:30:53,041 Giles: I WISH WE HAD TIME TO CELEBRATE PROPERLY. 516 00:30:55,041 --> 00:30:57,291 HOWEVER, WE HAVE TWO VICTIMS-- 517 00:31:01,125 --> 00:31:03,917 JEFF ORKIN AND NOW PLATT. 518 00:31:03,917 --> 00:31:05,542 MAYBE THERE'S SOMETHING THEY HAD IN COMMON. 519 00:31:14,166 --> 00:31:15,792 MISSING INTERNAL ORGANS. 520 00:31:15,792 --> 00:31:17,959 BESIDES THAT. 521 00:31:17,959 --> 00:31:20,875 DEBBIE. WELL, VICTIM NUMBER ONE-- JEFF. 522 00:31:20,875 --> 00:31:22,959 HE WAS IN JAZZ BAND WITH US. 523 00:31:22,959 --> 00:31:24,375 THEY USED TO HORSE AROUND. 524 00:31:24,375 --> 00:31:26,083 THEY WERE SCREWING? 525 00:31:26,083 --> 00:31:28,875 I DON'T THINK SO, BUT HE HID 526 00:31:28,875 --> 00:31:30,625 HER MUSIC COMP BOOK ONCE. 527 00:31:32,083 --> 00:31:33,625 AND WE KNOW THAT DEBBIE KNEW PLATT. 528 00:31:33,625 --> 00:31:36,458 SHE WAS SEEING HIM AND WAY VOCAL ABOUT NOT HAVING LOVE FOR THE GUY. 529 00:31:36,458 --> 00:31:39,000 ADD THIS AND STIR. I JUST SAW DEBBIE A MINUTE AGO 530 00:31:39,000 --> 00:31:41,458 SPORTING A NASTY BLACK EYE. 531 00:31:41,458 --> 00:31:44,834 OK, SO PRETEND DEBBIE WANTED PLATT DEAD. 532 00:31:44,834 --> 00:31:46,792 MAYBE HE FOUGHT BACK. 533 00:31:46,792 --> 00:31:48,291 NO. 534 00:31:48,291 --> 00:31:51,291 PLATT WAS DEAD IN AN INSTANT. 535 00:31:51,291 --> 00:31:52,542 HE DIDN'T EVEN DROP HIS CIGARETTE. 536 00:31:52,542 --> 00:31:53,917 NOW, WHAT IF BOYFRIEND PETE IS THE ONE DOLING OUT THE PUNISHMENT? 537 00:31:53,917 --> 00:31:55,125 WE SHOULD FIND THEM BOTH IMMEDIATELY. 538 00:31:56,458 --> 00:31:58,458 DEBBIE WAS IN THE QUAD A MINUTE AGO. 539 00:31:58,458 --> 00:32:00,458 ALL RIGHT. WE'LL SPLIT UP. 540 00:32:00,458 --> 00:32:02,875 FAITH, YOU AND I TEAM. WILLOW, STICK WITH BUFFY. 541 00:32:02,875 --> 00:32:05,875 AND I'LL... GO LOCK MYSELF IN THE CAGE. 542 00:32:05,875 --> 00:32:08,375 [DOOR OPENS] 543 00:32:08,375 --> 00:32:11,209 IT'S TRICKY, COVERING A FRESH SHINER LIKE THAT. 544 00:32:11,209 --> 00:32:14,209 YOU KNOW WHAT WORKS? 545 00:32:14,209 --> 00:32:15,209 WHAT? 546 00:32:15,209 --> 00:32:16,625 DON'T GET HIT. 547 00:32:16,625 --> 00:32:19,417 WHAT'S GOING ON, DEBBIE? 548 00:32:19,417 --> 00:32:23,000 I'LL BET THE FARM YOU KNOW. 549 00:32:23,000 --> 00:32:27,291 YOU'RE WRONG. I DON'T KNOW ANYTHING. 550 00:32:27,291 --> 00:32:29,875 NORMALLY, I'D SAY, "YOU WANT TO PLAY 'I HAVE A SECRET'? FINE." 551 00:32:29,875 --> 00:32:32,083 BUT PEOPLE ARE DYING HERE. 552 00:32:32,083 --> 00:32:33,500 IT-- 553 00:32:33,500 --> 00:32:36,208 IT'S NOT HIS FAULT. 554 00:32:36,208 --> 00:32:39,583 I MEAN, HE'S NOT HIMSELF WHEN HE GETS LIKE THIS. 555 00:32:47,458 --> 00:32:49,583 YOU MEAN PETE. 556 00:32:55,583 --> 00:32:59,417 IT'S ME. I MAKE HIM CRAZY. 557 00:32:59,417 --> 00:33:01,000 HE JUST DOES WHAT HE DOES BECAUSE HE LOVES ME TOO MUCH. 558 00:33:01,000 --> 00:33:02,834 Willow: BUT WEREN'T MR. PLATT AND JEFF MURDERED BY AN ANIMAL? 559 00:33:02,834 --> 00:33:04,500 Buffy: PETE'S NOT LIKE OTHER GUYS, IS HE, DEBBIE? 560 00:33:08,917 --> 00:33:10,500 I-- I'VE GOT TO GO. 561 00:33:10,500 --> 00:33:12,208 YOU HAVE TO TALK TO US. 562 00:33:12,208 --> 00:33:14,375 WE CAN'T HELP YOU UNTIL YOU DO. 563 00:33:14,375 --> 00:33:17,250 I DIDN'T ASK FOR YOUR HELP. 564 00:33:17,250 --> 00:33:19,542 WHEN ARE YOU GOING TO? 565 00:33:23,792 --> 00:33:25,375 IF PETE KILLS YOU, IT'LL PRETTY MUCH BE TOO LATE. 566 00:33:25,375 --> 00:33:26,917 DEBBIE, WE'RE RUNNING OUT OF TIME. 567 00:33:26,917 --> 00:33:28,917 AAH! 568 00:33:28,917 --> 00:33:31,083 WHERE CAN WE FIND HIM? 569 00:33:31,083 --> 00:33:34,291 I DON'T KNOW. 570 00:33:34,291 --> 00:33:36,917 YOU'RE LYING. 571 00:33:36,917 --> 00:33:40,125 WHAT IF I AM? WHAT ARE YOU GOING TO DO ABOUT IT? 572 00:33:40,125 --> 00:33:43,583 WRONG QUESTION. 573 00:33:44,959 --> 00:33:46,250 LOOK AT YOURSELF. 574 00:33:46,250 --> 00:33:47,959 WHY ARE YOU PROTECTING HIM? 575 00:33:47,959 --> 00:33:50,208 ANYBODY WHO REALLY LOVED YOU COULDN'T DO THIS TO YOU. 576 00:33:50,208 --> 00:33:52,083 WOULD THEY TAKE HIM SOMEPLACE? 577 00:33:52,083 --> 00:33:53,834 PROBABLY. 578 00:33:53,834 --> 00:33:56,375 I COULD NEVER DO THAT TO HIM. 579 00:33:56,375 --> 00:33:59,500 I'M HIS EVERYTHING. 580 00:34:09,083 --> 00:34:10,500 GREAT. SO WHILE YOU TWO LIVE OUT YOUR "GRIMM" FAIRY TALE, 581 00:34:13,750 --> 00:34:15,250 TWO PEOPLE ARE DEAD. 582 00:34:15,250 --> 00:34:17,041 k 583 00:34:17,041 --> 00:34:18,708 WHO'S GONNA BE NEXT? 584 00:34:18,708 --> 00:34:20,500 [DOOR OPENS] 585 00:34:20,500 --> 00:34:21,834 SINCE WHEN DO YOU TOUCH MY GIRL? 586 00:34:24,792 --> 00:34:26,750 HEY, PETE. THIS IS KIND OF A BAD TIME. 587 00:34:26,750 --> 00:34:29,542 WELL, I GUESS YOU DIDN'T THINK ABOUT THAT 588 00:34:29,542 --> 00:34:32,708 WHEN YOU PUT THE MOVES ON DEBBIE! 589 00:34:36,792 --> 00:34:39,458 WE TALKED, YEAH, BUT IT WAS MOVE-FREE. 590 00:34:40,834 --> 00:34:42,500 [RATTLES CAGE] 591 00:34:42,500 --> 00:34:45,583 ABOUT THIS CAGE? 592 00:34:46,708 --> 00:34:48,375 WHEN THAT SUN SETS-- 593 00:34:48,375 --> 00:34:51,750 YOU WON'T BE ALIVE TO SEE IT. 594 00:34:51,750 --> 00:34:53,125 [RATTLES CAGE] 595 00:34:55,708 --> 00:34:58,000 I'M SERIOUS. SOMETHING'S GONNA HAPPEN 596 00:35:00,542 --> 00:35:02,166 THAT YOU PROBABLY WON'T BELIEVE. 597 00:35:03,750 --> 00:35:08,291 [GROWLS] 598 00:35:08,291 --> 00:35:11,834 OR YOU MIGHT. 599 00:35:13,917 --> 00:35:16,375 [GROWLS] 600 00:35:16,375 --> 00:35:19,834 HE DOES LOVE ME. HE DOES LOVE ME. 601 00:35:19,834 --> 00:35:22,542 THIS IS USELESS. 602 00:35:22,542 --> 00:35:23,792 WE HAVE TO GO. I HAVE TO FIND PETE. 603 00:35:23,792 --> 00:35:25,875 HE DOES LOVE ME. 604 00:35:25,875 --> 00:35:27,333 COME ON. 605 00:35:27,333 --> 00:35:30,500 HE DOES LOVE ME. 606 00:35:30,500 --> 00:35:32,250 I THINK WE BROKE HER. 607 00:35:36,542 --> 00:35:38,917 I THINK SHE WAS BROKEN BEFORE THIS. 608 00:35:38,917 --> 00:35:42,333 DID YOU KISS THAT WHORE? HUH? DID SHE LIKE IT? 609 00:35:44,834 --> 00:35:46,000 TIME'S UP. 610 00:35:47,542 --> 00:35:49,625 RULES CHANGE. 611 00:35:57,792 --> 00:35:58,875 [GROWLING] 612 00:36:03,583 --> 00:36:06,375 AAH! 613 00:36:06,375 --> 00:36:08,083 Pete: AAH! UH! 614 00:36:08,083 --> 00:36:09,708 WHAT WAS THAT? 615 00:36:09,708 --> 00:36:10,917 GET THE DART GUN! GOT IT! 616 00:36:10,917 --> 00:36:11,917 PETE, WATCH OUT! OW! 617 00:36:11,917 --> 00:36:13,375 OH! SORRY. 618 00:36:13,375 --> 00:36:15,125 OH, RIGHT. BLOODY PRICELESS. 619 00:36:17,291 --> 00:36:21,000 YOU GET THE WOLF. GOT IT. 620 00:36:29,041 --> 00:36:33,875 PETE. YOU'RE ALL RIGHT! 621 00:36:33,875 --> 00:36:44,458 GOD, YOU'RE ALL RIGHT. 622 00:36:44,458 --> 00:36:46,458 SHE ALMOST SHOT YOU. DID YOU SEE? 623 00:36:46,458 --> 00:36:48,125 I STOPPED HER. 624 00:36:52,000 --> 00:36:54,000 YOU HAVE TO LEAVE, GET OUT OF SUNNYDALE. SHE KNOWS. 625 00:36:54,000 --> 00:37:07,542 HOW DID SHE KNOW, DEBBIE? 626 00:37:07,542 --> 00:37:09,000 DID YOU RUN YOUR BIG MOUTH? 627 00:37:09,000 --> 00:37:11,792 NO. SHE JUST KNEW. IT SEEMED LIKE SHE JUST KNEW. 628 00:37:11,792 --> 00:37:13,208 SO YOU FILLED IN THE BLANKS! 629 00:37:16,750 --> 00:37:18,750 NO! 630 00:37:18,750 --> 00:37:21,208 NO! 631 00:37:21,208 --> 00:37:23,083 BUT WHAT DID I EXPECT FROM A SCREWUP LIKE YOU? 632 00:37:23,083 --> 00:37:25,333 I-- I DIDN'T-- PETE-- 633 00:37:25,333 --> 00:37:31,041 YOU'RE NOTHING BUT A WASTE OF SPACE. 634 00:37:31,041 --> 00:37:33,166 NO! 635 00:37:33,166 --> 00:38:22,208 AAH! AAH! 636 00:38:22,208 --> 00:38:24,208 OH, GOD. 637 00:38:24,208 --> 00:38:26,083 [PETE GROWLING] 638 00:38:26,083 --> 00:38:29,708 WHERE'S THE GUN? 639 00:38:29,708 --> 00:38:31,333 WHERE'S THE GUN? 640 00:38:34,708 --> 00:38:39,208 GET OFF HER! 641 00:38:39,208 --> 00:38:40,875 GET THE GUN! GET THE GUN! HURRY! 642 00:38:40,875 --> 00:38:42,917 UH! 643 00:38:42,917 --> 00:38:47,209 ALL THE SAME. YOU'RE ALL THE SAME. 644 00:38:47,209 --> 00:38:48,792 BUFFY? 645 00:38:48,792 --> 00:38:50,209 BUFFY. 646 00:38:50,209 --> 00:38:51,333 IT'S ALL OVER SCHOOL, WHAT HAPPENED WITH DEBBIE AND PETE-- 647 00:38:51,333 --> 00:38:53,583 EXCEPT FOR THE PETE-WAS-A-MONSTER PART. 648 00:38:53,583 --> 00:38:56,083 YEAH. A FRESHMAN TOLD ME 649 00:38:56,083 --> 00:38:58,500 THAT PETE HAD EIGHT ICED CAFE MOCHAS AND JUST LOST IT. 650 00:38:58,500 --> 00:38:59,500 THAT'S BETTER THAN THE ESTROGEN THEORY. 651 00:39:07,209 --> 00:39:08,417 I HEARD HE TOOK ALL OF HIS MOTHER'S BIRTH-CONTROL PILLS. 652 00:39:08,417 --> 00:39:28,333 HE DIDN'T? PETE WAS A MONSTER? 653 00:39:28,333 --> 00:39:30,667 WHERE HAVE I BEEN? 654 00:39:34,834 --> 00:39:36,375 IN YOUR SPECIAL PLACE, COR, WHICH IS WHY I ADORE YOU. 655 00:39:41,083 --> 00:39:42,500 SO WHAT'S THE TRUE STORY? 656 00:39:43,417 --> 00:39:45,417 WHAT HAPPENED? 657 00:39:45,417 --> 00:39:47,500 Willow: WE GOT AHOLD OF PETE'S LAB BOOKS AND STUFF, 658 00:39:47,500 --> 00:39:50,875 AND MR. SCIENCE WAS DOING A JEKYLL/HYDE DEAL. 659 00:39:52,125 --> 00:39:53,500 HE WAS AFRAID DEBBIE WAS GONNA LEAVE HIM, 660 00:39:53,500 --> 00:39:59,125 SO HE MIXED THIS POTION TO BECOME SUPER MAS MACHO. 661 00:39:59,125 --> 00:40:01,875 THE ONLY THING WAS, AFTER A WHILE, 662 00:40:01,875 --> 00:41:11,542 HE DIDN'T NEED THE POTION TO TURN INTO A BAD GUY. 663 00:41:11,542 --> 00:41:13,125 HE DID IT JUST FINE ON HIS OWN. 664 00:41:13,125 --> 00:41:26,083 SO IT WAS LIKE A REAL KILLING. 665 00:41:26,083 --> 00:41:27,291 HE WASN'T UNDER THE INFLUENCE OF ANYTHING? 666 00:41:27,291 --> 00:41:48,708 JUST HIMSELF. 667 00:41:48,708 --> 00:41:52,041 UH... 668 00:41:52,041 --> 00:41:55,083 I'LL SEE YOU GUYS LATER. 669 00:41:55,083 --> 00:41:56,750 GREAT. NOW I'M GOING TO BE STUCK WITH SERIOUS THOUGHTS ALL DAY. 670 00:41:56,750 --> 00:41:59,166 I DON'T KNOW WHAT TO SAY THAT'S... 671 00:41:59,166 --> 00:42:00,750 NOT GONNA SOUND STUPID OR OBVIOUS. 672 00:42:00,750 --> 00:42:03,041 I'VE BEEN FRIENDS WITH THEM BOTH 673 00:42:03,041 --> 00:42:05,417 SINCE BEFORE WE STARTED SCHOOL. 674 00:42:05,417 --> 00:42:07,209 IS THERE ANYTHING I CAN DO? 675 00:42:07,209 --> 00:42:09,750 THANKS. I'M GOING TO BE OK. 676 00:42:09,750 --> 00:42:11,208 IT'S JUST THAT YOU NEVER REALLY KNOW 677 00:42:11,208 --> 00:42:13,041 WHAT'S GOING ON INSIDE SOMEBODY... 678 00:42:13,041 --> 00:42:15,625 DO YOU? 679 00:42:15,625 --> 00:42:18,583 I MEAN, YOU THINK IF YOU CARE ABOUT THEM-- 680 00:42:18,583 --> 00:42:21,583 BUT YOU NEVER REALLY DO. 681 00:42:21,583 --> 00:42:24,625 Buffy: "NIGHT CAME ON, 682 00:42:24,625 --> 00:42:26,708 AND A FULL MOON ROSE HIGH OVER THE TREES, 683 00:42:26,708 --> 00:42:28,708 LIGHTING THE LAND TILL IT LAY BATHED IN GHOSTLY DAY. 684 00:42:28,708 --> 00:42:30,375 AND THE STRAIN OF THE PRIMITIVE REMAINED ALIVE AND ACTIVE. 685 00:42:30,375 --> 00:42:32,083 FAITHFULNESS AND DEVOTION, THINGS BORN OF FIRE AND ROOF WERE HIS, 686 00:42:32,083 --> 00:42:33,917 YET HE RETAINED HIS WILDNESS AND WILINESS. 687 00:42:33,917 --> 00:42:35,875 AND FROM THE DEPTHS OF THE FOREST, 688 00:42:35,875 --> 00:42:37,208 A CALL STILL SOUNDED." 689 00:42:38,875 --> 00:42:41,708 GRR! ARG!