1 00:00:01,458 --> 00:00:03,000 PREVIOUSLY ON BUFFY THE VAMPIRE SLAYER. 2 00:00:03,000 --> 00:00:04,083 YOU KILLED A MAN. 3 00:00:04,083 --> 00:00:05,083 I DON'T CARE. 4 00:00:05,083 --> 00:00:06,125 SHE'S TAKEN A LIFE. 5 00:00:06,125 --> 00:00:08,625 SHE'S GOT A TASTE FOR IT NOW. 6 00:00:08,625 --> 00:00:11,250 GUESS THAT MEANS YOU HAVE A JOB OPENING. 7 00:00:11,250 --> 00:00:13,917 THE NECKLACE IS A SYMBOL OF ANYANKA. 8 00:00:13,917 --> 00:00:16,458 SHE'S A DEMON THAT GRANTS WISHES. 9 00:00:16,458 --> 00:00:19,792 I WISH BUFFY SUMMERS HAD NEVER COME TO SUNNYDALE. 10 00:00:22,208 --> 00:00:25,166 I LOVE THIS PART. 11 00:00:28,875 --> 00:00:31,667 SOMEHOW, CORDELIA'S WISH CHANGED THIS WORLD. 12 00:00:31,667 --> 00:00:35,208 IF WE CAN DESTROY THE NECKLACE, WE WILL UNDO THE WISH, 13 00:00:35,208 --> 00:00:37,458 RENDERING ANYANKA MORTAL AND POWERLESS. 14 00:00:43,000 --> 00:00:45,208 DO NOT ASK AGAIN. 15 00:00:46,166 --> 00:00:47,458 BUT, BUT-- 16 00:00:47,458 --> 00:00:49,500 YOUR POWERS WERE A GIFT OF THE LOWER BEINGS. 17 00:00:49,500 --> 00:00:51,667 YOU HAVE PROVED UNWORTHY OF THEM. 18 00:00:51,667 --> 00:00:52,834 I WAS ROBBED OF THEM. 19 00:00:52,834 --> 00:00:55,041 BY YOUR CARELESSNESS. 20 00:00:55,041 --> 00:00:56,542 FOR 1,000 YEARS 21 00:00:56,542 --> 00:00:58,708 I WIELDED THE POWERS OF THE WISH. 22 00:00:58,708 --> 00:01:00,000 I BROUGHT RUIN 23 00:01:00,000 --> 00:01:01,750 TO THE HEADS OF UNFAITHFUL MEN. 24 00:01:01,750 --> 00:01:04,083 I BROUGHT FORTH DESTRUCTION AND CHAOS 25 00:01:04,083 --> 00:01:06,083 FOR THE PLEASURE OF THE LOWER BEINGS. 26 00:01:06,083 --> 00:01:07,291 I WAS FEARED AND WORSHIPED 27 00:01:07,291 --> 00:01:08,917 ACROSS THE MORTAL GLOBE. 28 00:01:08,917 --> 00:01:12,500 AND NOW I'M STUCK AT SUNNYDALE HIGH. 29 00:01:12,500 --> 00:01:14,375 MORTAL. 30 00:01:14,375 --> 00:01:16,959 CHILD. 31 00:01:16,959 --> 00:01:18,834 AND I'M FLUNKING MATH. 32 00:01:18,834 --> 00:01:20,792 THIS IS NO CONCERN OF OURS. 33 00:01:20,792 --> 00:01:23,667 YOU WILL LIVE OUT YOUR MORTAL LIFE AND DIE. 34 00:01:23,667 --> 00:01:24,959 GIVE ME ANOTHER CHANCE. 35 00:01:24,959 --> 00:01:26,333 YOU CAN FOLD THE FABRIC OF TIME. 36 00:01:26,333 --> 00:01:27,583 SEND ME BACK TO THAT PLACE 37 00:01:27,583 --> 00:01:29,333 AND I'LL CHANGE IT. 38 00:01:29,333 --> 00:01:31,041 I WON'T FAIL AGAIN. 39 00:01:31,041 --> 00:01:33,375 YOUR TIME IS PASSED. 40 00:01:33,375 --> 00:01:36,500 DO YOU HAVE ANY IDEA HOW BORING 12th GRADERS ARE? 41 00:01:36,500 --> 00:01:38,875 I'M GETTING MY POWER CENTER BACK. 42 00:01:38,875 --> 00:01:40,125 AND IF YOU WON'T HELP ME, 43 00:01:40,125 --> 00:01:41,208 THEN BY THE PESTILENT GODS, 44 00:01:41,208 --> 00:01:42,542 I WILL FIND SOMEONE WHO WILL. 45 00:01:51,208 --> 00:01:54,166 THE WATCHER COUNCIL SHRINK IS HEAVY INTO TESTS. 46 00:01:54,166 --> 00:01:55,667 HE'S GOT TESTS FOR EVERYTHING. 47 00:01:55,667 --> 00:01:57,000 T.A.T.s, RORSCHACH, 48 00:01:57,000 --> 00:01:59,834 ASSOCIATIVE LOGIC... 49 00:01:59,834 --> 00:02:01,375 HE EVEN HAS THAT TEST TO SEE IF YOU'RE CRAZY 50 00:02:01,375 --> 00:02:02,708 THAT ASKS IF YOU EVER HEAR VOICES 51 00:02:02,708 --> 00:02:04,208 OR YOU EVER WANTED TO BE A FLORIST. 52 00:02:04,208 --> 00:02:06,291 OOH, I USED TO WANT-- WAIT. 53 00:02:06,291 --> 00:02:08,208 FLORIST MEANS CRAZY, RIGHT? 54 00:02:08,208 --> 00:02:10,208 I NEVER WANTED TO DO THAT. 55 00:02:10,208 --> 00:02:11,917 NEAT. 56 00:02:11,917 --> 00:02:15,750 THANKS. IT'S ALL ABOUT EMOTIONAL CONTROL. 57 00:02:15,750 --> 00:02:18,291 PLUS, OBVIOUSLY, MAGIC. 58 00:02:18,291 --> 00:02:20,250 HEY, YOU WANT TO GO TO THE ESPRESSO PUMP 59 00:02:20,250 --> 00:02:22,166 AND GET SUGARED UP ON MOCHAS? 60 00:02:22,166 --> 00:02:24,166 I'M GONNA PASS. HIT THE POOL AND DO SOME LAPS. 61 00:02:24,166 --> 00:02:26,500 HOW COME THE SUDDEN CALISTHENICS? 62 00:02:26,500 --> 00:02:29,208 AREN'T YOU SORT OF NATURALLY BUFF, BUFF? 63 00:02:29,208 --> 00:02:31,125 [CHUCKLES] BUFF BUFF. 64 00:02:31,125 --> 00:02:33,291 WELL, THEY'VE GOT US RUNNING AROUND ON THE PHYSICAL SIDE, TOO. 65 00:02:33,291 --> 00:02:35,125 A LOT OF REFLEX EVALUATION 66 00:02:35,125 --> 00:02:36,166 AND PRECISION TRAINING, YOU KNOW. 67 00:02:36,166 --> 00:02:38,208 I JUST--WELL, I WANT TO DO-- 68 00:02:38,208 --> 00:02:39,959 BETTER THAN FAITH? 69 00:02:41,375 --> 00:02:42,834 SO VERY SHALLOW. 70 00:02:42,834 --> 00:02:46,750 COMPETITION IS NATURAL AND HEALTHY. 71 00:02:46,750 --> 00:02:49,000 PLUS, YOU'LL DEFINITELY ACE HER ON THE PSYCH TESTS. 72 00:02:49,000 --> 00:02:51,000 JUST DON'T MARK THE BOX THAT SAYS 73 00:02:51,000 --> 00:02:53,250 "I SOMETIMES LIKE TO KILL PEOPLE." 74 00:02:53,250 --> 00:02:56,083 I KNOW FAITH'S NOT GONNA BE ON THE COVER 75 00:02:56,083 --> 00:02:57,500 OF SANITY FAIR, 76 00:02:57,500 --> 00:02:59,667 BUT SHE HAD IT ROUGH. 77 00:02:59,667 --> 00:03:02,000 DIFFERENT CIRCUMSTANCES, THAT COULD BE ME. 78 00:03:02,000 --> 00:03:03,125 NO WAY. 79 00:03:03,125 --> 00:03:06,209 SOME PEOPLE JUST DON'T HAVE THAT IN THEM. 80 00:03:06,209 --> 00:03:07,834 LOOK, I'M SORRY. 81 00:03:07,834 --> 00:03:10,000 I KNOW HOW YOU HATE TALKING ABOUT FAITH. 82 00:03:10,000 --> 00:03:11,708 NO, IT'S OK. 83 00:03:11,708 --> 00:03:13,209 NO, REALLY, WE SHOULD JUST-- 84 00:03:13,209 --> 00:03:15,417 NO. IT DOESN'T BOTHER ME. I MEAN IT. 85 00:03:15,417 --> 00:03:17,625 UH, WILL? 86 00:03:18,792 --> 00:03:19,708 OH. 87 00:03:26,208 --> 00:03:27,542 EMOTIONAL CONTROL? 88 00:03:27,542 --> 00:03:29,583 I'M WORKING ON IT. 89 00:03:29,583 --> 00:03:32,500 [HOWLING] 90 00:03:32,500 --> 00:03:35,500 AS FAR AS I'M CONCERNED, 91 00:03:35,500 --> 00:04:28,792 THIS IS A MARRIAGE MADE IN HEAVEN. 92 00:04:28,792 --> 00:04:30,667 WILLOW ROSENBERG, 93 00:04:30,667 --> 00:04:33,708 DESPITE HER UNSAVORY ASSOCIATIONS, 94 00:04:33,708 --> 00:04:35,417 REPRESENTS THE PINNACLE OF ACADEMIC ACHIEVEMENT 95 00:04:35,417 --> 00:04:39,375 AT SUNNYDALE HIGH. 96 00:04:39,375 --> 00:04:41,959 PERCY WEST REPRESENTS A DEVASTATING FAST BREAK 97 00:04:41,959 --> 00:04:43,250 AND 50% FROM BEHIND THE 3-POINT LINE. 98 00:04:43,250 --> 00:04:46,959 I'M NOT SURE I UNDERSTAND THE MARRIAGE PART. 99 00:04:46,959 --> 00:04:51,291 YOU'VE GOT THE BRAINS, 100 00:04:51,291 --> 00:04:54,291 HE'S GOT THE FAST BREAK. 101 00:04:54,291 --> 00:04:55,792 IT'S A PERFECT MATCH. 102 00:04:55,792 --> 00:04:57,917 MATCH? 103 00:04:57,917 --> 00:04:59,291 YOU WANT US TO BREED? 104 00:04:59,291 --> 00:05:02,458 I WANT YOU TO TUTOR HIM. 105 00:05:02,458 --> 00:05:04,458 PERCY IS FLUNKING HISTORY. 106 00:05:04,458 --> 00:05:06,291 NOTHING SEEMS TO BE ABLE TO MOTIVATE HIM. 107 00:05:06,291 --> 00:05:09,834 HEY, I'M CHALLENGED. 108 00:05:09,834 --> 00:05:12,625 YOU'RE LAZY, SELF-INVOLVED, AND SPOILED. 109 00:05:12,625 --> 00:05:14,000 THAT'S QUITE THE CHALLENGE. 110 00:05:14,000 --> 00:05:16,542 BUT WE NEED A WINNING YEAR, 111 00:05:16,542 --> 00:05:17,542 ESPECIALLY AFTER LAST YEAR'S DEBACLE WITH THE SWIM TEAM. 112 00:05:17,542 --> 00:05:20,500 CAN'T HAVE OUR POINT GUARD BENCHED. 113 00:05:20,500 --> 00:05:22,875 SO, YOU'RE GONNA TAKE ON A LITTLE TEACHING JOB. 114 00:05:22,875 --> 00:05:24,625 I KNOW HOW YOU ENJOY TEACHING. 115 00:05:24,625 --> 00:05:27,500 WELL, I HAVE A LOT OF WORK OF MY OWN. 116 00:05:27,500 --> 00:05:28,917 YOU'VE GOT A LETTER OF ACCEPTANCE 117 00:05:28,917 --> 00:05:31,708 FROM EVERY UNIVERSITY WITH A STAMP. 118 00:05:31,708 --> 00:05:33,041 YES, BUT I STILL HAVE CLASSES AND I DON'T-- 119 00:05:33,041 --> 00:05:34,792 ROSENBERG... 120 00:05:34,792 --> 00:05:37,500 IT'S TIME TO GIVE SOMETHING BACK 121 00:05:37,500 --> 00:05:38,583 TO THE COMMUNITY. 122 00:05:38,583 --> 00:05:40,166 I KNOW YOU WANT TO HELP YOUR SCHOOL OUT HERE. 123 00:05:40,166 --> 00:05:42,834 ASK ME HOW I KNOW. 124 00:05:42,834 --> 00:05:46,083 HOW DO YOU-- 125 00:05:46,083 --> 00:05:47,291 I JUST KNOW. 126 00:05:47,291 --> 00:05:48,458 SO HE THREATENED YOU? WITH WHAT? 127 00:05:48,458 --> 00:05:51,792 WELL, IT WASN'T EXACTLY ANYTHING HE SAID. 128 00:05:51,792 --> 00:05:55,333 IT WAS ALL IN HIS EYES. 129 00:05:55,333 --> 00:05:58,291 I MEAN, THERE WAS SOME NOSTRIL WORK AS WELL, 130 00:05:58,291 --> 00:05:59,959 BUT MOSTLY EYES. 131 00:05:59,959 --> 00:06:01,625 SNYDER NEEDS ME TO KICK HIS ASS. 132 00:06:01,625 --> 00:06:03,166 OH, NO, BUFFY, DON'T GET IN TROUBLE. 133 00:06:03,166 --> 00:06:05,542 I'LL BE OK. 134 00:06:05,542 --> 00:06:07,417 I JUST HATE THE WAY HE BULLIES PEOPLE. 135 00:06:07,417 --> 00:06:08,500 HE JUST ASSUMES EVERYONE'S TIME IS HIS. 136 00:06:08,500 --> 00:06:11,750 WILLOW, GET ON THE COMPUTER. 137 00:06:11,750 --> 00:06:14,458 I WANT YOU TO TAKE ANOTHER PASS 138 00:06:14,458 --> 00:06:16,041 AT ACCESSING THE MAYOR'S FILES. 139 00:06:16,041 --> 00:06:17,333 OK. 140 00:06:17,333 --> 00:06:18,667 WELL, THAT WAS A BLAST. 141 00:06:18,667 --> 00:06:20,417 HOW DID IT GO? 142 00:06:20,417 --> 00:06:22,291 PRINCESS MARGARET HERE 143 00:06:22,291 --> 00:06:23,583 HAD A LITTLE TROUBLE KEEPING UP. 144 00:06:23,583 --> 00:06:24,792 HOW DID IT GO? 145 00:06:24,792 --> 00:06:27,125 [BREATHING HEAVILY] FAITH, UH... 146 00:06:28,083 --> 00:06:29,542 DID QUITE WELL ON THE OBSTACLE FIELD. 147 00:06:29,542 --> 00:06:32,375 STILL A LITTLE SLOPPY, THOUGH. 148 00:06:32,375 --> 00:06:34,375 DO YOU FEEL UP TO TAKING BUFFY OUT, OR SHALL I? 149 00:06:34,375 --> 00:06:35,917 OH, NO, NO, NO, I'LL BE FINE. 150 00:06:35,917 --> 00:06:39,875 JUST GIVE ME A MINUTE. 151 00:06:39,875 --> 00:06:41,834 AND SOME DEFIBRILLATORS, 152 00:06:41,834 --> 00:06:44,166 IF IT'S NOT TOO MUCH TROUBLE. 153 00:06:44,166 --> 00:06:45,834 YOU'RE GONNA LOVE IT, B. 154 00:06:45,834 --> 00:06:47,166 IT'S JUST LIKE FUN, ONLY BORING. 155 00:06:47,166 --> 00:06:48,375 FAITH, THIS EVALUATION 156 00:06:48,375 --> 00:06:50,792 IS A NECESSARY PART OF THE COUNCIL. 157 00:06:50,792 --> 00:06:52,750 I KNOW. I'M ON BOARD HERE. 158 00:06:52,750 --> 00:06:54,083 JUST SHOOTING MY MOUTH OFF. 159 00:06:54,083 --> 00:06:56,041 I BETTER CHANGE. 160 00:06:56,041 --> 00:06:57,125 GOOD LUCK. 161 00:06:57,125 --> 00:06:59,834 WHAT YOU DOING? 162 00:07:02,041 --> 00:07:03,583 I'M TRYING TO ACCESS THE MAYOR'S PERSONAL FILES. 163 00:07:10,708 --> 00:07:13,583 CAN YOU DO THAT? 164 00:07:13,583 --> 00:07:16,500 WELL, HE'S GOT SOME TRICKY BARRIERS SET UP. 165 00:07:16,500 --> 00:07:18,458 CAN YOU GET PAST 'EM? 166 00:07:18,458 --> 00:07:21,500 EVENTUALLY, I'LL GET THROUGH. 167 00:07:21,500 --> 00:07:23,166 THAT'S VERY INTERESTING. 168 00:07:23,166 --> 00:07:25,667 YEAH, I THOUGHT SO, TOO. 169 00:07:29,166 --> 00:07:30,708 ARE YOU SERIOUS ABOUT THIS PLACE? 170 00:07:30,708 --> 00:07:32,583 OF COURSE I AM. NO SLAYER OF MINE 171 00:07:32,583 --> 00:07:34,500 IS GONNA LIVE IN A FLEABAG HOTEL. 172 00:07:34,500 --> 00:07:36,208 THAT PLACE HAS A VERY UNSAVORY REPUTATION. 173 00:07:36,208 --> 00:07:37,917 THERE ARE IMMORAL LIAISONS GOING ON THERE. 174 00:07:37,917 --> 00:07:40,708 YEAH, PLUS ALL THE SCREWING. 175 00:07:40,708 --> 00:07:43,333 THIS PLACE IS THE KICK. 176 00:07:43,333 --> 00:07:45,000 WE'LL KEEP YOUR OLD PLACE, 177 00:07:45,000 --> 00:07:46,542 IN CASE YOU NEED TO SEE YOUR FRIENDS THERE, 178 00:07:46,542 --> 00:07:47,708 BUT FROM NOW ON-- 179 00:07:47,708 --> 00:07:49,083 OH, HEY. HEY, HEY, SHOES. SHOES. 180 00:07:49,083 --> 00:07:50,458 THANKS, SUGAR DADDY. 181 00:07:50,458 --> 00:07:52,291 NOW, FAITH, I DON'T FIND THAT SORT OF THING AMUSING. 182 00:07:54,417 --> 00:07:55,875 I'M A FAMILY MAN. 183 00:07:55,875 --> 00:07:58,375 NOW, LET'S KILL YOUR LITTLE FRIEND. 184 00:07:58,375 --> 00:07:59,750 DON'T WORRY. I WOULDN'T ASK YOU TO DO IT. 185 00:08:01,000 --> 00:08:02,875 NOT THIS EARLY IN THE RELATIONSHIP. 186 00:08:04,792 --> 00:08:06,875 BESIDES, I THINK A VAMPIRE ATTACK 187 00:08:06,875 --> 00:08:08,875 WOULD LESS SUSPICIOUS ANYWAY. 188 00:08:08,875 --> 00:08:11,458 IN THE MEANTIME, LET'S TAKE A LOOK 189 00:08:11,458 --> 00:08:14,542 AT THE REST OF THE APARTMENT, HUH? 190 00:08:14,542 --> 00:08:15,625 IF I'M NOT MISTAKEN, SOME LUCKY GIRL 191 00:08:15,625 --> 00:08:17,167 HAS HERSELF A PLAYSTATION. 192 00:08:17,167 --> 00:08:18,667 NO WAY. 193 00:08:18,667 --> 00:08:20,792 YES WAY. 194 00:08:20,792 --> 00:08:21,708 HEY. 195 00:08:21,708 --> 00:08:23,750 OZ. HI. 196 00:08:26,417 --> 00:08:27,917 THERE'S SOMETHING ABOUT YOU 197 00:08:27,917 --> 00:08:29,250 THAT'S CAUSING ME TO HUG YOU. 198 00:08:29,250 --> 00:08:30,458 IT'S LIKE I HAVE NO WILL OF MY OWN. 199 00:08:30,458 --> 00:08:32,750 WHERE WERE YOU YESTERDAY? 200 00:08:32,750 --> 00:08:35,708 WE GOT BACK LATE, SORT OF VERY. 201 00:08:35,708 --> 00:08:38,125 WE? WHO? WHERE? 202 00:08:38,125 --> 00:08:40,625 THE BAND. WE HAD A GIG IN MONTEREY SUNDAY NIGHT. 203 00:08:40,625 --> 00:08:42,542 OH, YOU DID? 204 00:08:42,542 --> 00:08:45,375 HOW COME I DIDN'T KNOW? 205 00:08:45,375 --> 00:08:47,667 I THOUGHT YOU DID. 206 00:08:47,667 --> 00:08:49,166 MAYBE I WOULD HAVE LIKED TO GO. 207 00:08:49,166 --> 00:08:50,875 DIDN'T FIGURE YOU FOR MISSING SCHOOL. 208 00:08:50,875 --> 00:08:53,917 YOU THINK I'M BORING. 209 00:08:53,917 --> 00:08:56,333 I'D CALL THAT A RADICAL INTERPRETATION OF THE TEXT. 210 00:08:56,333 --> 00:08:57,708 WE'RE PLAYING TONIGHT AT THE BRONZE. 211 00:08:57,708 --> 00:09:00,583 I CAN'T. I HAVE TOO MUCH HOMEWORK. 212 00:09:02,625 --> 00:09:04,458 IF YOU GET DONE EARLY... 213 00:09:04,458 --> 00:09:07,750 PERCY. HEY. 214 00:09:07,750 --> 00:09:09,375 LISTEN, I THOUGHT WE COULD GET TOGETHER TODAY AT LUNCH 215 00:09:14,792 --> 00:09:17,167 AND GO OVER YOUR ROOSEVELT PAPER. 216 00:09:17,167 --> 00:09:19,458 YOU KNOW, WHAT BOOKS YOU'LL NEED AND STUFF. 217 00:09:19,458 --> 00:09:22,125 WHAT ARE YOU TALKING ABOUT? 218 00:09:22,125 --> 00:09:24,167 ME TUTORING YOU. YOUR HISTORY PAPER? 219 00:09:24,167 --> 00:09:25,417 OH, YEAH. SNYDER SAID YOU WERE GONNA DO IT. 220 00:09:25,417 --> 00:09:27,750 HE NEVER SAID THAT. 221 00:09:27,750 --> 00:09:30,125 WHAT MEETING WERE YOU AT? 222 00:09:30,125 --> 00:09:32,291 LOOK, I'LL GET THE BOOKS YOU NEED. 223 00:09:32,291 --> 00:09:34,500 JUST MEET ME AT LUNCH AND WE'LL-- 224 00:09:34,500 --> 00:09:36,458 NO, NO, NO. I DON'T HAVE ANY TIME AT LUNCH. 225 00:09:36,458 --> 00:09:37,625 I GOTTA HANG OUT. 226 00:09:37,625 --> 00:09:39,000 WELL... 227 00:09:39,000 --> 00:09:40,291 WHAT, YOU GOT SOMETHING BETTER TO DO? 228 00:09:40,291 --> 00:09:41,291 JUST TYPE IT UP AND PUT MY NAME ON IT. 229 00:09:41,291 --> 00:09:43,583 OH, AND DON'T TYPE TOO GOOD. DEAD GIVEAWAY. 230 00:09:43,583 --> 00:09:45,792 I'M EATING THIS NOW. 231 00:09:45,792 --> 00:09:48,500 IT'S NOT LUNCHTIME, I DON'T EVEN CARE. 232 00:09:48,500 --> 00:10:02,000 HEY. WILLOW, 233 00:10:02,000 --> 00:10:03,917 DID YOU REMEMBER TO TAPE 234 00:10:03,917 --> 00:10:06,792 BIOGRAPHY LAST FRIDAY? 235 00:10:06,792 --> 00:10:08,792 UH-HUH. 236 00:10:08,792 --> 00:10:09,959 SEE, I TOLD YOU. OLD RELIABLE. 237 00:10:09,959 --> 00:10:11,166 OH, THANKS. 238 00:10:11,166 --> 00:10:12,500 WHAT? 239 00:10:12,500 --> 00:10:15,458 OLD RELIABLE? YEAH, GREAT. 240 00:10:15,458 --> 00:10:17,250 THERE'S A SEXY NICKNAME. 241 00:10:17,250 --> 00:10:18,166 WELL, I DIDN'T MEAN IT AS-- 242 00:10:18,166 --> 00:10:20,333 NO, IT'S FINE. I'M OLD RELIABLE. 243 00:10:20,333 --> 00:10:23,750 SHE JUST MEANS, YOU KNOW, 244 00:10:23,750 --> 00:10:25,792 THE GEYSER. YOU'RE LIKE A GEYSER OF FUN 245 00:10:25,792 --> 00:10:28,542 THAT GOES OFF AT REGULAR INTERVALS. 246 00:10:28,542 --> 00:10:29,750 THAT'S OLD FAITHFUL. 247 00:10:29,750 --> 00:10:31,708 ISN'T THAT THE DOG THAT THE GUY HAD TO SHOOT-- 248 00:10:31,708 --> 00:10:34,166 THAT'S OLD YELLER. 249 00:10:34,166 --> 00:10:35,917 XANDER, I BEG YOU NOT TO HELP ME. 250 00:10:35,917 --> 00:10:37,792 WILL, I DIDN'T MEAN IT AS A BAD THING. 251 00:10:37,792 --> 00:10:39,125 I THINK IT'S GOOD TO BE RELIABLE. 252 00:10:39,125 --> 00:10:41,375 WELL, MAYBE I DON'T WANT TO BE 253 00:10:41,375 --> 00:10:43,667 RELIABLE ALL THE TIME. 254 00:10:43,667 --> 00:10:45,208 MAYBE I'M NOT JUST SOME DOORMAT PERSON. 255 00:10:45,208 --> 00:10:47,375 HOMEWORK GAL. 256 00:10:47,375 --> 00:10:49,458 I'M THINKING NERVE STRIKE. 257 00:10:49,458 --> 00:10:53,083 MAYBE I'LL CHANGE MY LOOK. 258 00:10:53,083 --> 00:10:54,625 OR CUT CLASS. YOU DON'T KNOW. 259 00:10:54,625 --> 00:10:57,333 AND I'M EATING THIS BANANA. 260 00:10:59,542 --> 00:11:01,250 LUNCH TIME BE DAMNED. 261 00:11:01,250 --> 00:11:03,250 WILL, WAIT. 262 00:11:04,458 --> 00:11:06,250 I'M REALLY SORRY. 263 00:11:06,250 --> 00:11:08,291 BUFF, I'M STORMING OFF. 264 00:11:10,083 --> 00:11:11,208 IT DOESN'T REALLY WORK IF YOU COME WITH ME. 265 00:11:11,208 --> 00:11:12,208 OH. 266 00:11:12,208 --> 00:11:14,834 UH, WILLOW? 267 00:11:14,834 --> 00:11:18,125 UH, HI. 268 00:11:18,125 --> 00:11:19,792 ANYA. I'M SORT OF NEW HERE. 269 00:11:19,792 --> 00:11:30,917 UM, I KNOW CORDELIA. 270 00:11:30,917 --> 00:11:33,250 OH, FUN. 271 00:11:33,250 --> 00:11:35,708 YEAH. UM, LISTEN, 272 00:11:35,708 --> 00:11:38,083 I HAVE THIS LITTLE PROJECT I'M WORKING ON, 273 00:11:38,083 --> 00:11:39,542 AND I HEARD YOU WERE THE PERSON TO ASK-- 274 00:11:39,542 --> 00:11:41,875 YEAH, THAT'S ME. RELIABLE DOG GEYSER PERSON. 275 00:11:41,875 --> 00:11:44,375 WHAT DO YOU NEED? 276 00:11:44,375 --> 00:11:46,375 OH, IT'S NOTHING BIG. 277 00:11:46,375 --> 00:11:48,208 JUST A LITTLE SPELL I'M WORKING ON. 278 00:11:48,208 --> 00:11:51,834 A SPELL? 279 00:11:51,834 --> 00:11:53,375 OH. I LIKE THE BLACK ARTS. 280 00:11:53,375 --> 00:11:54,667 I JUST NEED A SECONDARY TO CREATE A TEMPORAL FOLD. 281 00:11:54,667 --> 00:11:56,667 I HEARD YOU WERE A PRETTY POWERFUL WICCA, SO... 282 00:11:56,667 --> 00:11:58,083 YOU HEARD RIGHT, MISTER. 283 00:11:58,083 --> 00:12:00,875 I'M ALWAYS READY TO WORK SOME DARK MOJO. 284 00:12:00,875 --> 00:12:03,625 SO, TELL ME, IS IT DANGEROUS? 285 00:12:03,625 --> 00:12:05,291 OH, NO. 286 00:12:05,291 --> 00:12:07,750 WELL, COULD WE PRETEND IT IS? 287 00:12:07,750 --> 00:12:11,209 THE NECKLACE WAS A FAMILY HEIRLOOM 288 00:12:11,209 --> 00:12:13,875 PASSED DOWN FOR GENERATIONS. 289 00:12:13,875 --> 00:12:16,166 THEN IT WAS STOLEN FROM MY MOM'S APARTMENT. 290 00:12:16,166 --> 00:12:19,625 HOW DOES THE SPELL WORK? 291 00:12:20,708 --> 00:12:22,291 UH, WELL... 292 00:12:22,291 --> 00:12:24,583 WE BOTH CALL ON ERYISHON, THE ENDLESS ONE... 293 00:12:24,583 --> 00:12:27,166 OFFER UP THE STANDARD SUPPLICATION, 294 00:12:27,166 --> 00:12:29,125 THEN THERE'S A TEENSY TEMPORAL FOLD--WE HOPE. 295 00:12:29,125 --> 00:12:31,375 UM, THEN I POUR THE SACRED SAND 296 00:12:31,375 --> 00:12:34,458 ON THE REPRESENTATION OF THE NECKLACE, 297 00:12:34,458 --> 00:12:37,000 AND ERYISHON BRINGS IT FORTH 298 00:12:37,000 --> 00:12:40,417 FROM THE TIME AND PLACE IT WAS LOST. 299 00:12:40,417 --> 00:12:43,375 COOL. 300 00:12:43,375 --> 00:12:44,875 ARE WE READY? 301 00:12:44,875 --> 00:12:46,333 I THINK SO. 302 00:12:46,333 --> 00:12:48,500 ERYISHON. K'SHALA. MEH-UHN. 303 00:12:48,500 --> 00:12:50,041 DIPRECHT. DOH-TEHENLO NU-ERYISHON. 304 00:12:50,041 --> 00:12:51,375 THE CHILD TO THE MOTHER. 305 00:12:51,375 --> 00:12:53,166 THE RIVER TO THE SEA. 306 00:12:55,291 --> 00:12:57,458 ERYISHON, HEAR MY PRAYER. 307 00:12:57,458 --> 00:13:00,500 THAT WAS--WHAT WAS THAT? 308 00:13:02,417 --> 00:13:04,333 OH, IT'S NOT HERE. 309 00:13:04,333 --> 00:13:05,917 IT'S NOT HERE. 310 00:13:05,917 --> 00:13:07,625 OK, THAT'S A LITTLE BLACKER 311 00:13:07,625 --> 00:13:43,667 THAN I LIKE MY ARTS. 312 00:13:43,667 --> 00:13:46,667 OH, DON'T BE SUCH A WIMP. 313 00:13:46,667 --> 00:13:48,542 THAT WASN'T JUST SOME TEMPORAL FOLD, 314 00:13:50,250 --> 00:13:51,250 THAT WAS SOME WEIRD HELL PLACE. 315 00:13:51,250 --> 00:13:53,834 I DON'T THINK YOU'RE TELLING ME EVERYTHING. 316 00:13:53,834 --> 00:13:55,375 I SWEAR, I AM JUST TRYING TO FIND MY NECKLACE. 317 00:13:55,375 --> 00:13:57,333 WELL, DID YOU TRY LOOKING INSIDE THE SOFA IN HELL? 318 00:13:57,333 --> 00:14:00,250 LOOK, WE'LL JUST TRY IT AGAIN, AND-- 319 00:14:00,250 --> 00:14:02,125 NO. I THINK EMPHATICALLY NOT. 320 00:14:02,125 --> 00:14:04,875 I CAN'T DO IT BY MYSELF. 321 00:14:04,875 --> 00:14:08,375 THAT'S A RELIEF. 322 00:14:08,375 --> 00:14:11,583 I'M OUT OF HERE. 323 00:14:11,583 --> 00:14:14,583 FINE. GO. 324 00:14:14,583 --> 00:14:17,375 IDIOT CHILD. 325 00:14:17,375 --> 00:14:19,208 I BELIEVE THESE CHICKEN FEET ARE MINE. 326 00:14:19,208 --> 00:14:20,542 LOOK... 327 00:14:20,542 --> 00:14:21,792 MAGIC IS DANGEROUS, ANYA. 328 00:14:21,792 --> 00:14:23,750 IT'S NOT TO BE TOYED WITH. 329 00:14:23,750 --> 00:14:25,125 NOW, IF YOU'LL EXCUSE ME, 330 00:14:26,834 --> 00:14:29,458 I HAVE SOMEONE ELSE'S HOMEWORK TO DO. 331 00:14:29,458 --> 00:14:31,166 NOTHING! 332 00:14:31,166 --> 00:14:33,750 THIS IS WEIRD. 333 00:14:33,750 --> 00:14:36,250 EXCUSE ME, YOUNG LADY-- 334 00:14:36,250 --> 00:14:37,750 SHH! 335 00:14:37,750 --> 00:14:39,458 OH...OH... 336 00:14:45,500 --> 00:14:47,500 ♪ THERE'S A CHAIR IN MY HEAD ♪ 337 00:14:55,000 --> 00:14:57,500 ♪ IN WHICH I USED TO SIT ♪ 338 00:14:57,500 --> 00:15:36,333 ♪ TOOK A PENCIL AND I WROTE ♪ 339 00:15:36,333 --> 00:15:37,583 ♪ THE FOLLOWING ON IT ♪ 340 00:15:37,583 --> 00:15:38,625 ♪ NOW THERE'S A KEY ♪ 341 00:15:38,625 --> 00:15:40,500 ♪ WHERE MY WONDERFUL MOUTH USED TO BE ♪ 342 00:15:44,083 --> 00:15:48,041 ♪ DIG IT UP AND THROW IT AT ME ♪ 343 00:15:48,041 --> 00:15:50,625 ♪ DIG IT UP AND THROW IT AT ME ♪ 344 00:15:50,625 --> 00:15:54,375 ♪ WHERE CAN I RUN TO WHERE CAN I HIDE ♪ 345 00:15:54,375 --> 00:15:57,458 ♪ WHO WILL I TURN TO ♪ 346 00:15:57,458 --> 00:16:00,625 ♪ NOW I'M IN A VIRGIN STATE OF MIND ♪ 347 00:16:00,625 --> 00:16:04,625 ♪ GOT A KNIFE TO DISENGAGE ♪ 348 00:16:07,792 --> 00:16:11,667 ♪ THE VOIDS THAT I CAN'T BEAR ♪ 349 00:16:11,667 --> 00:16:14,875 ♪ CUT OUT WORDS I'VE GOT WRITTEN ♪ 350 00:16:16,875 --> 00:16:21,917 ♪ ON MY CHAIR ♪ 351 00:16:21,917 --> 00:16:26,000 ♪ LIKE DO YOU THINK I'M SEXY ♪ 352 00:16:26,000 --> 00:16:30,041 HEY. 353 00:16:30,041 --> 00:16:32,708 ROSENBERG? 354 00:16:32,708 --> 00:16:35,291 WHAT ARE YOU DOING, TRICK-OR-TREATING? 355 00:16:35,291 --> 00:16:39,166 YOU'RE SUPPOSED TO BE AT HOME DOING MY HISTORY REPORT. 356 00:16:39,166 --> 00:16:42,083 I FLUNK THAT CLASS, YOU'RE IN BIG TROUBLE WITH SNYDER. 357 00:16:42,083 --> 00:16:46,083 TILL WE GRADUATE, I OWN YOUR ASS. 358 00:16:46,667 --> 00:16:48,417 BORED NOW. 359 00:16:48,417 --> 00:16:50,792 I'M HAVING A TERRIBLE NIGHT. 360 00:16:50,792 --> 00:16:52,166 WANT TO MAKE IT BETTER? 361 00:16:52,166 --> 00:16:55,542 WHAT'S GOING ON? IS THERE A FUNNY THING? 362 00:16:55,542 --> 00:16:58,000 BACK OFF. 363 00:16:58,000 --> 00:17:02,208 YOU STAY THE HELL AWAY FROM HER. 364 00:17:02,208 --> 00:17:04,125 OK. SURE. 365 00:17:08,500 --> 00:17:11,500 XANDER... 366 00:17:17,750 --> 00:17:19,667 WILL. CHANGING THE LOOK 367 00:17:25,875 --> 00:17:28,708 NOT AN IDLE THREAT WITH YOU. 368 00:17:30,875 --> 00:17:32,125 YOU'RE ALIVE. 369 00:17:32,125 --> 00:17:34,166 UH... 370 00:17:34,166 --> 00:17:35,708 WILL, THIS IS VERGING ON NAUGHTY TOUCHING HERE. 371 00:17:39,208 --> 00:17:40,500 DON'T WANT TO FALL BACK ON BAD HABITS. 372 00:17:40,500 --> 00:17:42,375 HANDS. HANDS IN NEW PLACES. 373 00:17:42,375 --> 00:17:43,875 YOU'RE ALIVE. 374 00:17:43,875 --> 00:17:45,834 YOU MENTIONED THAT BEFORE. 375 00:17:49,166 --> 00:17:50,750 WILL, ARE YOU OK? 376 00:17:50,750 --> 00:17:54,125 NO. EVERYTHING'S DIFFERENT. 377 00:17:54,125 --> 00:17:55,792 THERE YOU ARE. 378 00:17:55,792 --> 00:17:58,250 HEY, BUFF. 379 00:17:58,250 --> 00:18:00,875 AREN'T YOU GONNA INTRODUCE ME TO YOUR-- 380 00:18:00,875 --> 00:18:04,458 HOLY GOD, YOU'RE WILLOW. 381 00:18:04,458 --> 00:18:05,625 YOU. 382 00:18:05,625 --> 00:18:10,209 YOU KNOW WHAT? I LIKE THE LOOK. 383 00:18:10,209 --> 00:18:11,500 IT'S, UM, IT'S EXTREME, 384 00:18:11,500 --> 00:18:12,875 BUT IT LOOKS GOOD, YOU KNOW. 385 00:18:12,875 --> 00:18:14,291 IT'S A LEATHER THING. 386 00:18:14,291 --> 00:18:17,167 AND, UH...I SAID EXTREME ALREADY, RIGHT? 387 00:18:17,167 --> 00:18:18,875 I DON'T LIKE YOU. 388 00:18:18,875 --> 00:18:22,375 WILL, I'M SORRY ABOUT TODAY. 389 00:18:22,375 --> 00:18:25,000 YOU KNOW HOW MY FOOT LIKES TO LIVE IN MY MOUTH, 390 00:18:25,000 --> 00:18:27,542 BUT YOU KNOW, 391 00:18:27,542 --> 00:18:29,417 YOU REALLY DIDN'T HAVE TO PROVE ANYTHING. 392 00:18:29,417 --> 00:18:34,333 LEAVING NOW. 393 00:18:37,792 --> 00:18:40,125 WILL, GOTTA SAY, NOT LOVING THE NEW YOU. 394 00:18:41,542 --> 00:18:43,542 WILL, WAIT-- 395 00:18:43,542 --> 00:18:45,792 GET OFF ME. 396 00:18:45,792 --> 00:18:47,417 WILLOW ROSENBERG. 397 00:18:47,417 --> 00:18:49,667 I'M NOT SUPPOSED TO TALK TO STRANGERS. 398 00:18:51,166 --> 00:18:53,209 THEN WE WON'T TALK. 399 00:18:53,209 --> 00:18:55,875 YOU MADE ME CRANKY. 400 00:18:55,875 --> 00:18:57,041 THERE'S BEEN A MISTAKE HERE. 401 00:18:57,041 --> 00:18:58,542 WE WERE SENT AFTER A HUMAN. 402 00:18:58,542 --> 00:19:15,083 REALLY? 403 00:19:15,083 --> 00:19:17,375 WHO DO YOU WORK FOR? 404 00:19:17,375 --> 00:19:20,250 I'M NOT TELLING YOU A THING. 405 00:19:20,250 --> 00:19:21,708 AAH! 406 00:19:21,708 --> 00:19:37,542 WHO DO YOU WORK FOR? 407 00:19:37,542 --> 00:19:39,458 WILKINS. THE MAYOR. 408 00:19:39,458 --> 00:19:41,875 AAH! 409 00:19:41,875 --> 00:19:43,917 WHO DO YOU WORK FOR? 410 00:19:43,917 --> 00:19:46,000 YOU. 411 00:19:46,000 --> 00:19:47,375 GET YOUR FRIENDS. 412 00:19:47,375 --> 00:19:49,209 BRING THEM HERE. 413 00:19:52,083 --> 00:19:53,125 THE WORLD'S NO FUN ANYMORE. 414 00:19:54,708 --> 00:19:56,792 WE'RE GONNA MAKE IT THE WAY IT WAS. 415 00:19:56,792 --> 00:19:59,750 STARTING WITH THE BRONZE. 416 00:20:03,625 --> 00:20:05,417 OH, BUFFY. I THOUGHT YOU WERE GOING OUT TONIGHT. 417 00:20:05,417 --> 00:20:09,834 I DIDN'T EXPECT-- 418 00:20:09,834 --> 00:20:11,875 WHAT IS IT? 419 00:20:14,000 --> 00:20:15,458 THIS ISN'T REAL. 420 00:20:15,458 --> 00:20:17,750 I CAN'T FEEL ANYTHING. 421 00:20:17,750 --> 00:20:19,708 ARMS, LEGS, ANYTHING. 422 00:20:21,667 --> 00:20:24,542 SHE WAS TRULY THE FINEST OF ALL OF US. 423 00:20:24,542 --> 00:20:26,917 WAY BETTER THAN ME. 424 00:20:31,083 --> 00:20:33,375 MUCH, MUCH BETTER. 425 00:20:33,375 --> 00:20:34,542 IT'S ALL MY FAULT. 426 00:20:38,959 --> 00:20:40,125 NO, IT'S ME. 427 00:20:44,000 --> 00:20:45,625 IT'S ME. 428 00:20:47,959 --> 00:20:50,125 I'M THE ONE THAT CALLED HER RELIABLE. 429 00:20:50,125 --> 00:20:53,875 SHE MUST HAVE GONE OUT AND GOTTEN ATTACKED, 430 00:20:53,875 --> 00:20:58,625 WHICH SHE NEVER WOULD HAVE DONE 431 00:21:00,458 --> 00:21:03,834 IF I HADN'T HAVE CALLED HER RELIABLE. 432 00:21:03,834 --> 00:21:06,333 AND NOW MY BEST FRIEND IS-- 433 00:21:06,333 --> 00:21:08,333 WHAT'S GOING ON? 434 00:21:08,333 --> 00:21:11,583 JEEZ, WHO DIED? 435 00:21:11,583 --> 00:21:13,000 OH, GOD. WHO DIED? 436 00:21:13,000 --> 00:21:15,208 BACK! 437 00:21:15,208 --> 00:21:17,000 GET BACK, DEMON. 438 00:21:17,000 --> 00:21:18,208 WILLOW, YOU'RE ALIVE. 439 00:21:18,208 --> 00:21:20,959 AREN'T I USUALLY? 440 00:21:20,959 --> 00:21:22,542 OH! 441 00:21:22,542 --> 00:21:24,083 I LOVE YOU GUYS, TOO. 442 00:21:25,750 --> 00:21:26,875 OK. OXYGEN BECOMING AN ISSUE. 443 00:21:28,542 --> 00:21:31,000 GILES, WHAT'S GOING ON WITH THESE-- 444 00:21:31,000 --> 00:21:32,417 OH. 445 00:21:32,417 --> 00:21:34,000 OH. SORRY. 446 00:21:40,083 --> 00:21:42,458 IT'S REALLY NICE THAT YOU GUYS MISSED ME. 447 00:21:42,458 --> 00:21:44,000 SAY, YOU ALL DIDN'T HAPPEN TO DO 448 00:21:45,667 --> 00:21:46,750 A BUNCH OF DRUGS, DID YOU? 449 00:21:51,041 --> 00:21:53,041 WILL, WE SAW YOU AT THE BRONZE. 450 00:21:53,041 --> 00:21:56,959 A VAMPIRE. 451 00:22:00,458 --> 00:22:02,458 I'M NOT A VAMPIRE. 452 00:22:02,458 --> 00:22:04,291 YOU ARE. I MEAN, YOU WERE. 453 00:22:04,291 --> 00:22:06,875 GILES, PLANNING ON JUMPING IN 454 00:22:09,083 --> 00:22:12,291 WITH AN EXPLANATION ANY TIME SOON? 455 00:22:12,291 --> 00:22:14,458 WELL, UH...SOMETHING-- 456 00:22:14,458 --> 00:22:16,208 SOMETHING VERY STRANGE IS HAPPENING. 457 00:22:16,208 --> 00:22:19,041 CAN YOU BELIEVE THE WATCHER'S COUNCIL LET THIS GUY GO? 458 00:22:19,041 --> 00:22:20,500 WHAT A DAY. 459 00:22:20,500 --> 00:22:23,000 GIVE ME A BEER. 460 00:22:23,000 --> 00:22:27,500 I.D. 461 00:22:27,500 --> 00:22:28,792 I.D. 462 00:22:28,792 --> 00:22:30,375 I'M 1,120 YEARS OLD. JUST GIVE ME A FRIGGIN' BEER. 463 00:22:30,375 --> 00:22:32,417 I.D. 464 00:22:32,417 --> 00:22:37,041 [SIGHS] GIVE ME A COKE. 465 00:22:37,041 --> 00:22:40,375 MAN, WE NEED A ROADIE. 466 00:22:47,208 --> 00:22:49,333 OTHER BANDS HAVE ROADIES. 467 00:22:49,333 --> 00:22:50,917 WELL, OTHER BANDS KNOW MORE THAN 3 CHORDS. 468 00:22:50,917 --> 00:22:52,708 YOUR PROFESSIONAL BANDS CAN PLAY UP TO 6, 469 00:22:54,792 --> 00:22:56,750 SOMETIMES 7 COMPLETELY DIFFERENT CHORDS. 470 00:22:56,750 --> 00:23:00,458 THAT'S JUST, LIKE, FRUITY JAZZ BANDS. 471 00:23:01,417 --> 00:23:03,041 OZ. 472 00:23:03,041 --> 00:23:05,250 HEY, MAN. 473 00:23:07,209 --> 00:23:09,333 YOU LOOKING FOR BUFFY? 474 00:23:09,333 --> 00:23:10,542 AS ALWAYS. 475 00:23:10,542 --> 00:23:13,041 WELL, NO SIGHTINGS AS OF YET, 476 00:23:13,041 --> 00:23:15,291 BUT I THINK SHE SAID SHE'D SHOW. 477 00:23:15,291 --> 00:23:17,417 THAT DOESN'T LOOK GOOD. 478 00:23:17,417 --> 00:23:20,250 EVERYBODY, SHUT UP. 479 00:23:20,250 --> 00:23:21,625 ALL RIGHT. 480 00:23:21,625 --> 00:23:23,083 NOBODY CAUSE ANY TROUBLE OR TRY TO LEAVE... 481 00:23:23,083 --> 00:23:24,250 AND NOBODY GETS HURT. 482 00:23:24,250 --> 00:23:25,250 WHY DON'T I BELIEVE HIM? 483 00:23:25,250 --> 00:23:27,875 WELL, HE LACKS CREDIBILITY. 484 00:23:27,875 --> 00:23:29,041 CAN YOU GET OUT OF HERE? 485 00:23:29,041 --> 00:23:39,458 SKYLIGHT IN THE ROOF. 486 00:23:39,458 --> 00:23:41,250 I CAN MAKE IT. 487 00:23:41,250 --> 00:23:42,625 I THINK WE NEED SOME BACKUP. 488 00:23:45,291 --> 00:23:47,083 I THINK I'M NEEDED HERE. 489 00:23:47,083 --> 00:23:49,834 10-1. COULD GET POINTLESS. 490 00:23:51,333 --> 00:23:53,083 LOOK. EVERYONE'S ALL AFRAID. 491 00:23:53,083 --> 00:23:54,458 IT'S JUST LIKE OLD TIMES. 492 00:23:54,458 --> 00:23:56,708 GET BUFFY. 493 00:24:00,041 --> 00:24:02,083 DO IT NOW. 494 00:24:02,083 --> 00:24:03,291 DUDE, CHECK OUT YOUR GIRLFRIEND. 495 00:24:03,291 --> 00:24:05,583 WHAT'S YOUR NAME? 496 00:24:05,583 --> 00:24:07,250 SANDY. 497 00:24:07,250 --> 00:24:09,125 YOU DON'T HAVE TO BE AFRAID... 498 00:24:09,125 --> 00:24:11,333 JUST TO PLEASE ME. 499 00:24:11,333 --> 00:24:32,291 IF YOU'RE ALL GOOD BOYS AND GIRLS, 500 00:24:32,291 --> 00:24:36,625 WE'LL MAKE YOU YOUNG 501 00:24:36,625 --> 00:24:39,208 AND STRONG FOREVER AND EVER. 502 00:24:42,500 --> 00:24:44,125 WE'LL HAVE FUN. 503 00:24:44,125 --> 00:24:45,834 IF YOU'RE NOT... 504 00:24:50,708 --> 00:24:53,667 QUESTIONS? COMMENTS? 505 00:25:03,000 --> 00:25:04,333 WILLOW. 506 00:25:04,333 --> 00:25:06,583 YOU DON'T WANT TO DO THIS. 507 00:25:13,625 --> 00:25:15,417 I DON'T? 508 00:25:15,417 --> 00:25:17,792 BUT I'M SO GOOD AT IT. 509 00:25:19,000 --> 00:25:21,708 WHO DID THIS TO YOU? 510 00:25:21,708 --> 00:25:23,875 I KNOW YOU. 511 00:25:23,875 --> 00:25:28,542 YOU'RE A WHITE HAT. 512 00:25:28,542 --> 00:25:30,500 HOW COME YOU'RE TALKING TO ME LIKE WE'RE FRIENDS? 513 00:25:34,917 --> 00:25:36,667 'CAUSE HE THINKS YOU'RE SOMEONE ELSE. 514 00:25:36,667 --> 00:25:48,917 HE THINKS YOU'RE THE WILLOW THAT BELONGS IN THIS REALITY. 515 00:25:48,917 --> 00:25:52,417 ANOTHER ME? 516 00:25:52,417 --> 00:25:54,750 YOU KNOW THIS ISN'T YOUR WORLD, RIGHT? 517 00:25:54,750 --> 00:25:56,708 I MEAN, YOU KNOW YOU DON'T BELONG HERE. 518 00:25:56,708 --> 00:25:58,667 NO. THIS IS A DUMB WORLD. 519 00:25:58,667 --> 00:26:01,458 IN MY WORLD THERE ARE PEOPLE IN CHAINS, 520 00:26:05,583 --> 00:26:07,125 AND WE CAN RIDE THEM LIKE PONIES. 521 00:26:07,125 --> 00:26:09,417 YOU WANT TO GET BACK THERE. 522 00:26:09,417 --> 00:26:11,458 YEAH. 523 00:26:11,458 --> 00:26:15,041 SO DO I. 524 00:26:15,041 --> 00:26:18,000 THIS IS CREEPY. 525 00:26:18,000 --> 00:26:22,041 I DON'T LIKE THE THOUGHT THAT THERE'S A VAMPIRE 526 00:26:22,041 --> 00:26:24,000 OUT THERE THAT LOOKS LIKE ME. 527 00:26:24,000 --> 00:26:25,458 NOT LOOKS LIKE--IS. 528 00:26:25,458 --> 00:26:27,166 IT WAS EXACTLY YOU, WILL, EVERY DETAIL. 529 00:26:27,166 --> 00:26:30,708 EXCEPT FOR YOUR NOT BEING A DOMINATRIX... 530 00:26:30,708 --> 00:26:34,417 AS FAR AS WE KNOW. 531 00:26:34,417 --> 00:26:37,458 OH, RIGHT. ME AND OZ 532 00:26:37,458 --> 00:26:39,917 PLAY MISTRESS OF PAIN EVERY NIGHT. 533 00:26:39,917 --> 00:26:41,708 DID ANYONE ELSE 534 00:26:41,708 --> 00:26:44,000 JUST GO TO A SCARY VISUAL PLACE? 535 00:26:47,041 --> 00:26:48,708 OH, YEAH. 536 00:26:48,708 --> 00:26:50,625 BUFFY, I-- 537 00:26:50,625 --> 00:26:52,083 SOMETHING'S HAPPENED THAT-- 538 00:26:52,083 --> 00:26:53,917 2� 539 00:26:53,917 --> 00:26:56,542 WILLOW'S DEAD. 540 00:26:56,542 --> 00:26:59,166 HEY, WILLOW. 541 00:26:59,166 --> 00:27:00,792 WAIT A SECOND. 542 00:27:00,792 --> 00:27:02,458 WE'RE RIGHT THERE WITH YOU, BUDDY. 543 00:27:02,458 --> 00:27:04,750 WE SAW HER, TOO. AT THE BRONZE. 544 00:27:05,875 --> 00:27:07,041 OK. SHE'S THERE NOW 545 00:27:07,041 --> 00:27:08,708 WITH A CADRE OF VAMPIRES LOOKING TO PARTY. 546 00:27:08,708 --> 00:27:10,375 WE CAN FIGURE OUT WHO SHE IS 547 00:27:13,333 --> 00:27:16,834 AFTER WE STOP THE FEEDING FRENZY. 548 00:27:16,834 --> 00:27:18,166 HOW MANY OF THEM WERE THERE? 8 OR 10. 549 00:27:21,458 --> 00:27:22,750 SHOULD WE CALL FAITH? 550 00:27:25,875 --> 00:27:26,917 NO, I DON'T WANT HER IN COMBAT YET. 551 00:27:30,125 --> 00:27:31,250 NOT AROUND CIVILIANS. HERE, HERE. 552 00:27:32,291 --> 00:27:34,000 GUYS? 553 00:27:34,000 --> 00:27:35,792 WHAT ARE WE GONNA DO WITH ME? THE OTHER ME? 554 00:27:38,000 --> 00:27:39,834 I DON'T KNOW, WILL. 555 00:27:39,834 --> 00:27:42,083 I MEAN, WE JUST HAVE TO STOP THEM. 556 00:27:42,083 --> 00:27:44,125 I GET THAT. 557 00:27:44,125 --> 00:27:46,166 I JUST KIND OF WANTED TO KNOW-- 558 00:27:46,166 --> 00:27:48,333 OH. HEY. GO. I'LL CATCH UP. 559 00:27:48,333 --> 00:27:49,417 ALONE AT LAST. 560 00:27:49,417 --> 00:27:50,708 WELL, LOOK AT ME. 561 00:27:50,708 --> 00:27:52,333 I'M ALL FUZZY. 562 00:27:52,333 --> 00:27:53,500 WHAT DO I WANT WITH YOU? UH-- 563 00:27:54,625 --> 00:27:58,375 YOUR LITTLE SCHOOL FRIEND ANYA SAID 564 00:28:01,875 --> 00:28:03,208 THAT YOU'RE THE ONE THAT BROUGHT ME HERE. 565 00:28:03,208 --> 00:28:05,375 SHE SAID THAT YOU COULD GET ME BACK TO MY WORLD. 566 00:28:05,375 --> 00:28:06,375 OH. 567 00:28:06,375 --> 00:28:09,250 OH. OOPS. 568 00:28:09,250 --> 00:28:12,875 BUT I DON'T KNOW... 569 00:28:21,375 --> 00:28:24,625 I KIND OF LIKE THE IDEA OF THE TWO OF US. 570 00:28:33,542 --> 00:28:35,917 WE COULD BE QUITE A TEAM 571 00:28:35,917 --> 00:28:37,208 IF YOU CAME AROUND TO MY WAY OF THINKING. 572 00:28:38,667 --> 00:28:40,792 WOULD THAT MEAN WE HAVE TO SNUGGLE? 573 00:28:40,792 --> 00:28:42,667 WHAT DO YOU SAY? 574 00:28:42,667 --> 00:28:44,375 WANT TO BE BAD? 575 00:28:46,000 --> 00:28:49,291 THIS JUST CAN'T GET MORE DISTURBING. 576 00:28:49,291 --> 00:28:50,708 [GROWLS] 577 00:28:50,708 --> 00:28:53,041 ACK! NO MORE. 578 00:28:53,041 --> 00:28:56,125 YOU'RE REALLY STARTING TO FREAK ME OUT. 579 00:28:56,125 --> 00:28:59,125 YOU DON'T WANT TO PLAY, 580 00:29:01,166 --> 00:29:04,250 I GUESS I CAN'T FORCE YOU. 581 00:29:04,250 --> 00:29:06,375 OH, WAIT. 582 00:29:06,375 --> 00:29:09,542 I CAN. 583 00:29:10,834 --> 00:29:13,125 BITCH. 584 00:29:17,000 --> 00:29:20,167 IT'S EXTRAORDINARY. 585 00:29:20,167 --> 00:29:22,125 IT'S HORRIBLE. 586 00:29:22,125 --> 00:29:23,333 THAT'S ME AS A VAMPIRE? 587 00:29:23,333 --> 00:29:25,250 I'M SO EVIL, AND SKANKY. 588 00:29:25,250 --> 00:29:27,458 AND I THINK I'M KIND OF GAY. 589 00:29:36,875 --> 00:29:38,375 WILLOW, JUST REMEMBER, 590 00:29:38,375 --> 00:29:40,125 A VAMPIRE'S PERSONALITY 591 00:29:43,166 --> 00:29:44,250 HAS NOTHING TO DO WITH THE PERSON IT WAS. 592 00:29:45,458 --> 00:29:47,209 WELL, ACTUALLY-- 593 00:29:50,542 --> 00:29:52,166 THAT'S A GOOD POINT. 594 00:29:58,917 --> 00:30:00,917 SO, UH, WHAT DO WE DO NOW? 595 00:30:00,917 --> 00:30:03,041 WE STILL HAVE TO GET TO THE BRONZE. 596 00:30:03,041 --> 00:30:04,917 EVEN IF THEY'RE SUPPOSED TO WAIT FOR HER 597 00:30:04,917 --> 00:30:07,959 THEY MAY START FEEDING. 598 00:30:07,959 --> 00:30:09,792 VAMPIRES ARE NOT NOTORIOUSLY RELIABLE. 599 00:30:09,792 --> 00:30:11,250 SO WE CHARGE IN, 600 00:30:11,250 --> 00:30:12,375 MUCH IN THE STYLE OF JOHN WAYNE? 601 00:30:12,375 --> 00:30:14,792 HIGH CASUALTY RISK. 602 00:30:14,792 --> 00:30:16,542 I HAVEN'T ANY OTHER PLAN, THOUGH. 603 00:30:17,667 --> 00:30:19,667 UH, I HAVE A REALLY BAD IDEA. 604 00:30:19,667 --> 00:30:21,166 THEY'RE STILL IN A HOLDING PATTERN. 605 00:30:21,166 --> 00:30:22,959 THAT'S GOOD. 606 00:30:22,959 --> 00:30:24,208 IT MEANS THEY MUST REALLY BE AFRAID OF YOU. 607 00:30:24,208 --> 00:30:25,458 WHO WOULDN'T BE? 608 00:30:25,458 --> 00:30:27,417 ARE YOU OK IN THAT? 609 00:30:27,417 --> 00:30:28,750 IT'S A LITTLE BINDING. 610 00:30:28,750 --> 00:30:30,708 I GUESS VAMPIRES REALLY DON'T HAVE TO BREATHE. 611 00:30:30,708 --> 00:30:32,583 GOSH, LOOK AT THOSE. 612 00:30:32,583 --> 00:30:34,333 UM, WILLOW, YOU GO IN 613 00:30:34,333 --> 00:30:37,667 AND DEFUSE THE SITUATION AS BEST YOU CAN. 614 00:30:44,834 --> 00:30:46,792 AT LEAST TRY AND GET SOME OF THEM TO COME OUT 615 00:30:46,792 --> 00:30:47,917 AND EVEN UP THE ODDS A BIT. 616 00:30:47,917 --> 00:30:49,917 FIRST SIGN OF TROUBLE, YOU GIVE US A SIGNAL. 617 00:30:49,917 --> 00:30:51,375 WE COME IN HARD AND FAST. 618 00:30:53,208 --> 00:30:55,166 WHAT IS THE SIGNAL? 619 00:30:55,166 --> 00:30:56,667 ME SCREAMING. 620 00:30:56,667 --> 00:31:00,333 GILES, YOU AND XANDER WAIT BY THE BACK ENTRANCE. 621 00:31:01,291 --> 00:31:03,166 GOOD. 622 00:31:03,166 --> 00:31:06,542 NOW, YOU'RE SURE YOU'RE UP TO THIS? 623 00:31:06,542 --> 00:31:08,750 DON'T WORRY. I WON'T DO ANYTHING 624 00:31:08,750 --> 00:31:10,708 THAT COULD BE INTERPRETED AS BRAVE. 625 00:31:10,708 --> 00:31:12,417 WE'LL BE RIGHT OUTSIDE. 626 00:31:12,417 --> 00:31:14,417 HI. I'M BACK. 627 00:31:14,417 --> 00:31:16,250 Alphonse: DID YOU FIND THE GIRL? 628 00:31:16,250 --> 00:31:17,583 YEP. I DID. 629 00:31:17,583 --> 00:31:18,667 WHERE IS SHE? 630 00:31:18,667 --> 00:31:21,208 I KILLED HER. 631 00:31:21,208 --> 00:31:22,125 AND SUCKED HER BLOOD, AS WE VAMPIRES DO. 632 00:31:23,250 --> 00:31:24,917 YOU KNOW, I THINK MAYBE I HEARD SOMETHING OUT THERE. 633 00:31:24,917 --> 00:31:26,250 WHY DON'T YOU GO CHECK? 634 00:31:26,250 --> 00:31:28,166 HOW COULD YOU KILL HER? 635 00:31:28,166 --> 00:31:29,667 SHE WAS OUR BEST SHOT AT GETTING YOUR WORLD BACK. 636 00:31:29,667 --> 00:31:50,500 I DON'T LIKE THAT YOU DARE QUESTION ME. 637 00:31:50,500 --> 00:31:51,875 MAYBE I'LL HAVE MY MINIONS TAKE YOU OUT BACK AND KILL YOU HORRIBLY. 638 00:31:59,834 --> 00:32:01,792 VAMPIRES. ALWAYS THINKING WITH YOUR TEETH. 639 00:32:03,708 --> 00:32:05,083 SHE BOTHERED ME. 640 00:32:06,083 --> 00:32:07,834 SHE'S SO WEAK AND ACCOMMODATING. 641 00:32:09,291 --> 00:32:10,750 SHE'S ALWAYS LETTING PEOPLE WALK ALL OVER HER, 642 00:32:11,834 --> 00:32:16,291 AND THEN SHE GETS CRANKY WITH HER FRIENDS FOR NO REASON. 643 00:32:23,208 --> 00:32:25,917 I JUST COULDN'T LET HER LIVE. 644 00:32:25,917 --> 00:32:27,291 YOU KNOW, HE'S BEEN GONE FOR A WHILE. 645 00:32:36,917 --> 00:32:39,000 WHY DON'T YOU GO CHECK ON HIM? 646 00:32:39,000 --> 00:32:41,834 WELL, BOSS, SINCE THAT PLAN IS OUT, 647 00:32:41,834 --> 00:32:46,291 WHY DON'T WE GET WITH THE KILLING? 648 00:32:46,291 --> 00:32:50,792 OH, THIS IS LIKE A NIGHTMARE. 649 00:32:52,125 --> 00:32:54,750 HELLO? GILES? 650 00:32:54,750 --> 00:32:56,792 WESLEY? 651 00:32:56,792 --> 00:32:59,375 I JUST HAPPENED TO STOP BY... 652 00:33:00,708 --> 00:33:05,000 FOR BOOKS. 653 00:33:05,000 --> 00:33:08,291 HEY, YOU. 654 00:33:08,291 --> 00:33:10,625 HEY ME? 655 00:33:12,166 --> 00:33:14,708 HEY ME WHAT? 656 00:33:14,708 --> 00:33:16,667 I HAVE A NAME, YOU KNOW. 657 00:33:18,208 --> 00:33:22,333 UH, CORDELIA. 658 00:33:22,333 --> 00:33:25,291 WHAT DID YOU DO? 659 00:33:25,291 --> 00:33:42,708 LOCK YOURSELF IN THE BOOK CAGE? 660 00:33:42,708 --> 00:33:45,667 YEAH. 661 00:33:47,417 --> 00:33:49,708 LET ME OUT... 662 00:33:51,917 --> 00:33:53,333 'CAUSE I'M SO HELPLESS. 663 00:33:53,333 --> 00:33:57,500 OK. 664 00:33:57,500 --> 00:33:58,917 I THINK GILES KEEPS A SPARE. 665 00:34:01,708 --> 00:34:04,208 HOW'D YOU MANAGE TO LOCK YOURSELF IN, ANYWAY? 666 00:34:04,208 --> 00:34:05,083 UH, I WAS LOOKING AT BOOKS. 667 00:34:05,083 --> 00:34:06,291 I LIKE BOOKS... 668 00:34:06,291 --> 00:34:09,083 'CAUSE I'M SHY. 669 00:34:09,083 --> 00:34:12,083 YEAH, RIGHT. 670 00:34:12,083 --> 00:34:14,000 THE FAMOUS SHY GIRL ACT ALL THE BOYS FALL FOR. 671 00:34:14,000 --> 00:34:16,250 OPEN THE CAGE. 672 00:34:16,250 --> 00:34:17,583 WAIT. 673 00:34:19,166 --> 00:34:20,792 IT OCCURS TO ME THAT WE'VE NEVER REALLY HAD THE OPPORTUNITY TO TALK. 674 00:34:20,792 --> 00:34:24,000 YOU KNOW, WOMAN TO WOMAN... 675 00:34:24,000 --> 00:34:26,083 WITH YOU LOCKED UP. 676 00:34:26,083 --> 00:34:29,625 DON'T WANT TO TALK. HUNGRY. 677 00:34:29,625 --> 00:34:32,917 WHAT COULD WE TALK ABOUT. OH! 678 00:34:32,917 --> 00:34:35,875 HEY! HOW ABOUT THE ETHICS OF BOYFRIEND STEALING? 679 00:34:35,875 --> 00:34:38,000 I DON'T KNOW IF I FEEL LIKE KILLING ANYMORE. 680 00:34:39,792 --> 00:34:41,291 I'M SO BORED. 681 00:34:41,291 --> 00:34:42,417 IT WOULD BE LIKE SHOOTING FISH IN A BARREL. 682 00:34:42,417 --> 00:34:45,000 WHERE'S THE FUN? 683 00:34:45,000 --> 00:34:46,834 WITH ALL DUE RESPECT, BOSS, THE FUN WOULD BE THE EATING. 684 00:34:53,417 --> 00:34:54,959 MAYBE WE SHOULD LET EVERYONE GO 685 00:34:54,959 --> 00:34:58,959 AND GIVE THEM A 30-SECOND HEAD START. 686 00:34:58,959 --> 00:35:00,834 WAIT A MINUTE. 687 00:35:00,834 --> 00:35:02,625 NO! I LIKE MY PLAN. 688 00:35:02,625 --> 00:35:04,458 OH, NICE TRY. 689 00:35:06,291 --> 00:35:08,041 OK, LET'S GET TO THE KILLING. 690 00:35:08,041 --> 00:35:12,333 WHY DON'T WE START WITH HER? 691 00:35:14,458 --> 00:35:17,125 WHY DON'T WE START WITH YOU? 692 00:35:17,125 --> 00:35:19,500 IF SHE'S A VAMPIRE, THEN I'M THE CREATURE FROM THE BLACK LAGOON. 693 00:35:25,500 --> 00:35:29,041 AND, OK... 694 00:35:29,041 --> 00:35:31,000 IT ISN'T EVEN LIKE I WAS THAT ATTRACTED TO XANDER. 695 00:35:31,000 --> 00:35:35,667 IT WAS MORE JUST THAT WE KEPT BEING PUT IN THESE LIFE OR DEATH SITUATIONS, 696 00:35:35,667 --> 00:35:39,583 AND THAT'S ALWAYS ALL SEXY AND STUFF. 697 00:35:39,583 --> 00:35:42,166 I MEAN, I MORE OR LESS KNEW HE WAS A LOSER, 698 00:35:42,166 --> 00:35:44,333 BUT THAT DOESN'T MAKE IT OK FOR YOU TO COME AROUND AND--WHAT? 699 00:35:44,333 --> 00:35:46,917 DO I HAVE SOMETHING ON MY NECK? 700 00:35:46,917 --> 00:35:48,834 NOT YET. 701 00:35:48,834 --> 00:35:50,542 AM I GETTING A ZIT? 702 00:35:50,542 --> 00:35:52,000 CORDELIA, I'M VERY SORRY. 703 00:35:52,000 --> 00:35:53,875 I REALIZE I WAS WRONG. 704 00:35:53,875 --> 00:35:57,208 I'LL NEVER STEAL YOUR BOYFRIEND AGAIN. 705 00:35:57,208 --> 00:35:59,417 LIKE YOU COULD. 706 00:35:59,417 --> 00:36:01,875 I SHOULD JUST LEAVE YOU IN THERE, 707 00:36:01,875 --> 00:36:06,291 BUT I'M A GREAT HUMANITARIAN, 708 00:36:06,291 --> 00:36:08,667 AND YOU WILL JUST HAVE TO THINK OF A WAY TO PAY ME BACK SOMETIME. 709 00:36:09,875 --> 00:36:12,834 OK. 710 00:36:12,834 --> 00:36:18,291 HOW ABOUT DINNER? 711 00:36:20,083 --> 00:36:21,708 AAH! AAH! AAH! 712 00:36:21,708 --> 00:36:23,250 I DIDN'T MEAN ALL THAT STUFF I SAID BEFORE. 713 00:36:23,250 --> 00:36:25,834 I WANT YOU TO HAVE XANDER. MY BLESSINGS ON YOU BOTH. 714 00:36:25,834 --> 00:36:29,375 I'M SO OVER HIM. 715 00:36:29,375 --> 00:36:32,000 I NEED FRESH BLOOD. 716 00:36:32,000 --> 00:36:34,875 AAH! 717 00:36:34,875 --> 00:36:37,250 AAH! 718 00:36:37,250 --> 00:36:39,500 NO MORE HIDING. 719 00:36:39,500 --> 00:36:41,083 BACK! CREATURE OF THE NIGHT. 720 00:36:41,083 --> 00:36:46,208 LEAVE THIS PLACE! 721 00:36:49,250 --> 00:36:50,667 DON'T WANNA. 722 00:36:51,959 --> 00:36:53,375 [SIGHS] WHATEVER. 723 00:36:59,417 --> 00:37:03,250 YAAHH! 724 00:37:05,333 --> 00:37:07,375 I'M SORRY. 725 00:37:07,375 --> 00:37:10,458 NO, NO. A LITTLE ON EDGE. 726 00:37:10,458 --> 00:37:12,750 YOU KNOW, MEN IN COMBAT. 727 00:37:12,750 --> 00:37:15,458 GRR. 728 00:37:15,458 --> 00:37:16,750 ARE YOU ALL RIGHT? 729 00:37:18,166 --> 00:37:19,250 YOU SAVED MY LIFE. 730 00:37:26,750 --> 00:37:28,041 THANK YOU. 731 00:37:29,875 --> 00:37:31,917 OH, YES. UH...YES. 732 00:37:31,917 --> 00:37:33,834 WAS THAT? 733 00:37:33,834 --> 00:37:35,834 WILLOW. 734 00:37:41,166 --> 00:37:43,209 THEY GOT WILLOW. 735 00:37:50,625 --> 00:37:52,500 SO, YOU DOING ANYTHING TONIGHT? 736 00:37:52,500 --> 00:37:54,417 I'M JUST SO TIRED OF BEING AROUND HUMAN BEINGS AND ALL THEIR BAGGAGE. 737 00:37:54,417 --> 00:37:57,959 I DON'T CARE IF I EVER GET MY POWERS BACK. 738 00:37:57,959 --> 00:38:00,291 I THINK HE SHOULD EAT YOU. 739 00:38:00,291 --> 00:38:01,667 THIS GIRL HAS A HISTORY OF MENTAL PROBLEMS DATING BACK TO EARLY CHILDHOOD. 740 00:38:01,667 --> 00:38:03,291 I'M A BLOOD-SUCKING FIEND. 741 00:38:03,291 --> 00:38:05,250 LOOK AT MY OUTFIT. 742 00:38:05,250 --> 00:38:06,792 A HUMAN. I SHOULD HAVE SMELLED IT RIGHT AWAY. 743 00:38:06,792 --> 00:38:11,750 A HUMAN? OH, YEAH? COULD A HUMAN DO THIS? 744 00:38:14,167 --> 00:38:16,167 AAAAH! 745 00:38:16,167 --> 00:38:17,250 SURE. YEAH. YEAH. 746 00:38:17,250 --> 00:38:19,167 HUMANS DO THAT. YEAH. I THINK, YEAH. 747 00:38:20,083 --> 00:38:23,792 UHH! 748 00:38:23,792 --> 00:38:28,209 OW! OW! OW! HAPPY, BUT OW! 749 00:38:28,209 --> 00:38:30,417 DEVON, COME ON! 750 00:38:30,417 --> 00:38:34,208 s 751 00:38:34,208 --> 00:38:39,875 NO MORE SNUGGLES? 752 00:38:39,875 --> 00:38:41,834 BUFFY, NO! 753 00:38:41,834 --> 00:38:43,333 NICE REFLEXES. 754 00:38:43,333 --> 00:38:47,083 WELL, I WORK OUT. 755 00:38:47,083 --> 00:38:50,750 THIS WORLD'S NO FUN. 756 00:38:50,750 --> 00:38:52,583 YOU NOTICED THAT, TOO? 757 00:38:53,667 --> 00:38:55,375 SO, UM, IN YOUR REALITY, I'M LIKE THIS BAD ASS VAMPIRE, HUH? 758 00:38:55,375 --> 00:38:57,792 PEOPLE AFRAID OF ME? 759 00:38:57,792 --> 00:39:10,375 OH, YEAH. 760 00:39:10,375 --> 00:39:11,458 I'M BAD. 761 00:39:11,458 --> 00:39:13,834 I'M NOT SURE ABOUT RELEASING THIS THING INTO THE WILD, WILL. 762 00:39:13,834 --> 00:39:25,125 IT IS A DEMON. 763 00:39:25,125 --> 00:39:26,083 I JUST CAN'T KILL HER. 764 00:39:26,083 --> 00:39:33,166 NO. 765 00:39:33,166 --> 00:39:34,708 ME, NEITHER. 766 00:39:34,708 --> 00:40:35,708 I MEAN, I KNOW SHE'S NOT ME. 767 00:40:35,708 --> 00:40:37,083 WE HAVE A BIG NOTHING IN COMMON, BUT STILL. 768 00:40:45,875 --> 00:40:48,291 THERE BUT FOR THE GRACE OF GETTING BIT. 769 00:40:48,291 --> 00:40:50,083 WE SEND HER BACK TO HER WORLD, THEN SHE STANDS A CHANCE. 770 00:40:52,458 --> 00:40:54,583 IT'S THE WAY IT SHOULD BE ANYWAY. 771 00:40:56,125 --> 00:40:57,667 UH, WE'RE ABOUT READY HERE. 772 00:41:06,208 --> 00:41:11,000 DON'T YOU TRY ANY TRICKS NOW, DEAR. 773 00:41:11,000 --> 00:41:12,750 I DON'T NEED TRICKS. 774 00:41:14,750 --> 00:41:16,166 WHEN I GET MY POWERS BACK, YOU WILL ALL GROVEL BEFORE ME. 775 00:41:16,166 --> 00:41:17,500 PFFF! 776 00:41:21,834 --> 00:41:24,959 IF YOU, UH, WILLOWS WOULD LIKE TO, UH, 777 00:41:24,959 --> 00:41:26,667 COMPLETE THE CIRCLE. 778 00:41:26,667 --> 00:41:29,750 GOOD LUCK. 779 00:41:29,750 --> 00:41:31,291 TRY NOT TO KILL PEOPLE. 780 00:41:31,291 --> 00:41:33,000 HANDS! HANDS! 781 00:41:33,000 --> 00:41:35,917 YOU WANNA GO OUT TONIGHT? 782 00:41:35,917 --> 00:41:40,625 STRANGELY, I FEEL LIKE STAYING AT HOME... 783 00:41:40,625 --> 00:41:43,041 AND DOING MY HOMEWORK... 784 00:41:43,041 --> 00:41:47,625 AND FLOSSING... 785 00:41:47,625 --> 00:41:50,208 AND DYING A VIRGIN. 786 00:41:50,208 --> 00:41:52,500 YOU KNOW, YOU CAN O.D. ON VIRTUE. 787 00:41:58,750 --> 00:42:01,375 BETWEEN ME AND MY EVIL SELF, I'VE DOUBLE GUILT COUPONS. 788 00:42:01,375 --> 00:42:02,792 I SEE NOW WHERE THE PATH OF VICE LEADS. 789 00:42:02,792 --> 00:42:06,917 I MEAN, SHE MESSED UP EVERYTHING SHE TOUCHED. 790 00:42:06,917 --> 00:42:07,834 I DON'T EVER WANT TO BE LIKE THAT. 791 00:42:09,375 --> 00:42:14,083 HEY. OH, HI. 792 00:42:14,083 --> 00:42:15,834 OH, HI, LISTEN, I DIDN'T HAVE A CHANCE-- 793 00:42:17,917 --> 00:42:19,291 OK, SO I DID THE OUTLINE FOR THE PAPER ON ROOSEVELT. 794 00:42:20,792 --> 00:42:22,708 IT TURNS OUT THERE WERE 2 PRESIDENT ROOSEVELTS, 795 00:42:29,041 --> 00:42:30,792 SO I DIDN'T KNOW EXACTLY WHICH ONE TO DO, SO I DID BOTH. 796 00:42:30,792 --> 00:42:57,917 I KNOW THEY'RE KIND OF SHORT, BUT I CAN FLESH THEM OUT. 797 00:42:57,917 --> 00:43:00,041 OH, AND HERE'S THE BIBLIOGRAPHY. 798 00:43:00,041 --> 00:43:03,000 UM, AND I CAN RETYPE THAT IF YOU WANT. 799 00:43:03,000 --> 00:43:05,375 YOU JUST LET ME KNOW WHAT I DID WRONG, AND I'LL GET ON IT. 800 00:43:05,375 --> 00:43:07,041 YOU WANNA GO OUT TONIGHT? 801 00:43:07,041 --> 00:43:08,500 9:00 SOUND GOOD? 802 00:43:08,500 --> 00:43:11,792 GRR! ARRGH!