1 00:00:06,959 --> 00:00:11,458 "AND ON THAT TRAGIC DAY, AN ERA CAME TO ITS INEVITABLE END." 2 00:00:11,458 --> 00:00:13,959 THAT'S ALL THERE IS. ARE YOU READY? 3 00:00:13,959 --> 00:00:16,041 HIT ME. 4 00:00:16,041 --> 00:00:18,375 WHICH OF THE FOLLOWING BEST EXPRESSES THE THEME OF THE PASSAGE? 5 00:00:18,375 --> 00:00:20,375 "A": VIOLENCE BREEDS VIOLENCE, 6 00:00:20,375 --> 00:00:22,250 "B": ALL THINGS MUST END, 7 00:00:22,250 --> 00:00:23,166 "C"-- 8 00:00:23,166 --> 00:00:25,458 "B." I'M GOING WITH "B." 9 00:00:25,458 --> 00:00:27,625 WE HAVEN'T HAD A "B" IN FOREVER. 10 00:00:27,625 --> 00:00:31,417 THIS IS THE S.A.T.s, BUFFY, NOT CONNECT-THE-DOTS. PLEASE PAY ATTENTION. 11 00:00:31,417 --> 00:00:34,417 A LOW SCORE COULD SERIOUSLY HARM YOUR CHANCES OF GETTING INTO COLLEGE. 12 00:00:34,417 --> 00:00:36,625 GEE, THANKS. THAT TAKES THE PRESSURE RIGHT OFF. 13 00:00:36,625 --> 00:00:39,083 THIS ISN'T MEANT TO BE EASY, YOU KNOW. IT'S A RITE OF PASSAGE. 14 00:00:39,083 --> 00:00:40,792 IS IT TOO LATE TO JOIN A TRIBE 15 00:00:40,792 --> 00:00:42,917 WHERE THEY JUST PIERCE SOMETHING OR CUT SOMETHING OFF? 16 00:00:42,917 --> 00:00:45,125 BUFFY, PLEASE CONCENTRATE. 17 00:00:46,583 --> 00:00:47,500 ROLL! 18 00:00:47,500 --> 00:00:49,583 WHAT? HUH! 19 00:00:51,041 --> 00:00:52,125 UNH! 20 00:00:52,125 --> 00:01:02,875 UNH! 21 00:01:02,875 --> 00:01:04,209 HMM. I BROKE MY NUMBER TWO PENCIL. 22 00:01:06,875 --> 00:01:08,959 WE'LL HAVE TO DO THIS AGAIN SOMETIME. 23 00:01:08,959 --> 00:01:11,166 "C": ALL SYSTEMS TEND TOWARDS CHAOS. 24 00:01:11,166 --> 00:01:13,834 I JUST KNOW THAT US AND THE UNDEAD 25 00:01:13,834 --> 00:01:16,333 ARE THE ONLY PEOPLE IN SUNNYDALE WORKING THIS LATE. 26 00:01:16,333 --> 00:01:19,458 Mayor: I APPRECIATE YOU COMING. 27 00:01:21,041 --> 00:01:23,083 I REALIZE IT IS EARLY... FOR YOU... 28 00:01:23,083 --> 00:01:27,917 BUT I THINK YOU'LL AGREE 29 00:01:27,917 --> 00:01:29,917 THAT THIS MATTER IS URGENT, ALSO...DELICATE. 30 00:01:29,917 --> 00:01:32,625 I'M A VERY DELICATE PERSON. 31 00:01:32,625 --> 00:01:34,542 SO YOU FEEL YOU CAN HANDLE THIS? 32 00:01:34,542 --> 00:01:36,917 IT'S A LITTLE OUT OF MY ELEMENT, 33 00:01:36,917 --> 00:01:39,041 BUT I CAN GET YOU WHAT YOU NEED. 34 00:01:39,041 --> 00:01:40,917 I KNOW A BEAST WHO KNOWS A GUY. 35 00:01:40,917 --> 00:01:43,375 ARE YOU SURE THAT SUBCONTRACTING IS THE WAY TO GO HERE? 36 00:01:43,375 --> 00:01:46,333 WELL, THIS GUY'S WORKED YOUR TOWN BEFORE, 37 00:01:46,333 --> 00:01:48,625 AND IF HE LIVES UP TO HIS REP, THIS PLACE WILL BE IN FLAMES. 38 00:01:48,625 --> 00:01:52,792 I'VE MADE CERTAIN DEALS TO GET WHERE I AM TODAY. 39 00:01:52,792 --> 00:01:55,333 THIS DEMON REQUIRES HIS TRIBUTE. 40 00:01:55,333 --> 00:01:58,417 SEE, THAT'S WHAT SEPARATES ME FROM OTHER POLITICIANS, MR. TRICK. 41 00:01:58,417 --> 00:02:02,667 I KEEP MY CAMPAIGN PROMISES. 42 00:02:08,542 --> 00:02:11,166 [SNIFFS] 43 00:02:14,708 --> 00:02:16,500 WHERE'D I PUT THAT SCOTCH? 44 00:02:16,500 --> 00:02:19,750 Buffy: AND THEN I WAS BEING CHASED 45 00:02:19,750 --> 00:03:20,542 BY AN IMPROPERLY FILLED-IN ANSWER BUBBLE SCREAMING, "NONE OF THE ABOVE!" 46 00:03:20,542 --> 00:03:22,542 WOW. I HOPE THAT WASN'T ONE OF YOUR PROPHECY DREAMS. 47 00:03:22,542 --> 00:03:25,625 PROBABLY NOT. 48 00:03:25,625 --> 00:03:28,875 YOU KNOW, I TOOK IT LAST YEAR. I COULD HELP YOU GET READY. 49 00:03:28,875 --> 00:03:30,750 THERE'S THIS WHOLE TRICK TO ANTONYMS, BUT-- 50 00:03:30,750 --> 00:03:34,417 THIS ISN'T THE PLACE. 51 00:03:34,417 --> 00:03:36,500 OZ IS THE HIGHEST-SCORING PERSON EVER TO FAIL TO GRADUATE. 52 00:03:36,500 --> 00:03:38,458 ISN'T SHE CUTE WHEN SHE'S PROUD? 53 00:03:38,458 --> 00:03:41,375 SHE'S ALWAYS CUTE. 54 00:03:41,375 --> 00:03:43,041 WE COULD WORK ON IT TONIGHT. 55 00:03:43,041 --> 00:03:44,208 WORK ON WHAT TONIGHT? 56 00:03:44,208 --> 00:03:45,708 OH, GOD. ARE WE KILLING SOMETHING AGAIN? 57 00:03:45,708 --> 00:03:47,500 ONLY MY CAREFREE SPIRIT. 58 00:03:47,500 --> 00:03:49,291 BUFFY S.A.T. PREP. 59 00:03:49,291 --> 00:03:50,583 OZ IS HELPING. HE'S THE HIGHEST-SCORING-- 60 00:03:50,583 --> 00:03:52,333 WE KNOW. WE DID THE IMPRESSED THING ALREADY. 61 00:03:52,333 --> 00:03:54,542 I HATE THEY MAKE US TAKE THAT THING. 62 00:03:54,542 --> 00:03:57,250 IT'S TOTALLY FASCIST, AND PERSONALLY, 63 00:03:57,250 --> 00:03:59,041 I THINK IT DISCRIMINATES AGAINST THE UNINFORMED. 64 00:03:59,041 --> 00:04:01,125 ACTUALLY, I'M LOOKING FORWARD TO IT. 65 00:04:01,125 --> 00:04:03,208 I DO WELL ON STANDARDIZED TESTS. 66 00:04:03,208 --> 00:04:05,291 WHAT? I CAN'T HAVE LAYERS? 67 00:04:05,291 --> 00:04:06,542 SO, BUFF, STUDY TONIGHT? 68 00:04:06,542 --> 00:04:09,000 YES ON THE STUDYING, NO ON TONIGHT. I'M PUTTING IN MOM TIME. 69 00:04:09,000 --> 00:04:11,041 SHE'S BEEN DRASTIC EVER SINCE I GOT BACK, AND GILES IS EVEN WORSE. 70 00:04:11,041 --> 00:04:14,542 I'M SUPERVISED 24-7. 71 00:04:14,542 --> 00:04:17,583 IT'S LIKE BEING IN THE REAL WORLD HOUSE, ONLY REAL. 72 00:04:17,583 --> 00:04:19,375 HMM. OOH, CANDY BARS-- LOTS OF 'EM! 73 00:04:19,375 --> 00:04:23,000 PRINCIPAL SNYDER, THANK YOU! 74 00:04:23,000 --> 00:04:26,417 YOU WEREN'T VISITED 75 00:04:26,417 --> 00:04:27,917 BY THE GHOST OF CHRISTMAS PAST, BY ANY CHANCE? 76 00:04:27,917 --> 00:04:29,583 IT'S BAND CANDY. 77 00:04:29,583 --> 00:04:32,417 LET'S HEAR IT FOR THE BAND, HUH? VERY GENEROUS. 78 00:04:32,417 --> 00:04:34,250 YOU WILL SELL IT TO RAISE MONEY FOR THE MARCHING BAND. 79 00:04:34,250 --> 00:04:37,083 THEY NEED NEW UNIFORMS. 80 00:04:37,083 --> 00:04:39,834 YEAH. THOSE TALL, FUZZY HATS AIN'T CHEAP, HUH? 81 00:04:39,834 --> 00:04:41,500 BUT THEY GO WITH EVERYTHING. 82 00:04:41,500 --> 00:04:43,250 I'M SURE WE LOVE THE IDEA OF GOING ALL WILLY LOMAN, 83 00:04:43,250 --> 00:04:45,125 BUT WE'RE NOT IN THE BAND. 84 00:04:45,125 --> 00:04:47,208 AND IF I'D HANDED YOU A TROMBONE, THAT WOULD'VE BEEN A PROBLEM, SUMMERS. 85 00:04:47,208 --> 00:04:49,625 IT'S CANDY. 86 00:04:49,625 --> 00:04:53,333 SELL IT. 87 00:04:53,333 --> 00:04:54,959 Joyce: BUT YOU'RE NOT IN THE BAND. 88 00:04:54,959 --> 00:04:56,917 AND YET. 89 00:04:56,917 --> 00:04:59,333 BUFFY, WHAT WOULD I DO WITH 40 CHOCOLATE BARS? 90 00:04:59,333 --> 00:05:01,208 YOU COULD HAND THEM OUT AT THE GALLERY. 91 00:05:01,208 --> 00:05:04,625 "BUY SOMETHING PRE-COLUMBIAN, GET A FREE CAVITY." 92 00:05:04,625 --> 00:05:06,667 20. 93 00:05:06,667 --> 00:05:09,041 YOU'RE A GOOD MOM. 94 00:05:10,667 --> 00:05:12,208 I'M THE BEST. 95 00:05:12,208 --> 00:05:13,417 NO, I'M PRETTY SURE THE BEST MOMS LET THEIR DAUGHTERS DRIVE. 96 00:05:13,417 --> 00:05:15,583 AND YET. 97 00:05:15,583 --> 00:05:18,583 OH, COME ON! 98 00:05:18,583 --> 00:05:20,209 LOOK, LET'S NOT HAVE THIS CONVERSATION. 99 00:05:20,209 --> 00:05:21,834 BUT I TOOK THE CLASS. 100 00:05:21,834 --> 00:05:24,583 I WATCHED THE FILMSTRIPS WITH THE BLOOD AND THE DEATH AND THE CORPSES. 101 00:05:24,583 --> 00:05:26,708 I'M PREPPED. 102 00:05:26,708 --> 00:05:29,041 HONEY, YOU FAILED THE WRITTEN TEST. 103 00:05:29,041 --> 00:05:30,500 THEY WOULDN'T EVEN LET YOU TAKE THE ROAD TEST. 104 00:05:30,500 --> 00:05:32,583 THAT WAS A YEAR AGO, AND I DON'T TEST WELL... 105 00:05:32,583 --> 00:05:35,333 SHE SAID, TWO DAYS BEFORE THE S.A.T.s. 106 00:05:35,333 --> 00:05:38,250 I SPEND ENOUGH TIME NOT KNOWING WHERE YOU ARE. 107 00:05:38,250 --> 00:05:40,875 I DON'T WANT TO ADD TO THAT THE POSSIBILITY 108 00:05:40,875 --> 00:05:43,333 THAT YOU'RE ON THE HIGHWAY TO CHICAGO. 109 00:05:43,333 --> 00:05:45,875 I CAN'T BELIEVE YOU. 110 00:05:45,875 --> 00:05:47,917 I'M NOT TAKING OFF AGAIN. 111 00:05:47,917 --> 00:05:49,542 BESIDES, IF I WANTED TO, 112 00:05:49,542 --> 00:05:51,583 I COULD JUST GET ON A BUS. 113 00:05:51,583 --> 00:05:53,417 STOP. DON'T. 114 00:05:53,417 --> 00:05:55,375 I JUST DON'T WANT YOU DRIVING, OK? 115 00:05:55,375 --> 00:05:57,625 I WANT YOU HERE. 116 00:05:59,166 --> 00:06:01,458 I'M HERE. HMM? SEE ME HERE. 117 00:06:01,458 --> 00:06:02,792 MM-HMM? 118 00:06:02,792 --> 00:06:05,375 MMM...I GOT TO GO. 119 00:06:05,375 --> 00:06:07,375 WHAT, YOU'RE GOING OUT? 120 00:06:07,375 --> 00:06:09,542 GILES. SLAY-STUDY DOUBLE FEATURE. COULD BE LATE. 121 00:06:09,542 --> 00:06:11,208 AGAIN? HONEY, DON'T YOU THINK MR. GILES 122 00:06:11,208 --> 00:06:14,333 IS MONOPOLIZING AN AWFUL LOT OF YOUR TIME? 123 00:06:14,333 --> 00:06:16,417 AND DOES HE EVER SAY HE'S SORRY? 124 00:06:16,417 --> 00:06:18,667 OW! 125 00:06:18,667 --> 00:06:21,208 SORRY. 126 00:06:21,208 --> 00:06:22,375 WHY DO I PUT UP WITH THIS? 127 00:06:22,375 --> 00:06:24,041 BECAUSE IT IS YOUR DESTINY... 128 00:06:24,041 --> 00:06:27,166 AND BECAUSE I JUST BOUGHT 20 "COCORIFIC" CANDY BARS. 129 00:06:27,166 --> 00:06:29,333 OK, YOU'RE JUST DOING THIS TO TAKE FUNNY PICTURES OF ME. 130 00:06:29,333 --> 00:06:32,000 I'M DOING IT TO TEST YOUR AWARENESS OF AN OPPONENT'S LOCATION 131 00:06:34,041 --> 00:06:37,417 DURING A FIGHT IN TOTAL DARKNESS. 132 00:06:37,417 --> 00:06:40,792 NOW, WAIT 5 SECONDS 133 00:06:40,792 --> 00:06:42,917 AND THEN THROW THE BALL AT ME. 134 00:06:42,917 --> 00:06:44,375 YOU RAN OUT OF NEW TRAINING IDEAS ABOUT A WEEK AGO, HUH? 135 00:06:44,375 --> 00:06:46,834 OK. 5, 4, 3, 2, 1. 136 00:06:46,834 --> 00:06:50,417 IT'S NOT THAT SIMPLE, IS IT-- 137 00:06:50,417 --> 00:06:54,041 OW. AHEM. YES, WELL, VERY GOOD. 138 00:06:58,959 --> 00:07:01,167 THANKS. 139 00:07:01,167 --> 00:07:04,083 WHERE ARE YOU GOING? WE HAVE TO PATROL. 140 00:07:04,083 --> 00:07:06,000 I CAN'T. MOM'S IN HYPERDRIVE. 141 00:07:07,166 --> 00:07:09,166 SHE WANTS ME HOME TONIGHT. I TOLD YOU. 142 00:07:09,166 --> 00:07:10,875 BUT--I-- 143 00:07:10,875 --> 00:07:12,583 I KNOW, I KNOW. SHE'S OUT OF CONTROL. ENJOY THE CANDY. 144 00:07:12,583 --> 00:07:14,375 BUFFY. 145 00:07:14,375 --> 00:07:18,209 I DIDN'T KNOW YOU COULD DO THAT. 146 00:07:18,209 --> 00:08:20,667 I--I'M FEELING BETTER. 147 00:08:20,667 --> 00:08:22,875 ANGEL! 148 00:08:25,917 --> 00:08:28,041 LET'S... GET YOU INSIDE. 149 00:08:30,417 --> 00:08:33,250 IT'S LATE. HOW'D YOU GET AWAY? 150 00:08:33,250 --> 00:08:34,875 AW, IT WAS EASY. STARTED A FIRE IN THE PRISON LAUNDRY ROOM. 151 00:08:39,834 --> 00:08:41,875 RODE OUT IN THE GARBAGE TRUCK. 152 00:08:50,041 --> 00:08:52,458 OH. 153 00:08:52,458 --> 00:08:56,583 I'M JOKING. NO GARBAGE. 154 00:08:56,583 --> 00:08:58,291 SMELL ME. 155 00:08:58,291 --> 00:08:59,291 HOW IS...SCOTT? 156 00:09:01,167 --> 00:09:03,458 SCOTT? 157 00:09:03,458 --> 00:09:04,875 OH, UM... BOYFRIEND SCOTT. 158 00:09:04,875 --> 00:09:20,208 UH... ACTUALLY, HE'S NOT-- 159 00:09:20,208 --> 00:09:23,875 HE'S FINE. 160 00:09:23,875 --> 00:09:26,083 UH, THAT'S FOR YOU. 161 00:09:26,083 --> 00:09:29,083 UH...IT'S FRESH FROM THE BUTCHER. 162 00:09:29,083 --> 00:09:32,375 THANKS. 163 00:09:33,708 --> 00:09:35,250 [CLEARS THROAT] 164 00:09:36,458 --> 00:09:38,834 YOU'RE BEING CAREFUL, RIGHT? 165 00:09:38,834 --> 00:09:41,792 WITH SCOTT? 166 00:09:41,792 --> 00:09:43,458 THE SLAYING. 167 00:09:43,458 --> 00:09:44,917 OH. UH...YEAH. OF COURSE. 168 00:09:52,208 --> 00:09:54,750 FULL OF CAREFULNESS. 169 00:09:54,750 --> 00:09:56,542 I WORRY ABOUT YOU. 170 00:09:56,542 --> 00:09:57,834 I WORRY ABOUT YOU. 171 00:09:57,834 --> 00:10:01,333 I'M GETTING STRONGER. 172 00:10:01,333 --> 00:10:03,417 PRETTY SOON, YOU WON'T EVEN NEED ME. 173 00:10:03,417 --> 00:10:06,166 THAT'LL BE BETTER. 174 00:10:08,375 --> 00:10:09,792 YEAH. 175 00:10:11,458 --> 00:10:13,291 HEY. UH, SORRY I'M LATE. 176 00:10:13,291 --> 00:10:15,959 YOU KNOW GILES-- ALL SLAY, ALL THE TIME. 177 00:10:15,959 --> 00:10:18,125 HELLO, BUFFY. 178 00:10:21,333 --> 00:10:22,333 DO YOU GUYS WANT TO WATCH SOME TELEVISION? 179 00:10:22,333 --> 00:10:36,500 I HEAR THERE'S A VERY INSIGHTFUL NIGHTLINE ON. 180 00:10:36,500 --> 00:10:39,583 Joyce: BUFFY, YOU LIED TO US, 181 00:10:39,583 --> 00:10:42,333 AND YOU MADE US INTO YOUR ALIBIS. 182 00:10:44,208 --> 00:10:45,750 THAT'S PLAYING US AGAINST EACH OTHER, AND THAT'S NOT FAIR. 183 00:10:47,792 --> 00:10:49,875 I CALLED WILLOW. 184 00:10:49,875 --> 00:10:52,125 YOU ALSO LIED TO HER ABOUT YOUR WHEREABOUTS. WE WERE ALL CONCERNED. 185 00:10:52,125 --> 00:10:54,000 OH, THANK YOU. 186 00:10:54,000 --> 00:10:56,291 LOOK, I'M SORRY, BUT I HAD TO... 187 00:10:56,291 --> 00:10:58,208 WERE YOU AT THE BRONZE? 188 00:10:58,208 --> 00:11:00,291 WHAT WAS HAPPENING THERE THAT WAS SO IMPORTANT? 189 00:11:00,291 --> 00:11:03,166 BRONZE THINGS. THINGS OF BRONZE. 190 00:11:05,291 --> 00:11:07,291 YOU'RE ACTING REALLY IMMATURE, BUFFY. 191 00:11:07,291 --> 00:11:10,000 I KNOW I'M NOT YOUR PARENT, BUT I AM RESPONSIBLE FOR YOU. 192 00:11:10,000 --> 00:11:11,792 I THINK YOUR MUM'S RIGHT. 193 00:11:11,792 --> 00:11:14,667 OK, FINE. I'M ACTING LIKE A CHILD. 194 00:11:14,667 --> 00:11:17,834 MAYBE THAT'S BECAUSE YOU'RE BOTH TREATING ME LIKE A CHILD. 195 00:11:17,834 --> 00:11:19,667 BUFFY. 196 00:11:19,667 --> 00:11:22,208 YOU'RE BOTH SCHEDULING ME 24 HOURS A DAY. 197 00:11:22,208 --> 00:11:23,625 BETWEEN THE TWO OF YOU, THAT'S 48 HOURS. 198 00:11:23,625 --> 00:11:25,750 I JUST WANT TO BE ABLE TO MAKE A FEW DECISIONS ON MY OWN. 199 00:11:25,750 --> 00:11:27,291 THE LAST TIME YOU MADE A DECISION ON YOUR OWN, YOU SPLIT. 200 00:11:27,291 --> 00:11:28,917 YEAH, AND I TOOK CARE OF MYSELF. 201 00:11:28,917 --> 00:11:31,250 I DON'T NEED THIS MUCH ACTIVE PARENTING. 202 00:11:31,250 --> 00:11:33,792 YOU CAN'T REALLY BE TRYING TO USE THIS SUMMER AS A REASON YOU SHOULD BE TRUSTED. 203 00:11:33,792 --> 00:11:36,792 YOU CAN'T BABY-SIT ME ALL THE TIME. 204 00:11:36,792 --> 00:11:39,250 I NEED YOU TO BACK OFF A LITTLE. 205 00:11:39,250 --> 00:11:41,542 ALL RIGHT, COME ON. LET'S NOT...FREAK OUT. 206 00:11:41,542 --> 00:11:43,667 "FREAK OUT"? 207 00:11:43,667 --> 00:11:47,458 WHAT? UH, I THINK YOU SHOULD GO TO BED. 208 00:11:47,458 --> 00:11:48,959 WE'RE ALL TIRED. 209 00:11:48,959 --> 00:11:50,667 OH, SHE JUST DRIVES ME CRAZY. 210 00:11:50,667 --> 00:11:53,875 I JUST WANT TO PROTECT HER. 211 00:11:53,875 --> 00:11:55,417 DON'T ALL PARENTS WANT THAT? 212 00:11:55,417 --> 00:11:58,291 YEAH, BUT AT LEAST MOST PARENTS HAVE SOME IDEA 213 00:11:58,291 --> 00:11:59,542 WHAT TO PROTECT THEIR CHILDREN FROM. 214 00:12:07,750 --> 00:12:11,333 YEAH. AND I THINK WE SHOULD BOTH BE ESPECIALLY CAREFUL. 215 00:12:15,375 --> 00:12:17,792 MMM. 216 00:12:17,792 --> 00:12:19,875 [MACHINERY WHIRRING] 217 00:12:19,875 --> 00:12:23,333 TRUST ME. 218 00:12:23,333 --> 00:12:25,708 YOU DON'T WANT TO EAT THAT. 219 00:12:25,708 --> 00:12:29,500 DUDE, THINK FAST. 220 00:12:29,500 --> 00:12:30,834 I HEARD THAT THERE WAS A SECRET RULE 221 00:12:33,500 --> 00:12:34,792 THAT IF A TEACHER IS MORE THAN 10 MINUTES LATE, WE CAN ALL LEAVE. 222 00:12:39,375 --> 00:12:40,625 IT'S GILES' TURN TO WATCH STUDY HALL. HE'LL BE HERE. 223 00:12:43,667 --> 00:12:46,166 HE'S ALLERGIC TO LATE. 224 00:12:46,166 --> 00:12:57,208 HE IS WOUND A LITTLE TIGHT. 225 00:12:57,208 --> 00:12:59,166 I HAD THIS PHILOSOPHY BOOK CHECKED OUT FROM THE LIBRARY FOR, LIKE, A YEAR, 226 00:13:04,000 --> 00:13:06,083 AND HE MADE ME PAY THE FINE, EVEN THOUGH IT WAS HUGE. 227 00:13:06,083 --> 00:13:09,834 I WAS SAD TO RETURN IT. 228 00:13:09,834 --> 00:13:12,625 IT WAS PERFECT FOR STARTING CONVERSATIONS WITH COLLEGE BOYS. 229 00:13:12,625 --> 00:13:14,333 OF COURSE, THAT WAS B.X. B.X.? 230 00:13:14,333 --> 00:13:16,667 BEFORE XANDER. CLEVER. 231 00:13:16,667 --> 00:13:19,917 I LIKE CHOCOLATE. THERE IS NO BAD HERE. 232 00:13:19,917 --> 00:13:23,041 YOU STILL HAVE SOME LEFT? I WENT TO, LIKE, 4 HOUSES, AND THEY WERE GONE. 233 00:13:23,041 --> 00:13:24,875 IT'S LIKE TRICK-OR-TREATING IN REVERSE. 234 00:13:24,875 --> 00:13:28,375 I KNOW. THESE THINGS ARE SELLING LIKE HOT CAKES... 235 00:13:28,375 --> 00:13:30,708 WHICH IS IRONIC, 'CAUSE THE HOT CAKES REALLY AREN'T MOVING. 236 00:13:32,125 --> 00:13:34,417 AND IT'S, UH, FUN TO SELL CHOCOLATE. 237 00:13:34,417 --> 00:13:37,750 AND WE'RE RAISING A LOT OF MONEY FOR THE BAND. 238 00:13:37,750 --> 00:13:41,917 THE BAND. YEAH. 239 00:13:41,917 --> 00:13:44,417 THEY'RE GREAT. 240 00:13:44,417 --> 00:13:46,834 THEY MARCH. 241 00:13:46,834 --> 00:13:49,750 LIKE AN ARMY. 242 00:13:53,166 --> 00:13:56,250 EXCEPT WITH MUSIC INSTEAD OF BULLETS, 243 00:14:00,625 --> 00:14:03,834 AND... USUALLY NO ONE DIES. 244 00:14:06,209 --> 00:14:07,250 I CAN'T BELIEVE THIS. 245 00:14:07,250 --> 00:14:09,083 [THUNK] 246 00:14:09,083 --> 00:14:10,667 Cordelia: WHERE IS GILES ALREADY? 247 00:14:10,667 --> 00:14:12,708 I'M BORED, AND HE'S NOT HERE TO GIVE ME CREDIT FOR IT. 248 00:14:16,000 --> 00:14:19,917 THE BIG PINHEAD LIBRARIAN DIDN'T SHOW UP, 249 00:14:19,917 --> 00:14:22,708 AND I DON'T WANT TO DO IT. 250 00:14:26,875 --> 00:14:28,250 YOU DO IT. 251 00:14:28,250 --> 00:14:29,417 ALL RIGHT, FINE. I'LL DO IT. 252 00:14:29,417 --> 00:14:31,208 EVERYBODY EXPECTS ME TO DO EVERYTHING AROUND HERE 253 00:14:31,208 --> 00:14:33,750 BECAUSE I'M THE PRINCIPAL. 254 00:14:36,667 --> 00:14:38,625 IT'S NOT FAIR. 255 00:14:38,625 --> 00:14:40,542 [CLAPS HANDS] 256 00:14:40,542 --> 00:14:42,291 Teacher: HEY! 257 00:14:42,291 --> 00:14:44,750 WE'RE ALL STUCK HERE, OK? 258 00:14:46,875 --> 00:14:49,250 SO NOW LET'S JUST SIT QUIETLY AND... 259 00:14:49,250 --> 00:14:51,667 PRETEND WE'RE READING SOMETHING 260 00:14:51,667 --> 00:14:54,166 UNTIL WE'RE REALLY SURE THAT OLD COMMANDANT SNYDER'S GONE. 261 00:14:55,208 --> 00:14:56,208 THEN WE'RE ALL OUT OF HERE. 262 00:14:56,208 --> 00:14:58,041 DOES ANYONE ELSE WANT TO MARRY MS. BARTON? 263 00:14:58,041 --> 00:14:59,917 GET IN LINE. 264 00:14:59,917 --> 00:15:02,917 I GUESS GILES ISN'T COMING. 265 00:15:02,917 --> 00:15:05,000 I GUESS NOT. 266 00:15:05,000 --> 00:15:08,542 BUFFY. 267 00:15:08,542 --> 00:15:10,542 UH...SORRY. 268 00:15:10,542 --> 00:15:12,542 I WAS JUST WORRIED. 269 00:15:12,542 --> 00:15:13,917 YOU WERE A BIG NOT-THERE IN STUDY HALL, 270 00:15:13,917 --> 00:15:16,333 AND AFTER YOUR LECTURE TO ME ON NOT DUCKING OUT-- 271 00:15:16,333 --> 00:15:17,917 AND WHAT IS MY MOTHER DOING HERE? 272 00:15:17,917 --> 00:15:35,625 WE HAD AN OPPORTUNITY FOR A... 273 00:15:35,625 --> 00:15:37,500 YOU MIGHT SAY... SUMMIT MEETING. 274 00:15:37,500 --> 00:15:39,125 IT TOOK PRIORITY OVER STUDY HALL. 275 00:15:39,125 --> 00:15:40,750 I CALLED IN. OH. 276 00:15:40,750 --> 00:15:43,125 WE DECIDED THAT YOU MADE A GOOD POINT EARLIER, HONEY. 277 00:15:43,125 --> 00:15:45,500 I DID. YEAH. 278 00:15:45,500 --> 00:15:47,083 WHICH WAS...? 279 00:15:47,083 --> 00:15:49,625 ABOUT US OVERSCHEDULING YOU. 280 00:15:49,625 --> 00:15:51,417 PULLING YOU IN TWO DIRECTIONS-- 281 00:15:51,417 --> 00:15:53,625 YOUR HOME LIFE AND YOUR DUTIES AS A SLAYER. 282 00:15:53,625 --> 00:15:56,041 OH. THAT WAS A GOOD POINT. 283 00:15:56,041 --> 00:15:59,417 WE'RE WORKING OUT A COORDINATED SCHEDULE FOR YOU. 284 00:15:59,417 --> 00:16:00,542 IT'LL BE TIGHT, BUT WE THINK WE CAN FIT IN 285 00:16:01,792 --> 00:16:03,542 ALL YOUR RESPONSIBILITIES. 286 00:16:03,542 --> 00:16:05,500 SOUNDS NICE AND STRUCTURED. 287 00:16:05,500 --> 00:16:08,041 WE'VE GOT MORE WORK TO DO HERE, HONEY. 288 00:16:08,041 --> 00:16:11,583 WHY DON'T YOU GIVE US A LITTLE MORE TIME? 289 00:16:11,583 --> 00:16:14,166 UM... 290 00:16:14,166 --> 00:16:17,000 TAKE THE CAR, AND MR. GILES CAN DRIVE ME HOME. 291 00:16:17,000 --> 00:16:19,500 WHAT? 292 00:16:19,500 --> 00:16:21,542 EXCUSE ME, I MEANT WHAT?! 293 00:16:21,542 --> 00:16:24,208 KEYS. TAKE THEM. 294 00:16:24,208 --> 00:16:26,834 YOU DON'T HAVE TO TELL ME TWICE. 295 00:16:26,834 --> 00:16:29,583 ACTUALLY, YOU DID, 296 00:16:29,583 --> 00:16:31,000 BUT...BYE! 297 00:16:31,000 --> 00:16:34,708 BYE, HONEY. DRIVE CAREFUL. 298 00:16:34,708 --> 00:16:36,708 UH-HUH! 299 00:16:36,708 --> 00:16:39,209 DO YOU THINK SHE NOTICED ANYTHING? 300 00:16:39,209 --> 00:16:40,834 NO WAY. 301 00:16:40,834 --> 00:16:43,542 Willow: TELL ME AGAIN HOW IT HAPPENED. 302 00:16:43,542 --> 00:16:44,875 TOLD MY MOM I WANTED TO BE TREATED MORE LIKE A GROWN-UP, 303 00:16:44,875 --> 00:16:46,458 AND VOILA--DRIVINESS. 304 00:16:46,458 --> 00:16:48,041 ALSO, I THINK SHE WANTED ME OTHERWHERE. 305 00:16:48,041 --> 00:16:49,500 CONSIDERING MY MOM AND GILES ARE PLANNING MY FUTURE, 306 00:16:52,041 --> 00:16:54,250 I THINK IT'S EASIER FOR THEM TO LIVE MY LIFE 307 00:16:56,000 --> 00:16:57,667 IF I'M NOT ACTUALLY THERE. 308 00:17:06,875 --> 00:17:09,209 DO YOU KNOW THAT YOU HAVE THE PARKING BRAKE ON? 309 00:17:09,209 --> 00:17:12,375 UH-HUH. 310 00:17:12,375 --> 00:17:13,667 [RELEASES PARKING BRAKE] 311 00:17:20,583 --> 00:17:22,667 ARE--ARE YOU SURE ABOUT THE BRONZE? 312 00:17:22,667 --> 00:17:24,625 I MEAN, THE S.A.T.s ARE TOMORROW. 313 00:17:24,625 --> 00:17:26,542 I CAN STUDY AT THE BRONZE. 314 00:17:26,542 --> 00:17:28,417 A LITTLE DANCING, A LITTLE CROSS-MULTIPLYING. 315 00:17:28,417 --> 00:17:31,917 YOU KNOW WHAT WE NEED? 316 00:17:31,917 --> 00:17:33,083 [SWITCHING RADIO CHANNELS] 317 00:17:33,083 --> 00:17:34,583 EYES ON THE ROAD! EYES ON THE ROAD! 318 00:17:36,625 --> 00:17:39,000 [MUSIC PLAYING] 319 00:17:39,000 --> 00:17:41,375 YOU GOT GOOD ALBUMS. 320 00:17:41,375 --> 00:17:43,792 YEAH, THEY'RE OK. 321 00:17:43,792 --> 00:17:46,000 ♪ AND THE COLORS OF THE SEA ♪ 322 00:17:46,000 --> 00:17:47,875 DO YOU LIKE SEALS AND CROFT? 323 00:17:47,875 --> 00:17:49,625 ♪ AND YOU TOUCH THE DISTANT BEACHES ♪ 324 00:17:49,625 --> 00:17:52,125 YEAH. ME, NEITHER. 325 00:17:53,875 --> 00:17:55,125 THANKS. 326 00:17:59,000 --> 00:18:00,625 SO HOW COME THEY CALL YOU RIPPER? 327 00:18:00,625 --> 00:18:02,625 WOULDN'T YOU LIKE TO KNOW. 328 00:18:02,625 --> 00:18:04,167 HMM, WAIT A MINUTE. LISTEN TO THIS BIT. 329 00:18:04,167 --> 00:18:06,667 ♪♪ [ Guitar ] 330 00:18:06,667 --> 00:18:10,167 IT ROCKS. 331 00:18:10,167 --> 00:18:11,792 IT'S GOOD. 332 00:18:13,875 --> 00:18:15,209 I GOT TO GET A BAND TOGETHER. 333 00:18:17,167 --> 00:18:20,167 HEY, RIPPER, YOU WANT TO WATCH TV? 334 00:18:20,167 --> 00:18:22,083 I KNOW HOW TO ORDER PAY-PER-VIEW. 335 00:18:22,083 --> 00:18:25,500 NO, LET'S GO OUT AND HAVE SOME FUN... TEAR THINGS UP A BIT. 336 00:18:25,500 --> 00:18:28,458 OK. WE COULD GO TO THE BRONZE. 337 00:18:28,458 --> 00:18:30,000 NOT BLOODY LIKELY. THAT PLACE IS DEAD. 338 00:18:30,000 --> 00:18:31,500 [LOUD MUSIC AND CONVERSATION] 339 00:18:31,500 --> 00:18:33,917 HEY, THEY'RE DIGGING US, MAN. 340 00:18:35,250 --> 00:18:37,875 ♪ THE STRANGEST THINGS ALWAYS KNOW ♪ 341 00:18:37,875 --> 00:18:40,125 ♪ SAVES ME EVERY TIME ♪ 342 00:18:40,125 --> 00:18:43,875 ♪ DARKENED THINGS ♪ 343 00:18:43,875 --> 00:18:46,208 ♪ HAVE OVERGROWN ♪ 344 00:18:46,208 --> 00:18:48,667 LET'S DO THE TIME WARP AGAIN. 345 00:18:48,667 --> 00:18:50,333 MAYBE THERE'S A REUNION IN TOWN 346 00:18:50,333 --> 00:19:12,125 OR A BILLY JOEL TOUR OR SOMETHING. 347 00:19:12,125 --> 00:19:13,625 MS. BARTON? 348 00:19:15,583 --> 00:19:19,083 BUFFY? WHOA! 349 00:19:21,375 --> 00:19:25,708 ARE YOU OK, MS. BARTON? 350 00:19:28,375 --> 00:19:29,834 I'M COOL, WILLOW. WILLOW--THAT'S A TREE. 351 00:19:31,041 --> 00:19:34,209 HUH. YOU'RE A TREE. 352 00:19:34,209 --> 00:19:36,542 YEAH, UH... 353 00:19:36,542 --> 00:19:39,000 ARE THERE ANY NACHOS IN HERE, LITTLE TREE? 354 00:19:39,000 --> 00:19:42,041 ARE YOU SURE YOU DON'T NEED SOME FRESH AIR, MS. BARTON? 355 00:19:42,041 --> 00:19:44,000 [LAUGHING HYSTERICALLY] OK. 356 00:19:44,000 --> 00:19:46,000 OK, THIS IS NOT NORMAL. 357 00:19:46,000 --> 00:19:48,209 BUT MAYBE THAT GOES WITHOUT SAYING. 358 00:19:48,209 --> 00:19:51,375 HEY, GANG! 359 00:19:51,375 --> 00:19:52,708 THIS PLACE IS FUN CITY, HUH? 360 00:19:52,708 --> 00:19:54,875 PRINCIPAL SNYDER? 361 00:19:54,875 --> 00:19:57,583 CALL ME SNYDER. JUST A LAST NAME, LIKE...BARBARINO. 362 00:19:57,583 --> 00:20:00,375 OOH! I AM SO STOKED! 363 00:20:00,375 --> 00:20:03,250 OHH. 364 00:20:03,250 --> 00:20:05,250 HEY, DID YOU SEE MS. BARTON? I THINK SHE'S WASTED. 365 00:20:05,250 --> 00:20:07,500 I'M GONNA HAVE TO PUT THAT IN HER NEXT PERFORMANCE REVIEW 366 00:20:07,500 --> 00:20:09,291 'CAUSE... I'M THE PRINCIPAL! 367 00:20:09,291 --> 00:20:11,917 I DON'T LIKE THIS. THEY COULD HAVE HEART ATTACKS. 368 00:20:11,917 --> 00:20:13,917 WELL...MAYBE THERE'S A DOCTOR HERE. 369 00:20:13,917 --> 00:20:17,375 WHOO! YEAH! 370 00:20:17,375 --> 00:20:20,208 I THINK THAT IS MY DOCTOR. 371 00:20:20,208 --> 00:20:22,417 HE--HE'S USUALLY LESS...TOPLESS. 372 00:20:22,417 --> 00:20:25,458 I GOT A COMMENDATION FOR BEING PRINCIPAL... FROM THE MAYOR. 373 00:20:25,458 --> 00:20:28,375 SHOOK MY HAND TWICE. 374 00:20:28,375 --> 00:20:31,333 THAT'S NICE. 375 00:20:31,333 --> 00:20:34,500 [INHALES DEEPLY] 376 00:20:34,500 --> 00:20:37,125 WHOA! THERE ARE SOME FOXY LADIES HERE TONIGHT! 377 00:20:37,125 --> 00:20:40,000 WHAT'S HAPPENING? 378 00:20:40,000 --> 00:20:43,333 I DON'T KNOW, 379 00:20:43,333 --> 00:20:46,625 BUT IT'S HAPPENING TO A WHOLE LOT OF GROWN-UPS. 380 00:20:46,625 --> 00:20:49,708 THEY'RE ACTING LIKE A BUNCH-- 381 00:20:49,708 --> 00:20:51,667 THEY'RE ACTING LIKE A BUNCH OF US. 382 00:20:51,667 --> 00:20:53,417 I DON'T ACT LIKE THIS. 383 00:20:53,417 --> 00:20:56,125 Mr. Trick: DEMAND'S HIGH. 384 00:20:56,125 --> 00:20:59,291 I THOUGHT IT MIGHT BE. 385 00:21:00,625 --> 00:21:02,000 THAT'S THE REASON I LOVE THIS COUNTRY. 386 00:21:02,000 --> 00:21:03,834 YOU MAKE A GOOD PRODUCT, 387 00:21:03,834 --> 00:21:06,250 AND THE PEOPLE WILL COME TO YOU. 388 00:21:06,250 --> 00:21:08,250 OF COURSE, A LOT OF THEM ARE GONNA DIE, 389 00:21:08,250 --> 00:21:10,625 BUT THAT'S THE OTHER REASON I LOVE THIS COUNTRY. 390 00:21:10,625 --> 00:21:12,542 HEY! 391 00:21:13,875 --> 00:21:15,208 DON'T SAMPLE THE PRODUCT. 392 00:21:15,208 --> 00:21:17,125 BUT I DIDN'T. 393 00:21:17,125 --> 00:21:18,834 UNH! 394 00:21:18,834 --> 00:21:20,375 OK. UH, HOW DID YOU KNOW HE WAS-- 395 00:21:20,375 --> 00:21:22,250 I DON'T. BUT NOW I KNOW NO ONE ELSE WILL. 396 00:21:22,250 --> 00:21:24,458 WE'RE GETTING CLOSE. KEEP IT FLOWING. 397 00:21:24,458 --> 00:21:26,500 IT'S ALMOST FEEDING TIME. 398 00:21:26,500 --> 00:21:27,708 SOMETHING'S DEFINITELY CHANGING THEM. 399 00:21:27,708 --> 00:21:29,542 A SPELL? 400 00:21:29,542 --> 00:21:30,959 THEY'RE TEENAGERS. 401 00:21:30,959 --> 00:21:32,041 IT'S A SOBERING MIRROR TO LOOK INTO, HUH? 402 00:21:35,417 --> 00:21:38,417 YOU'VE GOT GREAT HAIR. 403 00:21:38,417 --> 00:21:41,792 [GROUP OF MEN SINGING LOUIE LOUIE] 404 00:21:41,792 --> 00:21:45,041 ♪ LOUIE LOUIE ♪ 405 00:21:45,041 --> 00:21:46,500 ♪ OH, BABY ♪ 406 00:21:53,166 --> 00:21:55,542 ♪ WE GOTTA GO ♪ 407 00:21:55,542 --> 00:21:57,000 ♪ YEAH YEAH YEAH YEAH YEAH ♪ 408 00:21:57,000 --> 00:21:58,500 ♪ LOUIE LOUIE ♪ 409 00:21:58,500 --> 00:22:01,208 ♪ OH, BABY ♪ 410 00:22:03,542 --> 00:22:06,041 ♪ WE GOTTA GO ♪ 411 00:22:07,250 --> 00:22:09,583 IT JUST GETS MORE UPSETTING. 412 00:22:12,000 --> 00:22:14,041 ♪ LOUIE LOUIE ♪ 413 00:22:14,041 --> 00:22:15,917 ♪ OH, BABY ♪ 414 00:22:15,917 --> 00:22:18,083 ♪ WE GOTTA GO ♪ 415 00:22:18,083 --> 00:22:19,625 NO VAMPIRE HAS EVER BEEN THAT SCARY. 416 00:22:19,625 --> 00:22:21,625 ♪ LOUIE LOUIE ♪ 417 00:22:21,625 --> 00:22:23,875 ♪ OH BABY ♪ 418 00:22:23,875 --> 00:22:25,959 FIGHT! 419 00:22:25,959 --> 00:22:27,583 FIGHT! 420 00:22:27,583 --> 00:22:29,625 ♪ YEAH YEAH YEAH YEAH YEAH ♪ 421 00:22:29,625 --> 00:22:31,375 WE'VE GOT TO FIGURE OUT WHAT'S GOING ON. 422 00:22:31,375 --> 00:22:33,083 THIS HAS HELLMOUTH FINGERPRINTS ALL OVER IT. 423 00:22:33,083 --> 00:22:36,250 HEY, WHERE ARE WE GOING? 424 00:22:36,250 --> 00:22:37,625 WAIT UP, YOU GUYS! 425 00:22:37,625 --> 00:22:38,625 HEY! YOU GUYS AREN'T TRYING TO DITCH ME, ARE YOU? 426 00:22:38,625 --> 00:22:39,959 Oz: WE SHOULD FIND GILES. HE'LL KNOW WHAT'S GOING ON, RIGHT? 427 00:22:39,959 --> 00:22:41,625 SURE. EXCEPT FOR ALL WE KNOW, HE'S SWEET 16 AGAIN. 428 00:22:41,625 --> 00:22:43,166 HE'S WITH YOUR MOM AT HIS PLACE. 429 00:22:43,166 --> 00:22:45,208 I SAID WAIT UP! 430 00:22:45,208 --> 00:22:47,458 Oz: SNYDER... 431 00:22:50,041 --> 00:22:51,458 NO TIME. HE'S COMING WITH US. 432 00:22:52,667 --> 00:22:55,333 [TIRES SQUEAL] 433 00:22:55,333 --> 00:22:58,667 Snyder: WHOA, SUMMERS! YOU DRIVE LIKE A SPAZ. 434 00:22:58,667 --> 00:23:01,583 [ENGINES REVVING] 435 00:23:01,583 --> 00:23:04,250 [TIRES SQUEAL] 436 00:23:04,250 --> 00:23:07,458 IT'LL BE OK WHEN WE GET TO GILES'. 437 00:23:07,458 --> 00:23:09,083 I MEAN, EVEN IF HE'S 16, HE'S STILL GILES, RIGHT? 438 00:23:09,083 --> 00:23:10,333 HE'S PROBABLY A PRETTY TOGETHER GUY. 439 00:23:10,333 --> 00:23:12,917 YEAH. W-WELL-- 440 00:23:12,917 --> 00:23:14,625 WHAT? 441 00:23:14,625 --> 00:23:18,625 GILES AT 16? LESS "TOGETHER GUY," 442 00:23:18,625 --> 00:23:20,041 MORE "BAD MAGIC, HATES THE WORLD, TICKING TIME BOMB GUY." 443 00:23:20,041 --> 00:23:35,458 THEN I GUESS YOUR MOM'S IN A LOT OF TROUBLE. 444 00:23:35,458 --> 00:23:37,583 MUST BE EXCITING BEING FROM ENGLAND. 445 00:23:37,583 --> 00:23:55,291 NOT PARTICULARLY. 446 00:23:55,291 --> 00:23:57,417 [KICKS CAN] 447 00:23:57,417 --> 00:23:59,708 YOU COLD? 448 00:23:59,708 --> 00:24:01,500 NAH-UH. I FEEL...SPECIAL, 449 00:24:01,500 --> 00:24:03,083 LIKE I'M JUST WAKING UP, KINDA. 450 00:24:04,375 --> 00:24:05,542 OH, YEAH? 451 00:24:05,542 --> 00:24:09,417 YEAH, LIKE GETTING MARRIED AND HAVING A KID AND EVERYTHING 452 00:24:09,417 --> 00:24:12,625 WAS JUST A DREAM, 453 00:24:12,625 --> 00:24:15,708 AND NOW THINGS ARE BACK LIKE THEY'RE SUPPOSED TO BE. 454 00:24:17,458 --> 00:24:19,708 YEAH? 455 00:24:19,708 --> 00:24:20,750 THAT'S COOL! 456 00:24:20,750 --> 00:24:22,166 VERY JUICE NEWTON. 457 00:24:22,166 --> 00:24:23,500 YOU FANCY IT? 458 00:24:23,500 --> 00:24:25,708 YEAH, BUT THE STORE'S CLOSED. 459 00:24:25,708 --> 00:24:28,125 [GIGGLING] 460 00:24:28,125 --> 00:24:29,750 WOO-HOO! 461 00:24:29,750 --> 00:24:32,083 OH, RIPPER! 462 00:24:32,083 --> 00:24:33,750 WOW! THAT WAS SO BRAVE! 463 00:24:33,750 --> 00:24:36,125 HOLD IT! 464 00:24:36,125 --> 00:24:37,041 THIS IS GREAT! 465 00:24:37,041 --> 00:24:38,667 LET'S DO DOUGHNUTS IN THE FOOTBALL FIELD, HUH? 466 00:24:38,667 --> 00:24:40,834 OH, MY GOD, LOOK OUT! 467 00:24:40,834 --> 00:24:42,583 OOH... COPPER'S GOT A GUN. 468 00:24:42,583 --> 00:24:44,500 YOU'LL NEVER USE IT, THOUGH, MAN. 469 00:24:44,500 --> 00:24:56,583 WILL SO. 470 00:24:56,583 --> 00:24:58,500 RIPPER, BE CAREFUL! 471 00:24:58,500 --> 00:24:59,708 AAH! 472 00:24:59,708 --> 00:25:01,209 UNH! 473 00:25:01,209 --> 00:25:02,667 OHH! 474 00:25:04,417 --> 00:25:06,625 AAH! 475 00:25:08,750 --> 00:25:10,750 AAH! 476 00:25:10,750 --> 00:25:13,500 TOLD HIM HE'D NEVER USE IT. 477 00:25:17,667 --> 00:25:19,166 YOU ARE SO COOL. 478 00:25:26,291 --> 00:25:30,291 [LAUGHS] 479 00:25:30,291 --> 00:25:32,250 YOU'RE LIKE BURT REYNOLDS. 480 00:25:32,250 --> 00:25:33,667 [GASPS] 481 00:25:36,458 --> 00:25:37,875 SORRY. GOTTA GO. [LAUGHING] 482 00:25:37,875 --> 00:25:39,333 OH, GOD. 483 00:25:39,333 --> 00:25:40,333 ARE YOU GUYS OK? 484 00:25:40,333 --> 00:25:41,333 IS ANYBODY ELSE ALL CREEPED OUT AND TREMBLY? 485 00:25:41,333 --> 00:25:42,417 [INDISTINCT CONVERSATION] 486 00:25:44,125 --> 00:25:45,375 OH, BUFFY... 487 00:25:46,959 --> 00:25:49,083 YOUR MOM'S GONNA KILL YOU. 488 00:25:50,375 --> 00:25:52,542 SOMETHING'S WEIRD. 489 00:25:54,291 --> 00:25:55,959 SOMETHING'S NOT? 490 00:25:55,959 --> 00:25:57,625 NO GROWN-UPS. 491 00:25:59,250 --> 00:26:00,166 HEY, BABY! 492 00:26:00,166 --> 00:26:17,041 NO ONE'S PROTECTING THEIR HOUSES. 493 00:26:17,041 --> 00:26:20,583 EVERYONE'S JUST... WANDERING. 494 00:26:20,583 --> 00:26:22,458 HEY! 495 00:26:22,458 --> 00:26:24,417 HEY, GIVE IT! 496 00:26:24,417 --> 00:26:27,708 DEFENSELESS. 497 00:26:27,708 --> 00:26:29,125 COME ON! THAT'S MINE! 498 00:26:29,125 --> 00:26:30,917 SO WHERE ARE ALL THE VAMPIRES? 499 00:26:30,917 --> 00:26:32,625 HEY! HE STOLE MY CANDY! 500 00:26:34,125 --> 00:26:36,208 SOUP'S ON, BUT NO ONE'S GRABBING A SPOON. 501 00:26:36,208 --> 00:26:38,166 SOMETHING'S HAPPENING... SOMEPLACE THAT'S ELSE. 502 00:26:38,166 --> 00:26:39,667 I'D SAY SOMETHING BIG. 503 00:26:39,667 --> 00:26:42,417 THAT GUY TOOK MY CANDY! 504 00:26:42,417 --> 00:26:44,000 THE CANDY. IT'S GOT TO BE THE CANDY! 505 00:26:44,000 --> 00:26:45,375 IT'S CURSED. 506 00:26:47,041 --> 00:26:48,417 A CURSE?! 507 00:26:48,417 --> 00:26:50,834 I'VE GOT A CURSE. 508 00:26:50,834 --> 00:26:52,458 OH, MY GOD... USING CANDY FOR EVIL. 509 00:26:52,458 --> 00:26:53,917 MY PARENTS ATE A TON. 510 00:26:53,917 --> 00:26:55,959 WHO'S BEHIND IT? 511 00:26:55,959 --> 00:26:58,083 I DON'T KNOW. 512 00:26:58,083 --> 00:27:00,083 IT CAME THROUGH THE SCHOOL BOARD. 513 00:27:00,083 --> 00:27:02,542 IF YOU KNEW THAT CROWD-- 514 00:27:02,542 --> 00:27:05,291 WHERE DID IT COME FROM? DO YOU KNOW WHERE TO GET IT? 515 00:27:05,291 --> 00:27:06,875 YEAH. 516 00:27:08,542 --> 00:27:11,208 YOU GUYS GET XANDER AND CORDELIA. 517 00:27:11,208 --> 00:27:12,750 GO TO THE LIBRARY AND LOOK IT UP. 518 00:27:12,750 --> 00:27:13,750 CANDY CURSES? 519 00:27:13,750 --> 00:27:15,208 DISTURBING SECOND CHILDHOOD. 520 00:27:15,208 --> 00:27:17,125 GOT IT. 521 00:27:17,125 --> 00:27:18,750 RATBOY AND I ARE GOING TO THE SOURCE. 522 00:27:18,750 --> 00:27:20,250 [YELLING] 523 00:27:20,250 --> 00:27:21,917 MOM? 524 00:27:21,917 --> 00:27:23,875 GILES?! 525 00:27:23,875 --> 00:27:25,458 GO AWAY. WE'RE BUSY. 526 00:27:25,458 --> 00:27:27,834 MOM! 527 00:27:27,834 --> 00:27:29,125 HEY! 528 00:27:29,125 --> 00:27:30,583 WHERE DID YOU GET THAT COAT? NEVER MIND. LISTEN-- 529 00:27:30,583 --> 00:27:32,250 BACK OFF. 530 00:27:32,250 --> 00:27:33,250 GILES, THINK ABOUT THIS. 531 00:27:33,250 --> 00:27:34,291 YOU WANT TO FIGHT ME, OR YOU WANT TO LET ME TALK TO MY MOTHER? 532 00:27:34,291 --> 00:27:35,625 MOM, LOOK AT ME. 533 00:27:35,625 --> 00:27:38,500 DO YOU KNOW WHO I AM? 534 00:27:38,500 --> 00:27:40,125 OF COURSE. YOU'RE BUFFY. 535 00:27:40,125 --> 00:27:59,625 HEY, LOOK. THEY'RE GIVING AWAY CANDY. 536 00:27:59,625 --> 00:28:01,083 YOU WANT SOME CANDY? 537 00:28:01,083 --> 00:28:02,208 NO, I DON'T, AND YOU DON'T NEED ANY MORE, EITHER. 538 00:28:02,208 --> 00:28:03,125 I'M FINE. I CAN HAVE MORE IF I WANT. 539 00:28:03,125 --> 00:28:04,125 YOU ARE NOT FINE. YOU NEED TO GO HOME. 540 00:28:04,125 --> 00:28:05,708 SCREW YOU. 541 00:28:05,708 --> 00:28:08,250 I WANT CANDY. 542 00:28:08,250 --> 00:28:09,375 MOM! 543 00:28:09,375 --> 00:28:11,291 YOU WANT TO SLAY STUFF, 544 00:28:11,291 --> 00:28:14,166 AND I'M NOT ALLOWED TO DO ANYTHING ABOUT IT. 545 00:28:18,625 --> 00:28:20,500 THIS IS WHAT I WANT TO DO, SO GET OFF MY BACK! 546 00:28:20,500 --> 00:28:22,000 MOM, PLEASE-- 547 00:28:22,000 --> 00:28:24,041 OH, FOR GOD'S SAKE. 548 00:28:24,041 --> 00:28:25,708 JUST LET YOUR MUM HAVE THE SODDIN' CANDY. 549 00:28:25,708 --> 00:28:27,625 MOM, LOOK AT YOUR CAR. 550 00:28:27,625 --> 00:28:29,667 LOOK AT THAT DENT THE SIZE OF NEW BRUNSWICK. 551 00:28:29,667 --> 00:28:32,208 I DID THAT. 552 00:28:32,208 --> 00:28:35,208 OH, MY GOD. 553 00:28:35,208 --> 00:28:36,291 WHAT WAS I THINKING WHEN I BOUGHT THE GEEK MACHINE? 554 00:28:37,542 --> 00:28:39,000 LISTEN TO ME. YOU NEED-- 555 00:28:39,000 --> 00:28:40,083 NO, YOU LISTEN TO ME. I'M YOUR WATCHER, SO YOU DO WHAT I TELL YOU. 556 00:28:40,083 --> 00:28:41,750 NOW, SOD OFF! 557 00:28:41,750 --> 00:28:43,625 TAKE HER HOME. 558 00:28:43,625 --> 00:28:45,458 JOYCE. 559 00:28:45,458 --> 00:28:46,458 YAH! 560 00:28:46,458 --> 00:28:48,209 MOM! 561 00:28:48,209 --> 00:28:49,792 HEY! 562 00:28:49,792 --> 00:28:51,166 OY! YOU LEAVE HER ALONE! 563 00:28:51,166 --> 00:28:52,542 HEY, BRIT-FACE! WAIT UP! 564 00:28:52,542 --> 00:28:53,667 STAY. 565 00:28:53,667 --> 00:28:55,500 IT SMELLS SO CHOCOLATEY. 566 00:28:55,500 --> 00:29:00,083 THIS IS FAR OUT. 567 00:29:00,083 --> 00:29:02,417 YEAH, I BEEN OUT THERE. TOWN'S WIDE OPEN. 568 00:29:02,417 --> 00:29:05,417 YOU GUYS CAN GO ANYTIME. 569 00:29:05,417 --> 00:29:06,417 Buffy: ETHAN RAYNE. 570 00:29:09,083 --> 00:29:11,500 h 571 00:29:11,500 --> 00:29:13,458 MIGHT WANT TO HURRY. 572 00:29:16,542 --> 00:29:17,625 ETHAN. 573 00:29:27,375 --> 00:29:29,167 RIPPER. 574 00:29:29,167 --> 00:29:30,166 AT FIRST IT WAS FUN, YOU KNOW? 575 00:29:30,166 --> 00:29:32,708 THEY SEEMED LIKE THEY WERE IN THIS REALLY GOOD MOOD-- 576 00:29:34,708 --> 00:29:36,708 NOT LIKE PARENTS-- AND THEN... 577 00:29:38,542 --> 00:29:40,208 BADNESS? 578 00:29:40,208 --> 00:29:52,667 MOM STARTED BORROWING MY CLOTHES. 579 00:29:52,667 --> 00:29:54,583 THERE SHOULD BE AN AGE LIMIT ON LYCRA PANTS. 580 00:29:54,583 --> 00:29:56,166 AND DAD, HE JUST LOCKED HIMSELF IN THE BATHROOM WITH OLD COPIES OF ESQUIRE. 581 00:29:56,166 --> 00:29:58,166 I DON'T GET THIS. 582 00:29:58,166 --> 00:30:00,417 THE CANDY'S SUPPOSED TO MAKE YOU FEEL ALL IMMATURE AND STUFF, 583 00:30:00,417 --> 00:30:03,125 BUT I'VE HAD A TON, AND I DON'T FEEL ANY DIF-- 584 00:30:10,208 --> 00:30:12,542 NEVER MIND. 585 00:30:12,542 --> 00:30:14,667 I'LL TAKE THAT ONE. 586 00:30:16,166 --> 00:30:17,291 Cordelia: YOU WANT TO SWAP? 587 00:30:24,583 --> 00:30:26,959 WHAT? SWAP? 588 00:30:26,959 --> 00:30:29,458 YOU WANT TO SWAP? THIS BOOK IS REALLY THICK, 589 00:30:29,458 --> 00:30:31,417 AND I'M NOT SURE IT'S IN ENGLISH. 590 00:30:31,417 --> 00:30:32,708 [PANTING] WHERE-- BLOODY HELL! 591 00:30:32,708 --> 00:30:34,333 THAT'S WHAT SMOKING WILL DO TO YOU. NOW BE QUIET. 592 00:30:34,333 --> 00:30:37,417 WELL...WHERE'D THE BASTARD GO? 593 00:30:37,417 --> 00:30:40,375 SHH! 594 00:30:40,375 --> 00:30:42,458 WHAT? 595 00:30:42,458 --> 00:30:45,667 LOOK...A BOX FULL OF FARM-FRESH CHICKEN. 596 00:30:45,667 --> 00:30:48,542 DO YOU SUPPOSE THEY'RE OK? 597 00:30:48,542 --> 00:30:50,125 MM-HMM. 598 00:30:50,125 --> 00:30:52,542 SO... 599 00:30:52,542 --> 00:31:03,125 ARE YOU TWO KINDA... 600 00:31:03,125 --> 00:31:04,875 LIKE, UM... 601 00:31:04,875 --> 00:31:06,333 GOING STEADY? 602 00:31:06,333 --> 00:31:09,208 [SIGHS] 603 00:31:09,208 --> 00:31:11,500 SO, ETHAN, WHAT ARE WE PLAYING? 604 00:31:11,500 --> 00:31:41,542 WE'RE PRETTY MUCH IN A TALK-OR-BLEED SITUATION. YOUR CALL. 605 00:31:41,542 --> 00:31:43,667 HIT HIM. 606 00:31:43,667 --> 00:31:47,083 I--I'D JUST LIKE TO POINT OUT 607 00:31:47,083 --> 00:31:48,959 THAT THIS WASN'T MY IDEA. 608 00:31:48,959 --> 00:31:50,250 MEANING...? 609 00:31:57,166 --> 00:31:58,542 I'M SUBCONTRACTING. IT'S TRICK YOU WANT. 610 00:32:05,500 --> 00:32:09,000 I'M JUST HELPING HIM COLLECT A TRIBUTE... 611 00:32:13,125 --> 00:32:15,375 FOR A DEMON. 612 00:32:15,375 --> 00:32:16,542 HE'S LYING. HIT HIM! 613 00:32:19,500 --> 00:32:21,583 I DON'T THINK HE IS, AND SHUT UP. 614 00:32:21,583 --> 00:32:24,166 YOU'RE MY SLAYER. GO KNOCK HIS TEETH DOWN HIS-- 615 00:32:24,166 --> 00:32:25,542 GILES! 616 00:32:26,959 --> 00:32:28,250 WHAT DEMON? 617 00:32:30,458 --> 00:32:32,083 I DON'T REMEMBER. 618 00:32:38,667 --> 00:32:40,750 OOH! 619 00:32:40,750 --> 00:32:43,458 YES! 620 00:32:43,458 --> 00:32:44,959 LURCONIS. DEMON NAMED LURCONIS. 621 00:32:44,959 --> 00:32:47,208 THEY WANTED A WAY TO GET THE TRIBUTE AWAY FROM PEOPLE. 622 00:32:47,208 --> 00:32:49,083 SO YOU'RE JUST DIVERSION-GUY? 623 00:32:49,083 --> 00:32:50,458 MORE THAN A DIVERSION. THEY SAID THE TRIBUTE WAS BIG, 624 00:32:50,458 --> 00:32:52,917 SO BIG THAT PEOPLE WOULD NEVER LET THEM TAKE IT. 625 00:32:52,917 --> 00:32:56,166 PEOPLE... HAD TO BE OUT-OF-IT. 626 00:32:56,166 --> 00:32:57,667 AND LATER ON, WHEN THE CANDY WORE OFF, THEY'D BLAME THEMSELVES. 627 00:32:57,667 --> 00:32:59,000 HENCE, LAND OF THE IRRESPONSIBLE. SO, WHERE'S TRICK? 628 00:32:59,000 --> 00:33:00,834 I DON'T KNOW EXACTLY. 629 00:33:00,834 --> 00:33:02,209 GO ON. HIT HIM AGAIN. 630 00:33:02,209 --> 00:33:03,083 NO! I-I-I REALLY DON'T KNOW. DELIVERING THE TRIBUTE. 631 00:33:05,500 --> 00:33:07,291 WHICH BRINGS US TO THE BONUS QUESTION, AND BELIEVE ME 632 00:33:07,291 --> 00:33:09,041 WHEN I SAY A WRONG ANSWER WILL COST YOU ALL YOUR POINTS. 633 00:33:09,041 --> 00:33:10,208 WHAT'S THE TRIBUTE? 634 00:33:10,208 --> 00:33:11,291 [TELEVISION PLAYING, PHONES RINGING] 635 00:33:12,500 --> 00:33:15,625 [BEEPING] 636 00:33:15,625 --> 00:33:19,875 [BABIES CRYING] 637 00:33:19,875 --> 00:33:22,041 RIGHT. OW. LURCONIS. 638 00:33:22,041 --> 00:33:25,375 LURCONIS--A DEMON. WHAT'S HIS DEAL? 639 00:33:25,375 --> 00:33:28,250 Buffy: SEE IF IT SAYS ANYTHING ABOUT A TRIBUTE. 640 00:33:28,250 --> 00:33:30,750 A TRIBUTE? LIKE WHAT? 641 00:33:30,750 --> 00:33:34,166 I DON'T KNOW. MY SOURCE IS ALL TAPPED OUT. 642 00:33:34,166 --> 00:33:37,458 SHE WHUPPED YOU GOOD, HUH? 643 00:33:37,458 --> 00:33:39,792 YAH! WAH! 644 00:33:39,792 --> 00:33:41,542 I CAN DO THAT. 645 00:33:41,542 --> 00:33:44,625 I TOOK TAE KWON DO AT THE Y. 646 00:33:44,625 --> 00:33:48,291 [GRUNTING] 647 00:33:48,291 --> 00:33:52,542 Buffy: NO, NO. IT'S DEFINITELY A DEMON. 648 00:33:52,542 --> 00:33:54,834 A BIG ONE. 649 00:33:54,834 --> 00:33:56,417 I WOULDN'T. 650 00:33:56,417 --> 00:33:57,625 GILES, GIVE ME THE GUN. 651 00:33:57,625 --> 00:34:14,291 GILES... 652 00:34:14,291 --> 00:34:15,500 NOW. 653 00:34:15,500 --> 00:34:41,000 ;< 654 00:34:41,000 --> 00:34:43,667 UH, IT'S WILLOW. SHE WANTS YOU REAL BAD. 655 00:34:43,667 --> 00:34:46,333 UH-HUH? 656 00:34:46,333 --> 00:34:49,250 OK, OZ JUST FOUND IT. 657 00:34:49,250 --> 00:34:50,583 THE TRIBUTE TO LURCONIS IS MADE EVERY 30 YEARS. 658 00:34:50,583 --> 00:34:55,083 IT'S A RITUAL FEEDING. 659 00:34:55,083 --> 00:34:57,875 AND THIS ONE'S LATE, SO IT'S PROBABLY, YOU KNOW, A BIG MEAL. 660 00:34:57,875 --> 00:34:58,917 OH, AND...OH. 661 00:35:00,000 --> 00:35:01,542 LURCONIS EATS BABIES. 662 00:35:01,542 --> 00:35:04,583 COME ON. 663 00:35:04,583 --> 00:35:06,083 WHAT ABOUT THAT MAN? 664 00:35:10,625 --> 00:35:14,250 SEE IF YOU GUYS CAN FIND SOMETHING TO TIE HIM UP WITH. 665 00:35:14,250 --> 00:35:15,667 UM-- 666 00:35:20,750 --> 00:35:22,500 NEVER TELL ME. 667 00:35:25,667 --> 00:35:27,500 SOMETHING'S GONNA EAT THOSE BABIES? 668 00:35:27,500 --> 00:35:29,500 I THINK THAT IS SO WRONG. 669 00:35:29,500 --> 00:35:31,125 SHE SAYS SHE NEVER SAW WHO TOOK THEM. 670 00:35:33,542 --> 00:35:37,375 DOZY COW. 671 00:35:37,375 --> 00:35:38,792 I KNOW WHO TOOK THEM. 672 00:35:38,792 --> 00:35:40,834 THEN LET'S DO SOMETHING. 673 00:35:40,834 --> 00:35:44,250 LET'S FIND THE DEMON AND KICK THE CRAP OUT OF IT. 674 00:35:44,250 --> 00:35:46,583 IS THAT WHAT HAPPENS NOW? 675 00:35:46,583 --> 00:35:50,625 YEAH, IF WE KNEW WHERE THEY WERE. 676 00:35:50,625 --> 00:35:54,625 "LURCONIS DWELLS BENEATH THE CITY, FILTH TO FILTH." 677 00:35:54,625 --> 00:35:56,667 WHAT? 678 00:35:59,250 --> 00:36:00,166 OOH...I KNOW THIS. 679 00:36:00,166 --> 00:36:01,875 UH...I KNEW THIS. 680 00:36:01,875 --> 00:36:04,375 "LURCONIS" MEANS... 681 00:36:04,375 --> 00:36:05,583 "GLUTTON." 682 00:36:10,583 --> 00:36:12,625 AND WE'LL FIND IT... 683 00:36:21,166 --> 00:36:23,667 IN THE SEWERS. 684 00:36:25,250 --> 00:36:27,542 THE SEWERS? 685 00:36:27,542 --> 00:36:30,667 UH, GOOD. 686 00:36:30,667 --> 00:36:32,333 YOU GO DO THAT THING WITH THE DEMON, 687 00:36:32,333 --> 00:36:34,083 AND I'LL STAY HERE IN CASE THE BABIES, YOU KNOW, UH... 688 00:36:34,083 --> 00:36:35,834 FIND THEIR WAY BACK. 689 00:36:35,834 --> 00:36:38,458 THE BABIES MUST BE SO SCARED. 690 00:36:38,458 --> 00:36:40,417 YOU FILTHY LITTLE PONCE. 691 00:36:40,417 --> 00:36:43,125 ARE YOU AFRAID OF A LITTLE DEMON? 692 00:36:43,125 --> 00:36:46,542 IF YOU WANT TO SPLASH AROUND IN THE POO, YOU'RE THE FILTHY ONE! 693 00:36:46,542 --> 00:36:47,750 YOU KNOW WHAT? EVERYBODY JUST STOP IT. 694 00:36:47,750 --> 00:36:49,875 OK, LISTEN TO ME. 695 00:36:49,875 --> 00:36:52,542 I NEED HELP, OK? GILES, I NEED GROWN-UPS. 696 00:36:53,875 --> 00:36:56,458 THESE CHILDREN ARE GONNA DIE 697 00:36:56,458 --> 00:36:58,458 IF WE DON'T ACT NOW, OK, AND THINK CLEARLY. 698 00:36:58,458 --> 00:37:00,125 THERE IS NO ROOM FOR MISTAKES. 699 00:37:01,583 --> 00:37:03,166 BESIDES WHICH...YOU GUYS ARE JUST WIGGING ME OUT. 700 00:37:03,166 --> 00:37:04,333 Giles: SORRY. 701 00:37:04,333 --> 00:37:05,500 WE'LL BEHAVE. 702 00:37:05,500 --> 00:37:07,750 Buffy: GOOD. 703 00:37:07,750 --> 00:37:10,083 SNYDER, GO HOME. 704 00:37:10,083 --> 00:37:11,750 I CAN DO THAT. 705 00:37:11,750 --> 00:37:14,166 GILES, WE'RE GOING TO THE SEWERS. 706 00:37:14,166 --> 00:37:15,667 AND DON'T DO THAT! 707 00:37:15,667 --> 00:37:17,792 [CHANTING IN LATIN] 708 00:37:17,792 --> 00:37:20,375 [BABIES CRYING] 709 00:37:20,375 --> 00:37:22,750 COME ON, BIG GUY. 710 00:37:22,750 --> 00:37:25,083 THEY'RE NOT GETTING ANY FRESHER. 711 00:37:25,083 --> 00:37:28,333 [BABY CRYING] 712 00:37:28,333 --> 00:37:30,667 CAROL. HI. YEAH. 713 00:37:30,667 --> 00:37:33,333 CALL DAVE ON THE PUBLIC WORKS COMMITTEE TOMORROW 714 00:37:33,333 --> 00:37:36,750 ABOUT SEWER MAINTENANCE AND REPAIR. 715 00:37:36,750 --> 00:37:40,333 I HAVE SOME CONCERNS REGARDING EXPOSED GAS PIPES, 716 00:37:41,708 --> 00:37:43,458 INFRASTRUCTURE, VENTILATION. 717 00:37:43,458 --> 00:37:45,333 AND, UH... CANCEL MY 3:00. 718 00:37:45,333 --> 00:37:46,500 HI. 719 00:37:46,500 --> 00:37:48,417 AAH! 720 00:37:49,583 --> 00:37:51,458 AAH! 721 00:37:51,458 --> 00:37:53,375 [RUMBLING] 722 00:37:55,208 --> 00:37:56,667 WHAT THE HELL'S THAT? 723 00:38:01,667 --> 00:38:03,458 LURCONIS, I'M THINKING. 724 00:38:06,167 --> 00:38:07,250 ORDINARILY, I LIKE OTHER PEOPLE TO DO MY FIGHTING FOR ME, 725 00:38:07,250 --> 00:38:25,209 BUT I JUST GOTTA SEE WHAT YOU GOT. 726 00:38:25,209 --> 00:38:26,708 JUST TELL ME WHEN IT HURTS. 727 00:38:26,708 --> 00:38:29,667 COME ON, BABY. 728 00:38:29,667 --> 00:38:30,917 GILES, NO! 729 00:38:38,667 --> 00:38:40,458 AAH! 730 00:38:40,458 --> 00:38:44,542 [RUMBLING] 731 00:38:44,542 --> 00:38:46,583 [GAS HISSES] 732 00:38:46,583 --> 00:38:49,417 YOU AND ME, GIRL... 733 00:38:49,417 --> 00:38:51,208 THERE'S HARD TIMES AHEAD. 734 00:38:51,208 --> 00:38:54,209 THEY NEVER JUST LEAVE. 735 00:39:02,250 --> 00:39:03,500 ALWAYS GOT TO SAY SOMETHING. 736 00:39:03,500 --> 00:39:31,291 CAN WE GO HOME NOW? 737 00:39:31,291 --> 00:39:32,375 YEAH, WE CAN GO HOME. 738 00:39:33,500 --> 00:39:35,417 I'VE GOT THE S.A.T.s TOMORROW. 739 00:39:40,792 --> 00:39:41,875 OH, BLOW THEM OFF. I'LL WRITE YOU A NOTE. 740 00:39:41,875 --> 00:39:52,583 NO...IT'S OK. 741 00:39:52,583 --> 00:39:54,542 POOR BABIES. COME HERE. 742 00:40:01,417 --> 00:40:03,166 AND YOUR FRIEND? 743 00:40:03,166 --> 00:40:06,458 PAID HIM. 744 00:40:06,458 --> 00:40:08,375 THE MAN DID HIS JOB. NO REASON TO BURN THAT BRIDGE. 745 00:40:08,375 --> 00:40:10,875 THIS DIDN'T TURN OUT THE WAY I HAD PLANNED. 746 00:40:10,875 --> 00:40:12,375 WHERE'S THE DOWNSIDE? 747 00:40:13,375 --> 00:40:14,959 YOU JUST GOT YOURSELF ONE LESS DEMON YOU HAVE TO PAY TRIBUTE TO. 748 00:40:17,291 --> 00:40:18,375 THE WAY I SEE IT, I DID YOU A FAVOR. 749 00:40:21,417 --> 00:40:23,834 I GUESS YOU DID. 750 00:40:28,917 --> 00:40:30,458 IN THE FUTURE... 751 00:40:30,458 --> 00:40:43,166 I'D BE VERY CAREFUL HOW MANY FAVORS YOU DO FOR ME. 752 00:40:43,166 --> 00:40:44,500 [BELL RINGS] 753 00:40:44,500 --> 00:40:46,959 HEY, SNYDER. HEARD YOU HAD SOME FUN FRIDAY NIGHT. 754 00:40:48,667 --> 00:40:50,375 HAVE YOU COME DOWN YET? 755 00:40:50,375 --> 00:40:52,041 THAT'S PRINCIPAL SNYDER. 756 00:40:55,875 --> 00:40:58,417 AND THAT'S A BIG "YEP." 757 00:40:58,417 --> 00:41:00,500 Snyder: YOU LOOK LIKE 4 YOUNG PEOPLE WITH TOO MUCH TIME ON YOUR HANDS. 758 00:41:00,500 --> 00:41:02,667 NOT REALLY. 759 00:41:02,667 --> 00:41:05,500 BUSY LIKE A BEE, ACTUALLY. 760 00:41:07,209 --> 00:41:10,250 BEE-LIKE. 761 00:41:10,250 --> 00:41:13,000 GOOD. IT SEEMS WE HAD SOME VANDALISM FRIDAY 762 00:41:14,667 --> 00:41:16,750 ON SCHOOL PROPERTY, AND I WAS JUST LOOKING 763 00:41:16,750 --> 00:41:18,458 FOR SOME...VOLUNTEERS TO HELP CLEAN IT UP. 764 00:41:18,458 --> 00:41:22,417 "KISS ROCKS"? WHY WOULD ANYONE WANT TO KISS-- 765 00:41:22,417 --> 00:41:25,041 OH, WAIT. I GET IT. 766 00:41:25,041 --> 00:41:27,125 LET'S GET YOU SOME PAINT REMOVER. 767 00:41:27,125 --> 00:41:30,375 Buffy: IT WAS JUST TOO MUCH TO DEAL WITH. 768 00:41:30,375 --> 00:41:33,417 IT WAS LIKE NOTHING MADE SENSE ANYMORE. 769 00:41:33,417 --> 00:41:34,708 THE THINGS THAT I THOUGHT I UNDERSTOOD WERE GONE. 770 00:41:36,917 --> 00:41:38,792 I JUST FELT...SO ALONE. 771 00:41:38,792 --> 00:41:42,875 WAS THAT THE MATH OR THE VERBAL? 772 00:41:51,542 --> 00:41:54,959 MOSTLY THE MATH. 773 00:41:54,959 --> 00:41:57,834 WELL, IF YOU SCORED LOW, THEN YOU CAN ALWAYS TAKE THEM AGAIN. 774 00:41:57,834 --> 00:41:59,542 MORE S.A.T.s? 775 00:41:59,542 --> 00:42:00,708 UGH. WAS THERE REALLY A POINT? 776 00:42:00,708 --> 00:42:02,750 I COULD DIE BEFORE I EVEN APPLY TO COLLEGE. 777 00:42:02,750 --> 00:42:05,834 THEN IT VERY POSSIBLY MIGHT NOT. 778 00:42:05,834 --> 00:42:07,166 WELL, LET'S JUST KEEP HOPE ALIVE. 779 00:42:07,166 --> 00:42:09,291 HELLO. 780 00:42:09,291 --> 00:42:10,917 HI. 781 00:42:10,917 --> 00:42:14,750 I SAY, YOUR CAR SEEMS TO HAVE HAD AN ADVENTURE, DOESN'T IT? 782 00:42:14,750 --> 00:42:17,834 UH, BUFFY ASSURES ME THAT IT HAPPENED BATTLING EVIL, 783 00:42:17,834 --> 00:42:20,917 SO I'M LETTING HER PAY FOR IT ON THE INSTALLMENT PLAN. 784 00:42:25,750 --> 00:42:29,125 UH, HEY... 785 00:42:29,125 --> 00:42:31,708 THE WAY THINGS WERE GOING, 786 00:42:31,708 --> 00:42:33,708 BE GLAD THAT'S THE WORST THAT HAPPENED. 787 00:42:36,583 --> 00:42:39,625 AT LEAST I GOT TO THE TWO OF YOU 788 00:42:39,625 --> 00:42:42,458 BEFORE YOU ACTUALLY DID SOMETHING. 789 00:42:42,458 --> 00:42:45,875 RIGHT. INDEED. 790 00:42:45,875 --> 00:42:48,166 Y-YES. 791 00:42:48,166 --> 00:42:51,208 GRR.. ARGH.